The Dynamo of Volition by Jason Mraz Lyrics Meaning – Unraveling the Energetic Puzzle of Self-Empowerment
Lyrics
The pole position
Automatic transmission with low emissions
I’m a brand new addition to the old edition
With the love unconditional
And I’m a drama abolitionist
Damn no opposition to my proposition
Half of a man, half magician
Half a politician holding the mic
Like ammunition
And my vision is as simple as light
Ain’t no reason we should be in a fight
No demolition
Get to vote, get to say what you like
Procreation
Compositions already written by themselves
Heck is for the people not believin’ in gosh
Good job
Get ’em up way high
Gimme gimme that high five
Good time
Get ’em way down low
Gimme gimme that low dough
Good God
Bring ’em back again
Gimme gimme that high ten
You’re the best definition of good intentions
I do not answer the call if
I do not know who is calling
I guess the whole point of it all is
That we never know really
I’m tryin’ to keep with the Joneses
While waiting for guns and the roses
To finish what we all suppose is
Gonna be the shit, well sue me
Oh, fist like pumpin’ and wrist lock
Twisting up a Rizla
Kid Icarus on the transistor
Nintendo been givin’ me the blister
I bend over take it in the kisser
My best friends are hittin’ on my sister
Try to tell them that they still wisher
‘Cause she already got herself a mister
And besides that’s gross to want to dis her
Didn’t I say, didn’t I say
Good job
Get ’em up way high
Gimme gimme that high five
Good time
Get ’em way down low
Gimme gimme that low dough
Good God
Bring ’em back again
Gimme gimme that high ten
You’re the best definition of good versus evil
I do not keep up with statistics
I do not sleep without a mistress
I do not eat unless it’s fixed with
Some kind of sweet like a licorice
My home is deep inside the mystics
I’m known to keep diggin’ on existence
I’m holdin’ in the heat like a fish-stick
And my phone it beeps because I missed it
I do not answer the call if
I do not know who is calling
I’m making no sense of it all
Say, can I get a witness?
I’m only a boy in a story
Just a hallucinatory
Trippin’ on nothing there is
Living in the wilderness
With a tiger spot on my back
Living life of a cat
I just wanna relax here
And write another rap tune
Driving off on your blind man’s bike
You can say just what you like
Or nothing can stop you
Good job
Get ’em up way high
Gimme gimme that high five
Good time
Get ’em way down low
Gimme gimme that low dough
Good God
Bring ’em back again
Gimme gimme that high ten
You’re the best definition of good versus evil
Good job
Get ’em up way high
Gimme gimme that high five
Good time
Get ’em way down low
Gimme gimme that low dough
Good God
Bring ’em back again
Gimme gimme that high ten
You’re the best definition of good intention
You’re the best definition of good intention
You’re the best definition of good intention
You’re the best around
Amidst the rhythmic grooves and soulful melodies that often dominate our playlists, it’s easy to overlook the profound narratives that artists weave into their songs. Jason Mraz’s ‘The Dynamo of Volition’ exemplifies the cryptic lyricism that beckons to be deciphered—a song that bursts with life and complexity beneath its seemingly effervescent surface.
‘The Dynamo of Volition’ isn’t just a catchy tune for those sunny afternoons; it’s a vibrant tapestry of metaphors, self-awareness, and a rallying cry for individual empowerment. Analysing this track is more than a stroll through literary devices; it’s a journey into the core of Mraz’s artistic spirit. Let’s dissect the lyrics and fortify our appreciation for this musical gem.
Harnessing Inner Force: The ‘Dynamo’ Defined
The ‘dynamo’ in Mraz’s title is the crux of the song’s spirit—a symbol of the relentless internal engine driving human will and action. In a world where life often seems dictated by external forces, Mraz paints himself as the master of his fate, a proactive creator rather than a passive observer. His reference to ‘volition,’ the power of choosing or deciding, strengthens the assertion of autonomy and control.
His lines ‘automatic transmission with low emissions’ blend a techno appeal with eco-consciousness, reflecting a desire for effortless efficiency in the pursuit of goals without leaving a negative footprint. This dual message is reflective of our modern era’s values—optimization and responsibility entwined in singular pursuits.
Magician, Politician, or Everyman? The Multiplicity of Self
Jason Mraz adeptly juxtaposes varying facets of identity with a lyrical sleight of hand. Describing himself as ‘half of a man, half magician,’ he nods towards the mystical and transformative elements of his persona. The ‘magician’ may very well be a metaphor for the artistry and creativity that allows one to manifest realities from the intangible.
As ‘half a politician,’ Mraz references a part of himself that engages with the world dialogically; a rhetor that holds ‘the mic like ammunition.’ The power of speech is highlighted here—a force for change, guidance, and influence. Yet, Mraz steers clear of partisanship, aiming to abolish drama, not fuel it, thereby advocating for a harmonious discourse.
A Call to Arms: Anthem Lyrics and Their Call to Action
Resembling a hype-man in a cypher, Mraz’s repetitive chorus ‘good job, get ’em up way high’ yields a communal vibe that’s reminiscent of a motivational speaker rallying a crowd. It evokes participation, a collective high-five shared among those who resonate with his message. It’s an infectious call to action that unifies the listener with the artist on a quest for positivity and achievement.
The ‘high ten,’ an escalated cousin of the ‘high five,’ is symbolic of reaching even further, pushing past contentment to exceptional heights. Mraz isn’t settling for the middle ground of good enough; he is setting the bar high, challenging his audience to aim for excellence in their daily endeavors.
The Enigmatic Undercurrent: Decoding the Hidden Meanings
Mraz delves into the philosophical with lines like ‘I guess the whole point of it all is that we never know really.’ This ambiguity serves as a reminder of life’s inherent uncertainty. The refusal to ‘answer the call if I do not know who is calling’ could be an allegory for discernment, protecting one’s peace from the unknown influences of our times.
The allusion to ‘waiting for guns and the roses’ subtly acknowledges that we are often in limbo, stuck between action (‘guns’) and beauty or peace (‘roses’). Thus, Mraz is possibly advocating for presence in the moment, a state of readiness and content with the unfolding complexity of existence—no easy feat in the rapid pace of modern life.
Memorable Lines: The Echoes of Applying The Dynamo
Towards the song’s conclusion, the lyric ‘driving off on your blind man’s bike, you can say just what you like’ serves as an oxymoron that captivates imagination. It symbolizes taking control over a seemingly uncontrollable situation, suggesting a surrender to the ride of life while maintaining the ability to navigate it vocally, even if not physically.
The final affirmations that we are the ‘best definition of good intentions’ serve to validate the listener, imparting a sense of value and purpose. It’s a powerful summation of the song’s core message: Within each one of us lies the dynamo of volition, capable of lighting up the darkness, propelling ourselves towards an indefinable but irresistibly compelling future.
