Teen X by Playboi Carti Lyrics Meaning – A Dive into the Narcotic Bliss and Rebellion of Youth
Lyrics
We on the X, we on the Codeine (Pluto)
We on the X, we on the Codeine (Pluto)
We on the X, we on the Codeine (Pluto)
We on the X, we on the Codeine
I’m on the X, I’m on the Codeine (yeah, yeah)
I’m on the X, I’m on the Codeine (yeah, yeah)
I’m on the X, I’m on the Codeine (woo, yeah)
I’m on the X, I’m on the Codeine (hold up, talkin’ ’bout)
We on the X, we on the Codeine (yeah, talkin’ ’bout)
We on the X, we on the Codeine (yeah, yeah, yeah)
We on the X, we on the Codeine (woo, woo, woo)
We on the X, we on the Codeine
I just broke up with my bitch (yeah, yeah, yeah, yeah)
I done fell in love with X (yeah, yeah, woah, yeah)
And I put up with them sticks (yeah, yeah, yeah, yeah)
He gon’ lose his last breath (yeah, woo, woo, woo)
Racks on my baby (hold on, hold on)
She wanna get Mercedes (woo, woo, woo)
I just smashed on my bitch (yeah, yeah, woo)
Now I got her on some other shit (yeah, woo, woo, woo)
‘Bout to pack these pills, tryna chop this molly, huh (yeah, yeah, yeah)
I’m gon’ be leanin’, waitin’ in the lobby (woo)
I just seen that bitch at the airport (yeah)
I smoked that bitch just like Newport (yeah, yeah, yeah, got money)
I’m on the X, I’m on the Codeine (cough syrup, yeah)
I’m on the X, I’m on the Codeine (yeah, yeah)
I’m on the X, I’m on the Codeine (crazy, yeah)
I’m on the X, I’m on the Codeine (yeah, yeah, yeah)
We on the X, we on the Codeine (woo, woo)
We on the X, we on the Codeine (yeah, yeah, woo)
We on the X, we on the Codeine (woo, woo)
We on the X, we on the Codeine (woo)
Spent a hundred fifty thousand on the lingerie (ayy, ayy)
I been on X, I been on Codeine
Spent a hundred fifty thousand on the lingerie (find me, nigga)
I been on X, I been on Codeine (talkin’ ’bout, ayy)
Draco loaded, ooh, swiss cheese (Draco, brrt)
Don’t fuck the bitch, she the police (fuck that bitch)
Bitch, I lie on the pussy, ho, please (talkin’ ’bout)
I popped the X pill, drank gon’ ruin me (talkin’ ’bout)
Rockin’ this shit better than Billie Jean
Pop some X, drink some Codeine (I get high tonight)
Pour another, Percocet, bitch, I can’t feel my knees (woo, shit)
I’m startin’ to feel like a rich dope fiend (shit)
I’m on the X, I’m on the Codeine (yeah, yeah, yeah)
I’m on the X, I’m on the Codeine (yeah, yeah, yeah)
I’m on the X, I’m on the Codeine (yeah, yeah)
I’m on the X, I’m on the coco
Codeine, uh (yeah, yeah), Codeine, uh (yeah)
Codeine, uh (yeah), Codeine, uh (yeah)
I got a lean gut, I got some money up (yeah)
I got the cocaine (uh), Codeine up (ah, blatt)
I’m on the X, I’m on the Codeine (ooh, ooh, ooh, yeah)
I’m on the X, I’m on the Codeine (yeah, yeah, yeah)
I’m on the X, I’m on the Codeine (yeah)
I’m on the X, I’m on the Codeine (yeah, yeah, yeah)
We on the X, we on the Codeine (woo, ooh)
We on the X, we on the Codeine (yeah, yeah, ooh)
We on the X, we on the Codeine (woo, woo, ooh)
We on the X, we on the Codeine (woo, ooh)
Playboi Carti’s ‘Teen X’ operates on a wavelength that’s attuned to the sensibilities of a generation confronting the paradox of over-exposure and alienation. It’s a testament to Carti’s capacity as an artist to transmute the mundane chant of substance use into a cultural echo that reverberates with both glamor and a forlorn sense of caution.
There’s a hypnotic repetitiveness to ‘Teen X,’ a certain kind of mantra that becomes a clarion call for the highs and lows of a chemically-enhanced existence. Beneath the surface, Carti isn’t merely glorifying a lifestyle; he’s also offering a mirror to the superficial ecstasy and underlying despair commonly found within today’s feverish party scenes.
The Euphoria of Escapism in Modern Hedonism
Playboi Carti, throughout ‘Teen X,’ conjures the dopamine-fueled fantasies that animate many a youth’s nightlife. By repeating the phrase ‘I’m on the X, I’m on the Codeine,’ he effectively drills into the listener’s psyche the all-too-common quest for euphoria through chemical means.
The track becomes a steady pulsating beat not unlike a rapid heart during intoxication, and Carti’s delivery mimics the haze and daze of the substances he references. It’s as though the song is daring the listener to seek pleasure as sustenance, even as it hints at the potential peril of such pursuits.
Dissecting the Veneer of Dependency
Repetition is a tool often used in music to enforce a message or to trap a listener in a state of mind, and in ‘Teen X,’ Carti uses it to encapsulate the cycle of addiction. The ‘X’ and ‘Codeine’ become constant companions, symbols of a love affair that’s as toxic as it is enthralling.
In this light, ‘Teen X’ can be interpreted as a commentary on the numbing effects of drugs—how they’re used as mechanisms to cope with the alienation and pressures of contemporary life. Carti’s nonchalant mention of this reliance echoes the normalization of drug culture in certain youth circles.
‘I Just Broke Up With My Bitch’ – Nihilism and Relationships
Carti’s narrative in ‘Teen X’ isn’t confined to substance use. It veers into the realm of personal relationships, where the end of an emotional connection seems to be as casual as the consumption of designer drugs.
The verse exposes a reality where heartbreak is ephemeral, where emotional attachments are disposable. It’s a raw, unadulterated look at how modern liaisons are sometimes no match for the fickle nature of youthful indulgence.
Luxury and Excess with a Modern Twist
The expenditure of ‘a hundred fifty thousand on the lingerie’ is a thinly-veiled metaphor for the excessive opulence that often surrounds the rich and the reckless. Carti’s music has often flirted with the idea of luxury, and this line is an unabashed reflection of the extravagance that defines certain echelons of society.
Moreover, it’s a way of questioning our collective values, challenging the listener to reconsider what is truly worth aspiring to. The lyrics provoke thought about the superficial success often portrayed in the media as the pinnacle of achievement.
The Hidden Pain Behind the Party
‘Teen X’ may pulse like an anthem for a carefree night out, but only when consumed superficially. Amidst the beat and repetition lies an undercurrent of desperation—a generation’s attempt to fill voids and silence personal demons with the fleeting satisfaction found at the bottom of a cup or a pill.
Carti’s song gives a voice to this hidden pain, drawing attention to the ticking clock of hedonism that winds down to an inevitable realization: no amount of substance can wholly stave off the need for something more substantial, be it connection, purpose, or peace.
