Intolewd by Matt Maltese Lyrics Meaning – Delving Into the Depths of Love and Self-Discovery

You can view the lyrics, alternate interprations and sheet music for Matt Maltese's Intolewd at Lyrics.org.

Lyrics

We took our trousers off, the socialists asleep
We talked and talked for hours, it was really deep
You’re a kind of angel, dancing by the table
I was doing fine then I met you

I don’t need a sign, what will be will be
Let’s go start a life somewhere in the weeds
I am usually able, but your effect is fatal
I was doing fine then I met you

In an industry that often revels in the grandiose, Matt Maltese’s ‘Intolewd’ stands as a striking exception—a quiet rumination on the profound changes brought about by an unexpected love. With its stripped-down instrumentation and heartfelt lyrics, ‘Intolewd’ invites us into an intimate moment, witnessing a seismic shift in the narrator’s emotional landscape.

As the gentle piano chords ebb and flow, Maltese weaves a tale that is at once deeply personal and universally resonant. The power of ‘Intolewd’ lies in its delicate simplicity, grappling with the timeless themes of love, vulnerability, and the unexpected turns of life.

A Bare Soul in a Melodious Rhapsody: The Intimate Aura of ‘Intolewd’

The song doesn’t waste time with extravagant production; instead, it strips back to a near-naked musicality. ‘Intolewd’ presents an aural canvas that allows Maltese’s conversational lyrics and the contemplative piano to take center stage—creating an intimacy as though the listener is eavesdropping on a private exchange.

This simplicity carries a raw emotional weight that adorns ‘Intolewd’ with a haunting beauty. Each note, each pause carries the weight of unspoken thoughts, and as Maltese’s voice drifts through this sparse soundscape, the listener is drawn into a deep state of reflection.

Disrobing Ideologies: The Allure of Intellectual Intimacy

The opening lines of ‘Intolewd’ are not just literal; they symbolize the shedding of ideological confines (‘the socialists asleep’). Removing trousers is a metaphor for vulnerability and openness, enabling the kind of ‘really deep’ discussions that forge bonds beyond the physical.

The song speaks to the romanticism of mental connection, a seduction of the mind that is often more potent than that of the body. As they converse into the night, ‘Intolewd’ portrays a meeting not just of hearts, but of intellects—a dance of words as alluring as any physical entanglement.

The Angelic Muse and the Mortal Man: An Ephemeral Dance

Maltese’s ‘kind of angel’ is a recurrent muse-like figure in lyricism, elevating the subject of his affections to an ethereal plane. The partner here is elusive, almost supernatural—one that inspires both the song and disrupts the narrator’s equilibrium, as depicted in the dance by the table.

The listener can’t help but feel the tension between the otherworldly and the mortal, as Maltese confesses how his encounter with the angelic figure has unsettled his former composure—’I was doing fine then I met you.’ The song captures the fragility of human emotion, susceptible to the whims of chance encounters that steer the heart.

Fatal Effects and Inevitability: Embracing the ‘What Will Be’

What grips the listener in ‘Intolewd’ is the sense of surrender to the inevitable—’I don’t need a sign, what will be will be.’ In accepting the fatal impact of this newfound love, Maltese subjects himself to the currents of fate, suggestion a surrender to emotions often unwelcomed by those who are usually ‘able.’

Yet, in this surrender, there is liberation. The readiness to ‘start a life somewhere in the weeds’ speaks to a willingness to embrace the untamed, the yet-to-be tamed, an acceptance of love’s unpredictable nature, and the oftentimes uncomfortable growth that accompanies it.

Caught in a Lyrical Crossfire: Memorable Lines That Seize the Heart

Each phrase in ‘Intolewd’ is carefully wrought to linger in the memory. The confession ‘I was doing fine then I met you’ captures the essence of the song—an acknowledgement that despite the self-sufficiency one might feel, there are encounters that irrevocably alter the course of our existence.

The juxtaposition of the past tense ‘was doing fine’ with the present ‘then I met you,’ packs a poignant punch. It resonates as a moment of recognition, a mortal wound inflicted by Cupid’s arrow, leaving an indelible mark on the soul of the listener as well as the narrator.