LIMBO by Keshi Lyrics Meaning – Navigating the Twilight of Self-Recognition


You can view the lyrics, alternate interprations and sheet music for Keshi's LIMBO at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Ooh, ooh-ooh
Ooh-ooh-ooh-ooh
Ooh-ooh-ooh-ooh
Ooh, ooh-ooh, ooh, ooh
Ooh-ooh-ooh-ooh
Ooh-ooh-ooh-ooh
Ooh, ooh-ooh

I just been goin’ through motions
Back and forth like a ocean
I am a fraud, I am the shit
Hopin’ that nobody notice
Bang chest in the mornin’
Head down in the night
Drink less if I wanted
Strike up with the light

And square up, I’m the mightiest
Myself in the fight
Hurt twice but I tried it
No advice for this shit
Might die for this shit
Do I feel alive, feel alive, feel alive?

Feel more like limbo
Hands out my window
Chasin’ that sunset
That’s more my tempo
Yeah, that’s more my tempo

Ooh
But this is all that I am
I only show you the best of me
The best of me

Looked at my demons and saw myself
Put all my meanin’ in someone else
Outta sight, outta mind
Don’t know where to find it
Don’t know where to hide
But I still
Eat good, drink good, feel good, s’all good
Can’t hear my head when I’m sat beside ya
Fucked lungs and a liver
Good looks in the mirror
Do I feel alive, feel alive, feel alive?

Feel more like limbo
Hands out my window
Chasin’ that sunset
That’s more my tempo
That’s more my tempo

(keshi) ooh
But this is all that I am
I only show you the best of me
The best of me
Ooh
Tryin’ but I’m just a man
Hopin’ it won’t get the best of me
The best of me

Full Lyrics

The evocative track ‘LIMBO’ by indie sensation Keshi ventures into the complex realm of self-identity and the introspection of one’s existence. With a haunting melody that echoes the ebb and flow of a tumultuous inner world, Keshi, who started his journey as a sensation on SoundCloud, dives deep into the human psyche, examining our battles between self-doubt and self-assuredness.

The song’s verses are imbued with a magnetizing mixture of self-reflection and rebellion, resonating with listeners grappling with their own internal conflicts. Accompanied by a serene yet striking production, the juxtaposition of Keshi’s soft tonality with the weight of the lyrics fosters an intimate conversation on the essence of being perpetually caught in a liminal state.

The Eternal Struggle: Caught Between Confidence and Doubt

Keshi’s lyrics in ‘LIMBO’ portray a soul torn between self-aggrandizement and self-questioning. The opening lines, ‘I am a fraud, I am the shit, Hopin’ that nobody notice,’ illustrate the polarity that exists within, where one oscillates between feeling like an imposter and owning one’s prowess, a duality that is more common than we might admit.

This dichotomy extends into the depiction of one’s daily rhythm – a battle fought internally and externally. His candid confession of feeling like ‘the mightiest’ yet ‘Hurt twice but I tried it’ reveals an ongoing war with vulnerability. The listener is invited to ponder on their own skirmishes, where triumph and defeat are familiar foes.

Limbo as a State of Being: Neither Here nor There

The chorus ‘Feel more like limbo, Hands out my window, Chasin’ that sunset, That’s more my tempo,’ is a powerful evocation of a state of in-betweenness. Limbo becomes not just a religious or cultural concept but a personal purgatory where one is neither entirely lost nor completely found.

The image of ‘chasing that sunset’ symbolizes a pursuit of closure or resolution, which remains tantalizingly out of reach. The tempo Keshi refers to isn’t just the beat of the music, but the rhythm of life whereby one is always in motion, pursuing yet never quite attaining full self-actualization.

The Best of Me: The Facade We Present to the World

An intimate revelation is tucked within the recurring lines ‘But this is all that I am, I only show you the best of me’. It introspects the curated selves we reveal to the world. Keshi strips bare the common human practice of concealing vulnerabilities and presenting only what is deemed admirable—a curated façade meant for social palatability.

It’s a silent dialogue about the pressures of societal expectations and the fear of revealing one’s complete identity. The acknowledgment of being ‘just a man’ surrounded by the pursuit of an unattainable ideal echoes the shared struggle of embracing and accepting one’s humanity.

Mirror, Mirror: The Self-Reflection in Our Demons

One of the most profound moments of the song is when Keshi declares, ‘Looked at my demons and saw myself’. This line is a raw and honest admission that the demons we battle are not external beings but reflections of our own insecurities, flaws, and fears. It explores the realization that personal growth often requires confronting uncomfortable truths within.

This confrontation is not portrayed as a triumphant exorcism but a quiet recognition. Out of sight and out of mind, these demons lurk in the shadows of consciousness until their presence becomes undeniable, prompting a journey inward.

Memorable Moments: Lingering Lines that Echo in the Mind

Keshi has mastered the art of crafting lyrics that resonate beyond the momentary listening experience. Phrases like ‘Do I feel alive, feel alive, feel alive?’ and ‘Can’t hear my head when I’m sat beside ya’ linger with the listener, probing their own inner monologues about existence and the noise of life that often drowns out self-reflection.

These lines become mantras for those who find a piece of their own narrative within Keshi’s artistic confessions. They serve as memorable moments of clarity that are as haunting as they are relatable—a testament to the songwriter’s ability to distill complex emotions into a few simple words.

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