Snow White Queen – Unraveling the Depth of Amy Lee’s Dark Fairytale


You can view the lyrics, alternate interprations and sheet music for Evanescence's Snow White Queen at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. The Labyrinth of Obsession: Peering into the Dark Heart of ‘Snow White Queen’
  5. A Dream or a Nightmare? The Dissection of Surreal Imagery
  6. Captive in a Mental Prison: The Chorus’s Haunting Plea
  7. Blood and Division: The Song’s Climactic Turning Point
  8. Eternal Enslavement: The Eerie Resolution in Repetition

Lyrics

Stop light, lock the door
Don’t look back
Undress in the dark
And hide from you, all of you

You’ll never know
The way your words have haunted me
I can’t believe you’d ask these things of me
You don’t know me now or never

You belong to me
My snow white queen
There’s nowhere to run
So let’s just get it over

Soon my love, you’ll see
You’re just like me
Don’t scream anymore, my love
‘Cause all I want is you

Wake up in a dream
Frozen fear
All your hands on me
I can’t scream, I can’t scream

I can’t escape
The twisted way you think of me
I feel you in my dreams And I don’t sleep (ever and ever)
I don’t sleep

See you belong to me
My snow white queen
There’s nowhere to run
So let’s just get it over

Soon my love, you’ll see
You’re just like me
Don’t scream anymore, my love
‘Cause all I want is you

Can’t save your life
Though nothing I bleed for
Is more tormenting

I’m losing my mind
And you just stand there
And stare as my world divides

You belong to me
My snow white queen
There’s nowhere to run
So let’s just get it over

Soon my love, you’ll see
You’re just like me
Don’t scream anymore, my love
‘Cause all I want is you

All I want is you
All I want is you
All I want is you
Forever and ever, ever and ever

Full Lyrics

Evanescence’s ‘Snow White Queen,’ from their sophomore album, ‘The Open Door,’ is a quintessentially haunting melody intertwined with obscurely beautiful lyrics that evoke a sense of creeping darkness and intimate dread. The gothic rock band, led by the enigmatic Amy Lee, is known for shedding light on the shadowy corners of the psyche through their music.

As we dissect the cryptic lines penned by Lee, a chilling narrative emerges—one that pushes beyond the surface of a fairy tale and plunges into the depths of obsession, control, and the human psyche. This multi-layered mosaic of pain and possession dances with both the ethereal and the carnal, cementing the song’s place as a masterpiece of dark theatricality.

The Labyrinth of Obsession: Peering into the Dark Heart of ‘Snow White Queen’

The title ‘Snow White Queen’ itself beckons images of innocence and purity, cloaked in the seductive danger of a femme fatale—a duality central to Evanescence’s aesthetic. However, the opening verse immediately subverts this image by suggesting a tone of menaced vulnerability, practically palpable through the lyrics ‘Stop light, lock the door / Don’t look back’. As the victim locks themselves away, it’s clear that what pursues them is as consuming as it is unwelcome.

In the chorus, ‘You belong to me / My snow white queen,’ the possessive language echoes the one-sided devotion characteristic of obsessive love. Such potent words convey a twisted tale; a predator laying claim to its prey, with the assertion of ‘there’s nowhere to run’ serving as an ominous reminder of the captor’s perceived omnipotence.

A Dream or a Nightmare? The Dissection of Surreal Imagery

The surreal imagery of ‘Wake up in a dream / Frozen fear’ juxtaposes the tranquility usually associated with dreams against a paralyzing terror. Amy Lee’s mastery in encapsulating the subconscious’s fickleness—its tendency to blend the comforting with the nightmarish—is both striking and unsettling. These lines invite the listener to experience a reality where dreams ensnare rather than liberate.

‘All your hands on me / I can’t scream, I can’t scream’ interprets the fear through a visceral manifestation of entrapment. The repetition of ‘can’t scream’ not only amplifies the feeling of helplessness but also alludes to silenced anguish—a cry for help buried beneath layers of internalized terror.

Captive in a Mental Prison: The Chorus’s Haunting Plea

The recurring chorus solidifies the disturbed narrative with ‘Soon my love, you’ll see / You’re just like me’. This twisted promise of vindication suggests a desire to corrupt or consume the other, providing a glimpse into the captor’s pathology. Is it sheer delusion, or a dire prophecy?

The chilling command, ‘Don’t scream anymore, my love / ‘Cause all I want is you,’ underscores the demented sentiment that the captor’s love and control are somehow justifiable ends that render the victim’s fear irrelevant. Such lines leave an imprint on the psyche, casting shadows that linger long after the song concludes.

Blood and Division: The Song’s Climactic Turning Point

In the bridge, Lee’s poignant delivery of ‘I’m losing my mind / And you just stand there / And stare as my world divides’ unravels the character’s deep despair. Their plea is not one of a queen to her servant, but a desperate cry for empathy from her captor, encapsulating the tragedy of the whole affair.

A reference to bleeding for an unworthy cause, ‘Though nothing I bleed for / Is more tormenting,’ this line reveals the futility and self-destructive nature of the victim’s struggle. Perhaps here, Lee delves into the darkest corners of the protagonist’s heart, tearing down any facade of romance to expose the raw, unnerving truth.

Eternal Enslavement: The Eerie Resolution in Repetition

The song crescendos towards an eerie resolution with the repetition of ‘All I want is you.’ Its simplicity belies a complex range of interpretations—is it a declaration from the captivated or the captor? The way Lee elongates the word ‘forever’ twists a typically romantic trope into something far more sinister and binding.

This uncomplicated yet haunting refrain may signify the irreversible effect the captor has had on the victim, cementing a future where identities blend and individualities are subsumed. Herein lies the magic of ‘Snow White Queen’: as the gothic fairy tale concludes, the listener is left pondering where one soul ends and the other begins, a testament to Lee’s prowess in the art of storytelling through song.

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