swgskool by Destroy Lonely Lyrics Meaning – Decoding the Melancholy Behind the Swagger
Lyrics
I done lost (I done lost)
A pretty bitch with demon eyes (Demon eyes)
Everywhere I look, they try to be like I (Be like I)
All these niggas cap, they livin' in disguise (In disguise)
And all these bitches cap, they not in love (They not in love)
I just spent my money on guns, clothes and drugs
Yeah, I just spent my money on guns, clothes and drugs
I done lost my mind, I think I found it in the clouds (In the clouds)
She just wanna bе mine
I take her down, and takе her out (I take her out)
On these rockstar jeans, I spent a whole lotta of them thousands
On her brand new blouse, I spent a whole lotta of them thousands
They can't turn this down
Tell 'em, "Play this shit loud" (Yeah, loud)
If he outside right now, we gon' gun that lil' boy down (Gun him down)
I got a Glock on me, shawty, and the ARP right now
Niggas watchin' me, shawty, can't even move for free right now
Niggas must be retarded, think that I won't move for the cash
I got a freak on the way right now
And she gon' move for some cash (Yeah)
I got a freak on the way right now
And she gon' move for some cash (For that cash)
She gon' move for a bag (Bag), and I'ma go move for a bag (Bag)
And I been gave them that swag
Yeah, I been gave them that drip (Uh-huh)
And I been hit the ho he had
How I had him talkin' 'bout his new bitch
Your ho been callin' me dad
And I'm hittin' this M.I.L.F. bitch (Oh, oh, oh-oh)
These niggas keep talkin' 'bout fashion
But we been did what they did (Oh, oh, oh-oh)
My ho fell in love with the swag, now she want some all black shit
I got an all black cat, you, and I ride with a black stick
I just spent my money on guns, clothes and drugs
Yeah, I just spent my money on guns, clothes and drugs
I just spent my money, on guns clothes and drugs
Yeah, I just spent my money on guns, clothes and drugs
I done lost my mind, I think I found it in the clouds (Oh, oh, oh-oh)
She just wanna be mine, I take her down, and take her out
On these rockstar jeans, I spent a whole lotta of them thousands
On her brand new blouse, I spent a whole lotta of them thousands
They can't turn this down
Tell 'em, "Play this shit loud" (Yeah, loud)
If he outside right now, we gon' gun that lil' boy down (Gun him down)
I got a Glock on me, shawty, and the ARP right now
Niggas watchin' me, shawty
Can't even move for free right now (Not right now)
Never
Countin' cash, and that's forever
On the surface, Destroy Lonely’s track ‘swgskool’ comes across as a typical flex anthem, a testament to the intoxicating highs of fame and material success. Yet beneath the braggadocio and rhythmic beats, there lies a deeper narrative that speaks to the inherent isolation and lost identity that often accompanies rapid ascent in today’s music scene.
While ‘swgskool’ might entice listeners with its catchy hooks and explosive confessionals, a closer examination reveals a track laden with existential musings, the trading of one’s soul for societal trappings, and the quest to find purpose amid chaos. Each verse is not only a showcase of wealth but also a desperate attempt to fill voids that money and fame cannot.
The Dichotomy of Desire and Desolation
In ‘swgskool’, Destroy Lonely lays bare the yin and yang of hedonism, flaunting the spoils of his labor – guns, clothes, drugs – with an almost insatiable gusto. Yet this lavish enumeration is peppered with introspection. As the rapper loses himself in materialism, he notably suggests his sanity is ‘found in the clouds’, a metaphor for the nebulous state of his psychological foothold.
Within these lines, the audience senses a yearning for belonging that surpasses physical ownership. Destroy Lonely identifies the trappings of love and feigned connections that are underpinned by ulterior motives. While seemingly surrounded by admirers, he is confrontational to those who imitate his style, as though their mimicry somehow devalues his self.
An Ode to Influence and Imitators
Destroy Lonely takes a moment to acknowledge his trendsetting status with an air of nonchalance, claiming ‘I been gave them that swag.’ His assertion of dominance in the fashion world is clear, drawing a distinction between those who follow trends and those who set them. And yet, this line is also tinged with a subtle contempt for his own influence, suggesting a complex relationship with his impact on culture.
This line serves a dual purpose: it both glorifies his sense of style and underscores the notion that with influence comes responsibility. As much as he basks in being a tastemaker, Destroy Lonely grapples with the emptiness that often accompanies being emulated, hinting at the disposability of trends and the relentless pace at which the ‘next big thing’ is sought after.
Hidden Meanings: The Black Cat and the Black Stick
Midway through the track, Destroy Lonely alludes to two hauntingly symbolic items: an ‘all black cat’ and a ‘black stick’. These could be metaphors for bad omens or catalysts for bad luck, encapsulating the dual nature of his existence where fortune and misfortune constantly intertwine. The black cat, a historic symbol of superstition and the black stick, perhaps referring to a firearm, showcase the duality of his lifestyle.
These symbols fuse to portray a figure who walks with danger as a constant companion – a reality of living in the fast lane and at the edge of society’s norms. This nuanced lyricism points to the duality of the self and the universe we occupy, a motif that courses through the veins of the whole track.
The Cost of Being Unmoveable
In a sharp turn from brash confidence, Destroy Lonely later reveals an immovable presence in the industry with the line, ‘Niggas watchin’ me, shawty, can’t even move for free right now.’ This could be perceived as a brag about his inherent value but also hints at a more captive existence – the artist cannot wander or act without the visibility that comes with stardom, leading to a suffocating sense of being trapped.
It’s in these moments that ‘swgskool’ taps into the paradox of visibility. There’s the perception of freedom that money and fame supposedly buy, contrasted against the stark reality of being under constant scrutiny, where every action comes with a cost, stripping away the liberty it purports to provide.
Memorable Lines: Bravado or a Cry for Help?
‘If he outside right now, we gon’ gun that lil’ boy down’ Destroy Lonely doesn’t shy away from aggressive lines that command attention and speak to the violence that can permeate the rap industry. These brash statements serve as a shield, showcasing a strong, untouchable persona to the public.
Yet, such lines could also be seen as a defense mechanism, a performative armor to protect against the vulnerability that comes with fame. This line embodies the internal conflict faced by artists who strive to maintain an image of strength while simultaneously battling against the consequences of their portrayed lifestyle.
