Songs for Women by Frank Ocean Lyrics Meaning – Unveiling the Bittersweet Symphony of Love and Loss


You can view the lyrics, alternate interprations and sheet music for Frank Ocean's Songs for Women at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

When I was younger I used to wonder like

If I was singing songs, just to sing the songs
Or if was singing cause that’s what the bitches wanted
I couldn’t play guitar like Van Halen
Had no secret chords like Saint David
But you still came around, ate your lunch with me
Used to park your car to try to bus with me
But I would say girl don’t be dumb, I’m riding shotgun
We could go to my house after school after school, after school
Cause my dad don’t clock off ’til late, off ’til late, off ’til late
We could kick it in the living room
Looking through my whole vinyl collection
And you could teach me how to slow dance or something
And I’mma give you chills harmonizing to Otis, Isley, Marvin

And everytime somebody asked me
If I sing songs to get at women, I say yeah
They say no fair no fair that’s cheating
I say shit, oh well, oh well
And everytime a nigga asks me
If I sing songs to get at women, I say yeah
They say no fair, no fair that’s cheating
I say boy don’t judge cause hell if you were me
You’d be singin’ to her, like lah dah dah dah

Now I’m in the lab, always working late
Always sleeping past, the breakfast she makes
She used to stop by, come and holla at me
Put her purse down and try to battle rap me
She don’t do that no more, no more, no more
Don’t even listen to the songs I record
But she be banging that Drake in my car
I’m so far gone, she stay blasting Trey and his songs
All damn day long, it’s like she never heard of me

Now everytime somebody asks me
If I sing songs to get at women
I say naw they say okay I don’t believe it
I say nope I swear I never do it
And everytime a nigga asks me
If I sing songs to get at women, I say naw
They say who do you think you’re kidding
I know you, you stole my girlfriend, fair enough
You see I just don’t play fair, but it’s fair enough
Cause yo girl broke my heart in half
Now I’m singing ’bout heartbreak
And now I’m singing ’bout love lost

Full Lyrics

In the tapestry of modern R&B, few threads are as intricately woven as Frank Ocean’s ‘Songs for Women’. On the surface, the track serves as a breezy, nostalgic ride through the thrill of youthful love and the sorrow of its dissolution. But, nestled within its melodic confines is a complex narrative, one that speaks to the heart of artistic authenticity, romantic cynicism, and the inextricable link between personal experience and creative expression.

The textured layers of ‘Songs for Women’ unfold with every chord and verse, revealing an overarching paradox that charts Ocean’s transition from an idealistic, love-struck crooner to a more jaded, yet introspective artist. Here we delve deeply into this rich sonic landscape, unearthing the profound meanings that resonate with listeners and dissecting the myriad influences that render this piece an undying relic of Ocean’s lyrical prowess.

The Artist’s Quandary: Crafting Tunes for Love or Acclaim?

Our journey into the heart of ‘Songs for Women’ begins with a candid self-reflection that acts as the song’s thematic cornerstone. Through his youthful musing, Ocean grapples with the dualistic nature of his creative motivations – are his songs mere conduits for ephemeral adoration or are they sincere expressions of his artistic soul? The tension between artistry and attraction lays bare the layered complexities of a musician’s muse.

Ocean’s lyrics draw us into his formative years, where naivety and ambition collide. The honesty with which he confronts this inner conflict resonates as a universal struggle, one that elevates the track from personal anecdote to a shared human experience. The allure of affection and acknowledgement is dissected, laying the groundwork for a deeper contemplation of his musical journey.

Nostalgic Vibes: A Romantic Time Capsule

Nostalgia operates as a powerful force within ‘Songs for Women’, as Ocean conjures vivid scenes of adolescent romance – the school-day rendezvous, the shared moments in the living room, the vinyl records as backdrop to a tentative slow dance. These snapshots exude a delicate warmth, wrapping the listener in the sepia-toned innocence of young love.

However, the nostalgia is not merely a recounting of sweeter times; it carries with it a premonition of change. The fond recollections serve as a poignant contrast to the eventual detachment and disinterest that taint his current reality. In this way, the song acts as a time capsule, preserving the once vibrant connection that eventually yields to the wear of time and the evolution of priorities.

The Siren Call of Success and Its Pitfalls

As Ocean’s star ascends, the dialogue within ‘Songs for Women’ shifts towards the trappings of success. The humble beginnings as a lovestruck troubadour morph into tales of long hours in the studio, missed connections, and a growing dissonance with his paramour. It’s an age-old narrative of the sacrifices demanded by fame and the fallout that often shadows it.

In a cruel twist of irony, the same music once shared and cherished becomes a battleground of egos and jealousy. Ocean laments the replacement of his songs by those of Drake and Trey, a symbolic ousting that not only strains the romantic bond but also poses questions about loyalty, both to one’s art and one’s partner. The conflict captures the essence of a relationship strained and ultimately severed by the complexities of ambition and recognition.

Hidden Depths: The Interplay of Envy and Vulnerability

Delving beneath the laidback veneer of the song, one uncovers a profound interrogation of envy and vulnerability. When peers and lovers alike question the sincerity of his music-making motives, Ocean confronts the insidious impact of jealousy, both his own and that of others. It’s a nuanced perspective that paints a portrait of an artist caught in the web of comparison and competition – a web all too familiar in the cutthroat realm of the music industry.

The sting of betrayal Ocean feels at his former lover’s musical infidelity is a masquerade for his own insecurities and the pain of a broken heart. His retort – that he would sing ’bout heartbreak and love lost – is a raw acknowledgment of the vulnerability that underpins his songwriting. In this light, ‘Songs for Women’ becomes a therapeutic confession, both a lament and a defiant reclamation of his narrative.

Memorable Lines That Echo the Human Condition

‘Songs for Women’ is rife with lyrical gems that resonate long after the last note fades. ‘Cause my dad don’t clock off ‘til late,’ Ocean sings, painting a picture of impromptu intimacy possible only in the borrowed time before adulthood’s responsibilities loom. Or consider the wistful ‘she used to stop by, come and holla at me,’ a line that effortlessly encapsulates the quiet ache of longing for the familiarity and companionship now lost.

Each verse, each turn of phrase, offers a mosaic of emotions that mirror the complexities of human relationships. Ocean’s deft songwriting captures transitional moments with precision, crafting lines that serve as thematic touchstones for the broader narrative. These moments stitch together a tale not just of Ocean’s personal experience, but of the shared journey through love’s labyrinth – a journey fraught with the beauty of connection and the sorrow of its impermanence.

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