One Last Breath by Creed Lyrics Meaning – A Dive Into Desperation and Redemption


You can view the lyrics, alternate interprations and sheet music for Creed's One Last Breath at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Please come now, I think I’m falling
I’m holding on to all I think is safe
It seems I found the road to nowhere
And I’m trying to escape
I yelled back when I heard thunder (thunder)
But I’m down to one last breath
And with it, let me say, let me say

Hold me now
I’m six feet from the edge and I’m thinking
Maybe six feet ain’t so far down

I’m looking down now that it’s over
Reflecting on all of my mistakes
I thought I found the road to somewhere
Somewhere in His grace
I cried out, “Heaven, save me” (save me)
But I’m down to one last breath
And with it, let me say, let me say

Hold me now
I’m six feet from the edge and I’m thinking
Maybe six feet ain’t so far down
Hold me now
I’m six feet from the edge and I’m thinking
Maybe six feet ain’t so far down
I’m so far down

Sad eyes follow me
But I still believe there’s something left for me
So please come stay with me
‘Cause I still believe there’s something left for you and me
For you and me, for you and me

Hold me now
I’m six feet from the edge and I’m thinking (thinking)

Hold me now
I’m six feet from the edge and I’m thinking
Maybe six feet ain’t so far down
Hold me now
I’m six feet from the edge and I’m thinking
Maybe six feet ain’t so far down

Please come now, I think I’m falling
I’m holding on to all I think is safe

Full Lyrics

Creed’s ‘One Last Breath’ effortlessly stands at the crossroads of a spirit-crushing enigma and a raw plea for salvation. Released in 2002 as part of their third album, ‘Weathered,’ this track clung to the hearts of many, ascending the charts with its grappling authenticity and Scott Stapp’s cathartic vocal delivery.

Yet, far beyond its chart success, ‘One Last Breath’ unravels as a confessional of the soul. Its bare and poignant narrative captures a moment of profound vulnerability—a juncture that so many of us face, where the precipice of despair looms and the eerie presence of hope whispers just out of reach.

At the Edge of Desperation: A Lyrical S.O.S

Opening with a haunting admission (‘Please come now I think I’m falling’), the listener is immediately ushered into the turmoil that contours ‘One Last Breath.’ It’s a sonic S.O.S, a bellow from the depths of a soul teetering on the knotted ends of life’s rope.

The lyrics painstakingly depict the struggler’s hold on ‘all I think is safe,’ a poignant reminder of the human tendency to cling to familiar pain rather than braving the uncertain promise of release. The ‘road to nowhere’ becomes a chilling metaphor for the cyclical patterns that keep us bound to our personal hells.

The Echo of Thunder: A Call to the Divine

One cannot explore ‘One Last Breath’ without delving into the spiritual cry that echoes throughout (‘I cried out Heaven save me’). It reflects a yearning for divine intervention, the last resort for a spirit battered by storms of life, acknowledging its waning strength as it appeals for a savior.

The tumultuous thunder metaphorically underlines the chaotic cacophony of a life in turmoil—how in moments of dire need, the individual grapples with the paradox of surrendering to a higher power whilst wrestling for earthly control.

Six Feet from Solace: The Memorable Chorus

In a memorable cascade of words, the chorus frames the brink of despair with an unsettling precision (‘I’m six feet from the edge and I’m thinking, Maybe six feet ain’t so far down’). The lyrics evoke the proximity to one’s breaking point, the hypothetical ‘six feet’ becoming a universal measure of finality, paralleling the depth of a grave.

The confrontation with this possible endpoint crafts a lingering question about the nature of our personal abysses, and yet, underneath that question simmers an ambiguous comfort; if six feet is traversable, might redemption be closer than we believe?

The Redemption in the Fall: Unveiling Hidden Meanings

As ‘One Last Breath’ arcs into its final iterations, there’s an audible shift. Desperation gives way to a tinge of hope (‘Sad eyes follow me, But I still believe there’s something left for me’). It’s as if the fall, the feared outcome, might itself hold a cradle of rebirth—a redemption hidden within the surrender.

Through this evolution, Creed poses a nuanced understanding of falling not as an end, but as an integral part of growth. This transition is not only about coming to terms with one’s frailties but is also an open invitation to witness the transformation that emerges when one lets go.

The Lasting Legacy of ‘One Last Breath’

Decades on, Stapp’s gritty and impassioned performance, coupled with Mark Tremonti’s arresting guitar riffs, ensure that ‘One Last Breath’ endures as an anthem of human fragility and fortitude. Its lyrics have become a lighthouse for those adrift in their darkest hours.

Songs like this bear testament to the healing power of music, its ability to articulate the inexpressible, and its potential to forge a communal bond with all those who have stood on their own edges, contemplating the void and searching for a saving grace.

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