SWAMP – Exploring The Depths of Identity and Struggle


You can view the lyrics, alternate interprations and sheet music for BROCKHAMPTON's SWAMP at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. Unmasking The Face of Fame: BROCKHAMPTON’s Rallying Cry Against External Judgment
  5. Drenched in Metaphor: The Hidden Meaning of Youthful Transgressions
  6. Satellite Connections: Bonding Over Brokenness
  7. A Collision of Emotional Expanse and Intimacy
  8. Memorable Lines that Sting with Truth: The Art of BROCKHAMPTON’s Lyricism

Lyrics

Fucking commas up from the outside, from the outside, from the outside
Fu-fucking dollars up from the outside, from the outside, from the outside
They been talkin’ down on me, (huh) what ya say?
They been talkin’ down on me, (huh) what ya say?
They been talkin’ down on me, (huh) what ya say?
They been talkin’ down on me, (huh) what ya say?

My daddy taught me how to sell dope, turn grams into elbows
Light it up when the L rolled, black mask, used to kick doors
Wasn’t no bullets in the guns though, niggas still never argued
Raid the house like the task force, me and my niggas like drug dogs
Find the dope den we take off, fuck my girl with my chain on
Bitch, you tatted my name on it, Yellowstone I was raised on it
Actavis in my baby bottle, baby stroller was an Impala
Niggas like to talk down on me, when I see ’em I don’t hear about it

Fucking commas up from the outside, from the outside, from the outside
Fu-fucking dollars up from the outside, from the outside, from the outside
They been talkin’ down on me, (huh) what ya say?
They been talkin’ down on me, (huh) what ya say?
They been talkin’ down on me, (huh) what ya say?
They been talkin’ down on me, (huh) what ya say?

Never would’ve have met my friends if not for satellites
Yeah I’ll cuff her even if she do not suck me right
Always planned to be a rapper when I failed at life
Luckily professor failed me at the proper time
Shh-shh, shh, I say please all the time, bitch
Shh-shh, shh, I like white collar crime, bitch
Shh-shh, shh, money digital broke and
Shh-shh, shh, Ghana prince in your messages

I know you hate me for leavin’ then let’s go crazy together
When I tell ya all the things that I’m thinking so that we could get better
But you wanna put my heart on the stretcher
I don’t got insurance for this pressure
Wanna find the benefits, I can’t measure
Trying not to run out on my temper
I can see the ash and the ember
That was made from emotional texture
I don’t know why I took this endeavor
Non-identified with our presence
Non-identified, we’ll surrender
All of my old friends fair-weather
Gotta treat my heart like a treasure
‘Cause all I know is no one else will

Fucking commas up from the outside, from the outside, from the outside
Fu-fucking dollars up from the outside, from the outside, from the outside
They been talkin’ down on me, (huh) what ya say?
They been talkin’ down on me, (huh) what ya say?
They been talkin’ down on me, (huh) what ya say?
They been talkin’ down on me, (huh) what ya say?

You do not know me
Don’t speak of my homies
You are a phony
Quit pinnin’ shit on me
You gon’ bring out the old me
You don’t wanna know what I wanna do when y’all talk down on my name
I don’t wanna see you in the street ’cause I might catch a case
People smile when they face to face (woo, woo, woo!)
Then turn their back and switch up words you say (ah, ah, ah!)
Running to the papers everyday (woo, woo, woo!)
I’m running to the paper anyway (ah, ah, ah!)

Fucking commas up from the outside, from the outside, from the outside
Fu-fucking dollars up from the outside, from the outside, from the outside
They been talkin’ down on me, (huh) what ya say?
They been talkin’ down on me, (huh) what ya say?
They been talkin’ down on me, (huh) what ya say?
They been talkin’ down on me, (huh) what ya say? (Down)

Full Lyrics

BROCKHAMPTON, a hip-hop collective known for their raw energy and candid lyricism, presents a compelling narrative with their track ‘SWAMP’. Situated in their 2017 album ‘Saturation II’, the song serves as a vessel, navigating through the murky waters of personal growth, societal challenges, and the pursuit of economic success.

Through a blend of aggressive delivery and introspective verses, ‘SWAMP’ becomes more than just a track—it’s a reflection of the group’s experience with fame, artistry, and the external pressures that come from wallowing on the periphery of mainstream recognition. Let’s dive into the meaning behind the multi-layered lyrics of ‘SWAMP’, exploring how each line contributes a brushstroke to BROCKHAMPTON’s expansive mural of modern youth.

Unmasking The Face of Fame: BROCKHAMPTON’s Rallying Cry Against External Judgment

‘Fucking commas up from the outside, from the outside, from the outside’—from the opening line, ‘SWAMP’ sets forth an anthemic chant that symbolizes BROCKHAMPTON’s complicated relationship with their evolving status in the music industry. The repetition of ‘from the outside’ hints at a sense of otherness and exclusion, a theme perpetuated by the group’s own diverse background and their often tumultuous journey through the unforgiving entertainment sphere.

The chorus ‘They been talkin’ down on me, (huh) what ya say?’ further accentuates this alienation, emphasizing the group’s perception of being undervalued or misunderstood by the masses and media alike. Despite this, the lyrics also radiate a rebellious energy, indicative of the collective’s resilience and refusal to be defined solely by external narratives.

Drenched in Metaphor: The Hidden Meaning of Youthful Transgressions

‘My daddy taught me how to sell dope, turn grams into elbows’—the visceral images conjured by these lines reveal a gripping snapshot of a youth steeped in illegality and survival. BROCKHAMPTON doesn’t shy away from portraying the harsh realities that many face growing up in demanding environments, and in doing so, they trace the outline of a larger commentary on societal constructs that shepherd people into lives of crime and desperation.

Surrounding these tales of illegal hustle with symbols of innocence—such as ‘Actavis in my baby bottle’—the song delivers a haunting juxtaposition that paints a vivid picture of innocence marred by the environment, a youth caught between two worlds.

Satellite Connections: Bonding Over Brokenness

‘Never would’ve have met my friends if not for satellites’—with technology as the connective tissue that binds them, BROCKHAMPTON expresses the importance of the digital age in forming friendships and communities amongst the alienated. The song’s second verse encapsulates the sense of camaraderie that arises from shared experiences of failure and marginalization, a universe away from the societal expectations of success.

These connections become a lifeline, a network of satellites that bring them closer to fans who resonate with their raw articulation of shared struggles. Such virtual closeness highlights the dichotomy between physical isolation and the emotional proximity that today’s networks allow.

A Collision of Emotional Expanse and Intimacy

‘I know you hate me for leavin’ then let’s go crazy together’—the lyrics of ‘SWAMP’ oscillate between the introspective and the communal, delving into the challenges within personal relationships as they are strained by the pursuit of success. As the collective delves into issues of trust, they articulate the mental strain of being in the limelight, the unease with which they approach their vulnerability in a world that is quick to turn affection into betrayal.

The ’emotional texture’ mentioned becomes almost tangible as the song explores the internal struggle of maintaining one’s composure in the face of ongoing criticism, a struggle that begs the listener to treat their own emotions with the delicacy they deserve.

Memorable Lines that Sting with Truth: The Art of BROCKHAMPTON’s Lyricism

‘You gon’ bring out the old me’—in these moments of defensiveness, BROCKHAMPTON’s lyrics evoke the sense of a hard-won identity being threatened, hinting at a past that is rough around the edges and at odds with their public persona. This line, in particular, is a warning shot, an indication of the friction between past hardships and present achievements.

Lines like ‘People smile when they face to face, then turn their back and switch up words you say’ cut to the core of the duplicity the group perceives in the world around them. Through their clever and candid songwriting, BROCKHAMPTON captures the essence of feeling misunderstood and misrepresented, speaking to a generation wrestling with who they are versus how they are perceived.

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