Stagger Lee by Nick Cave & The Bad Seeds Lyrics Meaning – A Dark Ballad of Power, Pride and Lust


You can view the lyrics, alternate interprations and sheet music for Nick Cave & The Bad Seeds's Stagger Lee at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

It was back in ’32 when times were hard
He had a Colt .45 and a deck of cards
Stagger Lee

He wore rat-drawn shoes and an old stetson hat
Had a ’28 Ford, he had payments on that
Stagger Lee

His woman threw him out in the ice and snow
And she told him, “Never ever come back no more”
Stagger Lee

So he walked through the rain and he walked through the mud
‘Til he came to a place called The Bucket Of Blood
Stagger Lee

He said “Mr Motherfucker, you know who I am”
The barkeeper said, “No, and I don’t give a good goddamn”
To Stagger Lee

He said, “Well bartender, it’s a plain to see
I’m the bad motherfucker called Stagger Lee”
Mr. Stagger Lee

Well the barkeep said, “Yeah, I’ve heard your name down the way
And I kick motherfucking asses like you every day”
Mr Stagger Lee

Well those were the last words that the barkeep said
‘Cause Stag put four holes in his motherfucking head

Just then in came a broad called Nellie Brown
Known to make more money than any bitch in town

She struts across the bar, hitching up her skirt
Over to Stagger Lee, she’s starting to flirt
Oh, with Stagger Lee

She saw the barkeep, said, “Oh God, he can’t be dead!”
Stag said, “Well, just count the holes in the motherfucker’s head”

She said, “You ain’t look like you scored in quite a time
Why not come to my pad? It won’t cost you a dime”
Mr. Stagger Lee

“But there’s something I have to say before you begin
You have to be gone before my man Billy Dilly comes in
Mr. Stagger Lee”

“I’ll stay here ’til Billy Dilly comes in, ’til time comes to pass
And furthermore I’ll fuck Billy in his motherfucking ass”
Said Stagger Lee

“I’m a bad motherfucker, don’t you know
And I’ll crawl over fifty good pussies just to get one fat boy’s asshole”
Said Stagger Lee

Just then Billy Dilly rolls in, he says, “You must be
The mad motherfucker called Stagger Lee”
I’m Stagger Lee

“Yeah, I’m Stagger Lee and you better get down on your knees
Then suck my dick, because If you don’t you’re gonna be dead”
Said Stagger Lee

Well Billy Dilly dropped down and slobbered on his head
And Stag filled him full of lead
Oh yeah

Full Lyrics

Nick Cave & The Bad Seeds have a penchant for conjuring the dark and the desolate through their music, often weaving narratives that unfold like scenes from a gothic novel. ‘Stagger Lee’ from their 1996 album ‘Murder Ballads’ delivers this grim storytelling against a backdrop of raw blues-rock, pulling listeners into the depths of an old, wicked tale.

The song recounts the infamous story of Stagger Lee, a folkloric anti-hero whose deeds have been sung about in numerous versions for over a century. Cave’s iteration is no clean-cut myth, but rather a grimy, gritty echo of the folk anti-hero’s transgressions. It’s a tale of unforgiving might, unbridled sexuality, and irrevocable violence that explores the extremes of human nature.

Beyond the Bullet: The True Villainy of Stagger Lee

The violence in ‘Stagger Lee’ isn’t just physical; it’s the raw, unchecked brutality of the human ego. With each resolute verse, the titular character becomes more of a menacing force—a man not just in conflict with society, but one who delights in the destruction of its constructs. Stagger Lee’s actions are a devastating statement on power and pride, leaving a bloody legacy that serves as a dark reflection of our own societal ills.

Each confrontation, from the barkeeper to Billy Dilly, isn’t merely for survival but is emblematic of a man’s refusal to be subdued or belittled. His machismo and bravado are indestructible, even at the cost of another’s life. In Stagger Lee’s world, respect is synonymous with fear, and his authority is absolute.

A Soul Sold to the Devil: Deconstructing the Lyric’s Haunting Allegory

Nick Cave’s ‘Stagger Lee’ stands as a menacing portrait of villainy, a cautionary tale spun from the threads of an age-old ballad. He takes the core imagery of Stagger Lee’s legend—his gun, his pride, his chilling composure—and turns them into harbingers of a deeper, almost supernatural evil. In Cave’s hands, Lee’s story becomes less about the man and more about the pervasive shadows that can claim any soul.

In this way, ‘Stagger Lee’ serves as a parable for the battle within, as the characters become mere symbols in the play of good versus evil. Cave challenges the listener to look beyond the text, to question the very nature of morality and the ease with which one might slip into darkness if left unchecked.

Entwined with Sin: The Song’s Unabashed Revelry in the Carnal

Sexuality in ‘Stagger Lee’ isn’t depicted with romance or affection but as a weapon and a sign of dominance. Stagger Lee’s interactions with Nellie Brown are soaked in innuendo and raw desire, but they’re also steeped with the assertion of power. The overt sexual references are a bold-faced claim of his invincibility and a testament to his insatiable appetites.

It’s an exploration of how sexuality can be wielded and how, in the lawless world of ‘Stagger Lee’, it is another form of conquest—a theme that is both shocking and as old as the tale itself.

Verse By Verse: Unpacking the Most Memorable Lines of ‘Stagger Lee’

‘And I’ll crawl over fifty good pussies just to get one fat boy’s asshole,’ Stagger Lee declares, a line that pushes the envelope of the song’s already daring narrative. It’s bold and crass—Cave isn’t here to mince words. This moment in the song marks a nightmarish crescendo, unafraid of shocking its audience, compelling them into an uncomfortable recognition of the character’s depth of depravity.

Each lyric is carefully crafted to echo the themes of control, disrespect, and rebellion, painting a story as timeless as it is harrowing. Cave’s lyricism dares the audience to look away, knowing all too well that they’re hooked to every word.

The Echo of Old Ghosts: Finding the Hidden Meaning in Stagger Lee’s Timelessness

Cave’s version of ‘Stagger Lee’ is a rare glimpse into the endurance of folktales, rich and alive with each retelling. This particular iteration doesn’t just preserve the infamy of Stagger Lee; it revitalizes it, acting as a reminder of why these stories linger. Through Cave’s haunting words and the resounding crash of instrumentals, the spirit of Stagger Lee rises, morphing and evolving with modern sensibilities without losing a drop of its original potency.

In the end, the song asks its audience whether humanity has truly changed. Are tales like Stagger Lee’s timeless because we see reflections of ourselves within them, or because we need them as dark mirrors, warnings of the abyss that awaits should we falter? ‘Stagger Lee’ remains a chilling memento of folklore’s power and the whispered truth that the greatest horrors lie within the human heart.

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