Telekinesis by Travis Scott Lyrics Meaning – Unveiling the Layers of Scott’s Psychic Vision
Lyrics
Used to wanna be rich, then it finally happened
Thought it’d make me happy (thought it’d make me happy)
I could’ve took the pain and I could’ve went out sad
Streets stepped in and raised me, but I ain’t have my daddy
Niggas tryna clone me, run off with my swag
For selling Coco, got Chanel on my jacket (jacket)
Shawty give me mop with the less, it don’t last (last)
Takin’ more drugs, all alone in a mansion
Walkin’ around tweakin’ with the yop in my hands (walkin’ around tweakin’)
Just another broke ho just preachin’ for these bands (just another ho)
And I know I’m due for a billion-dollar advance (uh-huh)
I can see the future, I can see the future (I can see the future)
I can see the future, it’s lookin’ like we level through the sky
I can’t wait to live in glory in eternal lastin’ life (live in glory)
Won’t you take the wheel? And I recline and I sit still
Might as well turn up now, He gon’ pop up unannounced to the trumpets
Do you like the way it sounds? (Like the way it sound)
You know the future of the bounce, ayy
I can hear your thoughts so loud, I can hear the crowd so loud
Do you like the way it sounds? Ayy
I can hear your thoughts so loud, I can hear the crowd so loud (so loud)
I can see the future
Ridin’ with the storm and some troopers
Ridin’ through this shit, this shit is stupid
Sky walkin’ ’round like I’m Luke-uh
Duckin’ all these convos like I’m Bruce-uh, super
Mobbin’ with my angels dodgin’ Lucifer (mob)
Seein’ every angle, I can see through ya, yeah (yeah)
I can see the future, it’s lookin’ like we level through the sky (see ya)
I can’t wait to live in glory in eternal lastin’ life (live in glory)
Won’t you take the wheel? And (see ya) I recline and I sit still
Might as well turn up now, He gon’ pop up unannounced to the trumpets
Do you like the way it sounds?
You know the future of the bounce
Count so much money ’til my skin peel
Cherry-red Benz like the real pimp (yeah)
My bro cook up dope, it take real skill
Share my bitch with my ho, I ain’t got no chill (no)
You either gettin’ to money or you’re gossipin’ (yeah)
She chose up, put on this coat, now she lottery
Places I’d never thought I’d go I found models in
I hear the demons clear when they callin’ (yeah)
Flyest on the Earth so I had to name myself a planet (Pluto)
Automatic dead when you goin’ against my family
Few break-ups went public, I just bought another baddie (bought another baddie)
Bitch knew I was toxic, when she met me, I was a savage (I was a savage)
High in the hills, tryna avoid any madness (yeah)
Private on the Lear, it’s just like we imagined
Only sellin’ for this Hi-Tech ’cause I ain’t got the Actavis (yeah)
I’m tryna be modest (modest), it sound like I’m braggin’ (braggin’)
Cartier my frames (frames), all because of my fame (fame)
Bitch said she ashamed to love me in public, rather go private (seen enough)
Count so much money ’til my skin peel
Cherry-red Benz like the real pimp
My bro cook up dope, it take real skill
Share my bitch with my ho, I ain’t got no chill
You either gettin’ to money or you’re gossipin’
She chose up, put on this coat, now she lottery
I can see the future, it’s lookin’ like we level through the sky
I can’t wait to live in glory in eternal lastin’ life
Won’t you take the wheel? And I recline and I sit still
Might as well turn up now, He gon’ pop up unannounced to the trumpets
Do you like the way it sounds?
I can’t get enough, told you I just want it all
I can’t get enough, you ain’t been doin’ enough (do you like the way it sounds?)
So cold, so cold
It’s so cold, so cold, so cold
You could see the future, there’s a sparkle in your eye
Why you all up on my thigh? Can’t let you
Niggas plottin’ my demise, I got murder on my mind
I got money on the line, I can’t lose if I tried
Let no bitch break my stride
Chosen, I’m gon’ bet on me, chosen, all my shit antique
Frozen, I can’t feel no heat, diamonds dancing on me
You’re startin’ fresh, man, you fell out of pocket
You fucked that girl that you met at the party
I got some new niggas down in the lobby
How can I sleep when you’re out catchin’ bodies?
I still wanna be with you, trust me, I know that’s insane
I’d rather fuck on you than fuck on lames
I did some shit in Berlin, my moldae
We both ain’t shit and it’s workin’ for me
Workin’ for me, yeah
I can see the future, I can see the future
Travis Scott’s ‘Telekinesis’ is not just a melodic barrage intermixed with deep bass and harmonious autotune that has become synonymous with the artist’s style; it’s an introspective odyssey that dissects the glamour-soaked lifestyle of the rich and the famous. Travis weaves through his personal narrative with both nuance and bombast, as he grapples with an array of conflicting emotions that arise from his success and the lifestyle it entails.
The track meditates on the concept of foresight versus hindsight, exploring Scott’s own prophetic ability to see the trajectory of his life while dealing with the present moment’s trials and tribulations. The song oscillates between brash confidence and vulnerability, a window into the mind of a man confronting his demons while basking in the very success they begat.
The Intoxicating Cocktail of Fame and Foresight
At the crust of ‘Telekinesis’ lies Scott’s seemingly clairvoyant grasp of his destiny. Yet, this same destiny ensnares him in a hedonistic loop—where luxuries and indulgences are worn as both armor and albatross. The track exemplifies how Scott’s anticipation of his future fame did little to prepare him for its accompanying void, the emotional vacuum that no amount of material wealth could satiate.
Through his use of visionary language and references to his own wealth—’I can see the future, it’s lookin’ like we level through the sky’—Scott dubs himself the modern-day oracle, visioning his elevation not just in the industry, but towards a promise of ‘eternal lastin’ life.’ The euphoria of success is consistently juxtaposed with the emptiness it has left in its wake.
A Deep Dive Into The Psyche of the Astrological Autotuner
Travis Scott, ever the lyrical astronaut, often employs celestial imagery to depict his ascendancy. In ‘Telekinesis,’ this is no different. References to planets, specifically naming himself after one—’Flyest on the Earth so I had to name myself a planet’—are Scott’s way of contextualizing his newfound planetary stature in the pantheon of hip-hop heavyweights while circling the orbit of his inner turmoil.
The weight of these celestial references compounds as Scott confronts his own mortality and the moral ambiguities intertwined with his lifestyle. ‘I have murder on my mind’ contrasts starkly with the earlier boasts of opulence, underlining an internal struggle with the consequences of his actions and the enemies he perceives to be awaiting his downfall.
Unraveling the Threads of Narcissism and Nihilism
‘Telekinesis’ is perforated with self-congratulatory nods and perceived supremacy – a reflection of both his real-life success and the ego that comes in hand with it. These threads weave a tapestry of vanity, the kryptonite to the Superman identity he conjures elsewhere throughout his music.
This vein of narcissism underlies many of the braggadocious lines present in the song. However, such grandiosity belies an undercurrent of nihilism, a tacit understanding that despite Scott’s storied success, the emptiness persists. He sings of the transient nature of both relationships and pleasure, a man quite literally ‘ridin’ with the storm.
The Narcotics Narrative: A Pillar of False Elation
Drug usage is prolific throughout ‘Telekinesis,’ yet its depiction is starkly ambivalent. Scott acknowledges both the ephemeral reprieve substance abuse provides from his existential desolation—’Takin’ more drugs, all alone in a mansion’—and concurrently, its inability to fill the larger lacuna within. The narcotics narrative becomes a microcosm for his grander societal commentary: temporary solutions to perpetual problems.
There’s a renunciation of the glorification of such a lifestyle, yet an admission to its allure and presence. It’s as if Travis recognizes the cyclical nature of addiction, whether to substances or success, and the insidious way it promises infinity yet delivers finitude.
Memorable Lines: The Linguistic Hooks That Ensnare
Even as ‘Telekinesis’ mines deep emotional and philosophical veins, Scott’s lyrical craftsmanship is laden with catchy phrases primed for repetition and reflection. ‘Used to wanna be rich, then it finally happened, thought it’d make me happy,’ captures the cyclic descent from aspirational dreams to realized disillusionment, a resounding sentiment shared by many who chase the mirage of fame.
The mantra-like repetition of ‘Do you like the way it sounds?’ haunts the song like a spectral refrain, mocking the superficial satisfaction we reap from acknowledging the beat while ignoring the depth. It invites us to ponder if we’re really listening or if we’re just swaying to the familiar rhythm of hedonistic defeat.
