On My Mama by Victoria Monét Lyrics Meaning – Unpacking Empowerment in R&B
Lyrics
I’ma say, “You fuckin’ right”
Body rude, it’s unpolite
Done being the humble type
Tell me, is you down?
‘Cause I’m tryna go up tonight
Hoes and hoochies left and right
I just wanna live in a fantasy
I think we deserve it, right?
Top all the memories
I’ve ever made in my life
Permanent ecstasy
Ladies is pimps tonight
Living inside a dream
Let’s lay where the lovers lie
I put that on my own mama
On my hood
I look fly
I look good
You can’t touch my bag
Wish you could
I look fly
I look too good
Put that on my own mama
On my hood
I look fly
I look good
You can’t touch my bag
Wish you could
I look fly
I look too good
On my mama (mama), on my hood (hood)
I look fly (yeah), I look good (good)
Touch my swag (swag), wish you could (could)
I look fly (yeah), I look good, good, good
I’m so deep in my bag
Like a grandma wit’ a peppermint
They say, “Ooh, she smell good”
That’s just ’cause I’m Heaven-sent
Sex game go stupid (ayy)
Snappin’ like a toothpick (ayy)
Man, to tell the truth
Your opinion is irrelevant, but I
I know you think I’m fine
Might be too fine to hit it from behind
Reflection in the mirror don’t decline
I can’t even lie, lie, lie
I put that on my own mama
On my hood
I look fly
I look good
You can’t touch my bag
Wish you could
I look fly
I look too good
Put that on my own mama (put it on my hood, ayy)
On my hood
I look fly (I look fly, I look good, ayy)
I look good (ayy)
You can’t touch my bag (touch my bag)
Wish you could
I look fly
I look too good
On my mama (mama), on my hood (hood)
I look fly (yeah), I look good (good)
Touch my swag (swag), wish you could (could)
I look fly (yeah), I look good, good
On my mama (mama), on my hood (on my hood)
I look fly (I look fly), I look good (I look good)
Touch my swag, wish you could (I know you wish you could)
I look fly, I look good, good (ayy, I look fly, I look good)
Victoria Monét glides effortlessly atop the R&B waves with her influential track ‘On My Mama,’ encasing bold declarations of self-love and unwavering confidence. Her lyrics resonate with an energy that captures the essence of the celebratory nature of today’s vibrant urban culture and the personal empowerment that is deeply woven within it.
Peeling back the layers of catchy cadence and infectious rhythms reveals an intricate tapestry of pride, ownership, and the reclaiming of narratives that have traditionally been defined by external perceptions. In this deep-dive, we’ll explore the hidden meanings and broad implications of Monét’s affirmations that have become an anthem for self-assurance and elegance.
1. Echoes of Heredity: Celebrating Roots and Routes
Diving into the opening lines, ‘She get it from her mama,’ Monét strikes a chord with the historical significance of lineage. It’s an acknowledgement of the attributes that have cascaded through generations, shaping not only physical appearances but also the spirit and resilience woven into the DNA of powerful women.
More than just a nod to hereditary beauty, these words serve as a rallying cry, reclaiming the narrative from a statement that often reduces women to mere reflections of their ancestors to one that empowers them to embrace and flaunt their inherited traits with pride and confidence.
2. A Rebuff of Humility: The Rise of Brazen Confidence
‘Done being the humble type’ is not merely a departure from meekness; it’s an outright rebellion against the societal expectation that women should downplay their brilliance. Monét’s dismissal of modesty offers a raw, unfiltered look at what it means to fully inhabit and celebrate one’s excellence without the shadow of humility.
The song embraces a newfound audacity to acknowledge one’s allure and capabilities, serving as an empowering mantra for those who have been taught to shrink themselves.
3. The Unabashed Pursuit of Ecstasy: Cracking Open the Hedonistic Shell
‘I just wanna live in a fantasy’—this line does more than advocate for pleasure; it dismantles the guilt often associated with seeking joy, delight, and opulence. The pursuit of ecstasy as envisaged by Monét is an act of reclaiming the right to unabashed indulgence in life’s finer things, for women, in particular.
There’s a transformative quality to this thinking, one that permits a dive into hedonism without the constraints of judgement or societal norms, epitomizing the pursuit of personal happiness as an act of self-care and liberation.
4. The Invocation of Home: Cultural Pride as Armor
When Monét refers to her ‘hood,’ she’s doing more than geographically placing herself; she’s enveloping herself in the pride of her cultural identity, using it as both shield and exclamation. It’s a power move that ties her confidence not just to personal achievement but to a broader communal and cultural context.
In doing so, ‘On My Mama’ goes beyond the individual, extending its grasp to a collective sense of dignity and worth that pulses through neighborhoods and shared experiences.
5. Deciphering the Hidden Meaning: Self-Assurance as Revolution
Beneath the undeniable groove and swagger of ‘On My Mama’ lies a potent undercurrent of social commentary. By asserting ‘You can’t touch my bag,’ Monét champions the concept of ownership — of one’s body, one’s success, and one’s narrative — in an economy where women, especially women of color, have historically been denied agency.
It’s a declaration of economic independence and security, a rejoinder to anyone who doubts the legitimacy of her place at the table of success. In an era where ownership equates to power, Monét transforms the boastful into the political.
