Not Even Ghosts Are This Empty by $uicideboy$ Lyrics Meaning – Peering into the Abyss of Hopelessness

You can view the lyrics, alternate interprations and sheet music for $uicideboy$'s Not Even Ghosts Are This Empty at Lyrics.org.

Lyrics

I’ll tell you a secret
Something they don’t teach you in your temple
The Gods envy us
They envy us because we’re mortal
‘Cause any moment might be our last
Everything’s more beautiful, because we’re doomed
(You did good, $lick)
(It’s a SMASH)

Can I ever get a moment to myself?
Each moment that passes is fleeting
I try and I try to escape my own life
At this point y’all should call me Houdini (aw, he gone)
It always ends up with me bleeding
I’m so overwhelmed I’m retreating
Back into the hole that I tried to climb out of
It always ends up self defeating
I’m addicted to sex, addicted to drugs
Really whatever will make me feel loved
I don’t care what you think, yeah, I dont give a fuck
I’m still out here shining as bright as the sun
And no matter how hard it gets, no matter how tough
Don’t disobey when I say, “Gimme the gun” (gimme the gun)
If I don’t let my demons out to breathe
I’ll end up with some horns or pair of fucking wings
Come and visit me from time to time (from time to time)
To all the bitches that I was ever with, yeah, you’re still on my mind

Huh, huh (ayy)
Yeah, pushing that coupe in the rain (north)
Think I been going insane (side)
Popping and smoking and drinking (north)
Is how I been coping and dealing with pain (side)
Snort up a line with my Mom, yeah (north)
I just be hoping to bond (side)
Another day working and wasting away (north)
The exact thing that I wanna buy (side)
That’s time
Yeah, I’m in that Double R, falling the fuck apart
Cooking up my frontal lobe
Play it strong on the phone but I cry when alone
‘Cause my daddy just hit a new low, fuck
Every day bad news, every day cash rules
Fuck what I did, it’s what have you done lately (let’s go)
Fuck that poetic shit, got a chrome metal stick up to my brain (let’s go)
Just to know heaven for a bit (go, go, go)
Yeah, uh, I just wanna run away (away)
But all I ever do is run in place (in place)
The tears I cried it could’ve iced my chain (my chain)
And on the best days I can’t feel my face (my face)

No matter how hard it gets (my face, my face)
No matter how tough (I can’t feel my face)
(My face, my face)
(I can’t feel my face)
No matter how hard it gets (my face, my face)
No matter how tough (I can’t feel my face)
(My face, my face)
(I can’t feel my face)
(My face, my face)
(I can’t feel my face)
No matter how hard it gets (my face, my face)
No matter how tough (I can’t feel my face)
(My face, my face)
(I can’t feel my face)

The worst part about hell is not the flames, it’s the hopelessness
And I think that is the part of hell that a person in depression really tastes
(The hopelessness) the hopelessness, the terrible hopelessness that comes over

In an evocative journey through the psychological depths, $uicideboy$’ ‘Not Even Ghosts Are This Empty’ is a dark mosaic of mortality, mental strife, and the ever-elusive quest for meaning in a world that’s often unyielding. The song is a raw, no-holds-barred confrontation with the very essence of human fragility, masterfully weaving the existential dread that haunts the recesses of our collective subconscious.

With a title that implies an intensity of emptiness capable of outstripping the ethereal, ‘Not Even Ghosts Are This Empty’ plunges listeners into a vulnerable narrative that explores the dichotomy of existential beauty and the weight of personal demons. There’s a haunting quality to the track, evoking a sense of commiseration that is at once deeply personal and universally resonant.

The Gods Envy Us: Mortality as a Precarious Gift

The gripping intro of ‘Not Even Ghosts Are This Empty’ offers a profound reflection on mortality with a paradoxical twist: the divine envy the ephemeral nature of human existence. This borrowed sentiment echoes Achilles’ words from the epic ‘Troy,’ suggesting that it is precisely because our lives are fleeting that our experiences attain their beauty. The $uicideboy$ juxtapose this notion against the visceral, relentless struggles of their lived reality, painting a stark contrast between the poetry of philosophies and the harsh grit of life on the streets.

Such an existential understanding flips the narrative on its head; instead of lamenting our mortality, the song encourages embracing it. Yet, the tragedy lies in the inability to find peace amidst the chaos of existence, begging the question of whether recognizing life’s impermanence truly makes its moments more precious, or if it accentuates the overbearing sense of hopelessness.

A Modern-Day Houdini: Escaping the Chains of Self

The character comparison to Houdini encapsulates the futility of trying to free oneself from the grasp of personal demons and society’s expectations. The verse underscores the cyclical nature of self-destructive behaviors, wherein each attempt to climb out of darkness culminates in a further fall into the abyss. By admitting to vices like sex and drugs as placeholders for love, the song delivers a candid confessional of addiction’s empty promises.

In this haunting admittance, the artists paint a visceral picture of their internal struggle. The metaphorical ‘hole’ represents not just depression or addiction but also the unquenchable desire for freedom from these afflictions. As their efforts become self-defeating, the introspection grows ever darker, mapping a poignant landscape where moments of respite are nothing but mirages.

Pain, Pills, and Poisonous Bonds: The Duality of Coping Mechanisms

With an unfiltered glimpse into the act of numbing oneself, the $uicideboy$ illustrate the double-edged sword that is the coping ritual. Snorting a line with one’s mother, far from a typical bonding activity, starkly signifies the extremes to which individuals might go to forge connections or escape loneliness. Addiction here is not solitary; it’s communal, societal, and familial, revealing a shared desperation to dull the sharp edges of reality.

These lines hold a piercing mirror to the world, where ‘keeping up with the Joneses’ is no longer about wealth or status but about who can better disguise their pain behind a facade of excess and escapism. The pursuit of momentary pleasure becomes a race, one that invariably leads to the same destination: a hollow victory with time as the unattainable prize.

Hopelessness, Hell’s True Flame: The Song’s Hidden Heart

The gut-wrenching crescendo of ‘Not Even Ghosts Are This Empty’ lies within its acknowledgment of despair as hell’s true inferno. Hopelessness, depicted as more harrowing than any physical suffering, is presented as the defining torment of souls plagued by depression. This comparison deftly amplifies the severity of mental health struggles, painting them as an existential crisis rather than a transient mood.

It’s a sobering sentiment that echoes with chilling clarity: the absolute loss of hope is a fate worse than any mere specter of ghostly emptiness. The $uicideboy$ don’t just skirt around the edges of darkness; they plunge headfirst, giving voice to a feeling too many know but dare not express.

Memorable Lines that Haunt the Listener: ‘The tears I cried could’ve iced my chain’

‘The tears I cried could’ve iced my chain’ stands out as a powerful emblem intertwining materialism with sorrow. In one masterstroke, the $uicideboy$ elucidate the stark disparity between the public persona and private agony. The imagery of diamonds formed from sorrow encapsulates the intricate performance of maintaining appearances while internally crumbling.

Within these words lie the irony of value; where society places worth on glittering facades, $uicideboy$ challenge us to see the painful currency behind them. As listeners grapple with this provocative line, they are inadvertently confronted with the wider implications of our culture’s intertwined relationship with wealth and emotional struggle.