Savior by Rise Against Lyrics Meaning – The Anthem of Salvation and Regret


You can view the lyrics, alternate interprations and sheet music for Rise Against's Savior at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

It kills me not to know this, but I’ve all but just forgotten
What the color of her eyes were, and her scars or how she got them
As the telling signs of age rain down, a single tear is dropping
Through the valleys of an aging face, that this world has forgotten

There is no reconciliation that will put me in my place
And there is no time like the present, to drink these draining seconds
But seldom do these words ring true, when I’m constantly failing you
Walls that we just can’t break through, until we disappear

So tell me now
If this ain’t love then how do we get out?
‘Cause I don’t know
That’s when she said I don’t hate you boy
I just want to save you, while there’s still something left to save
That’s when I told her I love you girl
But I’m not the answer for the questions that you still have, whoa, whoa

And the day pressed on like crushing weights
For no man does it ever wait
Like memories of dying days
That deafen us like hurricanes
Bathed in flames we held the brand
Uncurled the fingers in your hand
Pressed into the flesh like sand
Now do you understand?

So tell me now
If this ain’t love then how do we get out?
‘Cause I don’t know
That’s when she said I don’t hate you boy
I just want to save you, while there’s still something left to save
That’s when I told her I love you girl
But I’m not the answer for the questions that you still have, whoa, whoa

One thousand miles away
There’s nothing left to say
But so much left that I don’t know
We never had a choice
This world is too much noise
It takes me under
It takes me under once again

I don’t hate you
I don’t hate you, no

So tell me now
If this ain’t love then how do we get out?
‘Cause I don’t know
That’s when she said I don’t hate you boy
I just want to save you, while there’s still something left to save
That’s when I told her I love you girl
But I’m not the answer for the questions that you still have, whoa

I don’t hate you
I don’t hate you, whoa
I don’t hate you
I don’t hate you, no, whoa, whoa

Full Lyrics

A visceral journey through the throes of reconciliation and the quest for self-salvation, ‘Savior’ by Rise Against stands not only as a testament to the band’s punk rock essence but also as an exploration of profound personal turmoil. As the relentless drums beat against the raw strings of guitar, the lyrics delve deep into themes of love, forgiveness, loss, and the unbearable weight of unsaid words.

Examining the depths of ‘Savior’ is akin to peeling back the layers of a slowly fading relationship, one where past and future collide in a tumult of emotion. It reflects a struggle that is intimately human, capturing a universal experience that resonates with anyone who has ever grappled with the meaning of love and the pain of letting go.

The Agony of Aging and the Ghosts of Memory

The opening lines of ‘Savior’ paint a haunting portrait of aging – the inexorable march of time that strips away the details that once seemed indelible, like the color of a lover’s eyes or the story behind their scars. It’s a powerful recognition of how even the most intimate memories can become casualties of time, fading into the mists of the forgotten.

As the imagery progresses, we’re confronted with the sorrowful visual of a tear travelling down the aging face of a person who feels erased by the world. This is more than a mere reference to physical age; it’s a metaphor for how emotional scars and experiences mark us, etching lines of a story that may ultimately be overlooked by everyone but ourselves.

The Paradox of Present Tensions and Unsolvable Walls

The lyric ‘there is no time like the present, to drink these draining seconds’ reminds us that despite the urgency of the present, we often find ourselves ensnared by the stagnant waters of unresolved conflicts. ‘Savior’ doesn’t just acknowledge these tensions; it underscores the impossibility of breaking through the metaphorical walls that separate us from one another.

These walls symbolize the silent battles we each face, the misunderstandings and the internal questions that remain unanswerable even in the face of love. It is in this acknowledgment that the song transcends being a simple ballad and becomes a reflection of how arduously we strive, yet often fail, to save our connections with each other.

Unveiling the Hidden Meaning in the Plea for Rescue

The chorus rings out as a plea for salvation – a search for love that carries the weight of hope and desperation. ‘If this ain’t love then how do we get out?’ is not just a rhetorical question; it’s a cry for clarity amidst confusion, representing the voracious need to understand what anchors a relationship when love itself seems ineffable.

But perhaps the song’s true crux lies in the revelation that wanting to save someone isn’t always synonymous with hate. It is a complex duality that speaks to a deep human condition: the yearning to protect someone from pain, even when that someone can no longer be a part of your life.

The Echoes of Memorable Lines and the Burden of Answers

Certain lines in ‘Savior’ latch onto the consciousness with a tenacity that mirrors the very longing they express. ‘I just want to save you, while there’s still something left to save’ is a lament that recognizes the presence of worth within destruction. It is an understanding that even as things fall apart, there remains something precious worth fighting for.

But the response – ‘I love you girl, But I’m not the answer for the questions that you still have’ – is a harrowing acceptance of one’s limitations. It paints a profound picture of love that is unselfish, acknowledging that sometimes love means letting the other seek their truths, even if it means moving away from each other.

A Final Reflection on Noise, Distance, and Acceptance

As ‘Savior’ progresses to its final verses, the sense of distance and resignation becomes almost palpable. The song captures the essence of modern life’s cacophony – a world saturated with unrelenting noise that can overwhelm the soul, and the understanding that sometimes, love cannot outshout the din.

Ultimately, ‘Savior’ endows its listeners with a sense of acceptance. In its raw and honest refrain, ‘I don’t hate you,’ lies the kernel of truth that while relationships may morph and fade, the absence of hate is the silent affirmation of a love that was once bright and perhaps, in its own way, will always remain a light, however distant.

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