MATHEMATICAL DISRESPECT by lil mabu Lyrics Meaning – Decoding Numerical Narratives in Hip-Hop
Lyrics
Only deal that you took was a plea
Mabu get money, while he pee
Shout out my label, that’s me
I own a hundred percent of my cuts, bitch, nobody takin’ a fee
3.141592653, I’m the king of NYC
I heard they send my music to police, so this is a message to NYPD
“I cap in my raps, I’m a innocent tweep
Keep a teddy bear when I sleep”
I’m rappin’ the words but they write it for me
Me? I’m all about keepin’ the peace
I mean, at least I get paid ’cause a lot of these rappers be cappin’ for free
They call me The Ock
I got the bread, she chopped but said, “Can I bring a friend?”
Never, never, never, I guess she forgot the bev’, like
Two fives don’t equal a ten
Quick math, don’t try it again
She shaped like a turtle or a hen, her makeup is fucked, she don’t know how to blend
Make her do Wordle, she need to have brains if she givin’ out head
Call her Virgil ’cause the way she be blowin’ shit, got me dead
Haha, shawty got Arctan, I wanna intersect her circle
She like, “Mabu, I like purple,” so I blew her back out and I left her on read
Get it? ‘Cause blue and red equals purple
So I blew her back out and I left her on read
Don’t let that go over your head
One thot, two thot, three thot, four
They all put their knees on the floor
Kiesha, Becky, Sophie, Zoe
Textin’ me, begging for more
Blockin’ that bitch if she callin’ me, “Bro”
If you my dawg then chew on my bone (woof, woof)
Lil Mabu the king at switchin’ the flow
To all my competition, dig a grave, dig a grave
I invested money in myself and it paid
I can’t take a break ’til Mabu is a household name
As the digital age thrusts forth an army of young rappers vying for viral supremacy, lil mabu stands out with a unique blend of numerical bravado and street-smart arithmetic. His track ‘MATHEMATICAL DISRESPECT’ exemplifies this fusion, offering a seemingly braggadocious surface that hides a deeper exploration of self-ownership and artistic independence.
The cleverness of lil mabu’s lyricism doesn’t just rest in puns or double entendres – it’s also in how he positions himself in the rap game. With a nod to pi’s infinite sequence, Mabu declares his reign over the rap kingdom of New York, insisting on a cerebral edge to the ostensible hedonism in modern rap.
The Mastermind of the Math Class
lil mabu isn’t just spitting bars; he’s devising formulas. When he drops ‘3.141592653,’ he’s not merely flaunting his memorization skills. He’s alluding to his endless potential, his reach extending beyond the foreseeable. It’s mathematics as a metaphor for dominance, the infinite decimals of pi reflecting his ambition to rule without limit.
Moreover, this numerical mention works two-fold, as it also symbolizes ownership – he ‘owns a hundred percent of my cuts,’ proudly eschewing the all-too-familiar narrative of artists entangled in unfavorable deals. lil mabu is an outlier in the rap world – similarly to how pi is an outlier in mathematics – non-repeating, non-terminating, and wholly unique.
Decrypting the ‘Arctan’ and the Art
When lil mabu jokes ‘shawty got Arctan, I wanna intersect her circle,’ he’s playing with mathematical concepts to spin a narrative of attraction and intelligence. It’s a sly nod to brain over brawn – suggesting that he values intellectual stimulation as much as physical appeal. The artist beckons us to look beyond the flesh and into the mind.
The pun with ‘purple’ punches with a visual cue: creativity mixed with passion. lil mabu celebrates the craft of color-mixing, both in painting and in personal relations – blending the hues of his experiences to leave a lasting impression that’s distinctly his own.
A Conundrum of Competition and Camaraderie
In an industry often fractured by feuds, lil mabu suggests a dog-eat-dog world with ‘If you my dawg then chew on my bone.’ The phrase captures the harsh reality of climbing the ranks while maintaining a posture of joviality and jest. His rhymes reflect a shrewd understanding of the alliances that shift within the music industry.
Simultaneously, he alludes to the solitude at the top, the loneliness, as encapsulated by him being ‘the king’ of switching flows. lil mabu is a loner in a crowd, a sovereign of his syllables. Even in companionship, there’s the spectral presence of rivalry and the inevitable solitude that success breeds.
The Silent Symphony of ‘Sophie and Zoe’
Steeped in the braggadocio typical of rap, the roll call of women serves as more than an inventory of conquests. It’s a commentary on the desensitized attitudes toward relationships in the media spotlight. ‘Kiesha, Becky, Sophie, Zoe’ are archetypes, symbols of a social economy deeply entrenched in objectification and disposability.
Yet in the same breath, there’s a defiant choice for self-preservation. lil mabu sets boundaries, suggesting not just a swagger but a strategy. ‘Blockin’ that bitch if she callin’ me,
