Violence – Decoding the Echoes of Existentialism in Melodic Verses


You can view the lyrics, alternate interprations and sheet music for Yung Lean's Violence at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. A Flurry of Materialism Amidst Spiritual Bankruptcy
  5. Navigating the Metropolis of Memories and Ghosts
  6. A Tapestry of Bleak Imagery and Harrowing Metaphors
  7. The Paradox of Recognition in the Echoes of Anonymity
  8. ‘Violence’ and Its Lyrical Labyrinth: Unveiling the Hidden Meaning

Lyrics

Liquid knives, check the prize, live like no tomorrow
I’ma slide, let it ride, gotta change the spot though
I’ma take what you have if I ever go broke
I’m forever in the club, you forever broke, bro
New city, different girls, forget where I’m at though
Suffer, suffer, but I go
Yeah, you can’t even ride the train no more, man
Head down in the metro

Liquid knives to the sky it’s the place of sorrow
On the top of the tower with my bow and arrow
Liquid lives lost my fight when I saw the rainbow
Lot of ice, lot of ice when we in the castle
Where I go, where I look, they all tend to follow
I see shadows in my dreams, they put me in chokeholds
When we slide, go and steal it, then we call it borrow
Put the money in the motion, I ain’t got the morals
Put the money in motion, I put strings to pedal, ayy
Ain’t nobody know me, but my name so known
Everybody ’round me high, but I stay low
Everybody ’round me high, but I stay low
Everybody ’round me gone, check the condo
Everybody ’round me, deal with bigger halos
Hole in my head and my heart so froze
Everybody ’round me fly, fly like sparrows
Whatever I want, gotta get it pronto
Nine lives like a cat jumping out the window
We make bank, burn cash, you know that’s the motto
Whole lotta digits when they scan the barcode, ayy, ayy

Look into your eyes, I can see your brain slow
I don’t wanna know your name, I already see your soul

Ayy, no hate, no love, love is vain
See, you’re a product of your environment
My environment’s a product of me

Liquid knives, check the prize, live like no tomorrow
I’ma slide, let it ride, gotta change the spot though
I’ma take what you have if I ever go broke
I’m forever in the club, you forever broke, bro
New city, different girls, forget where I’m at though
Suffer, suffer, but I go
Tried to hold on but I let go
They clean for you
Head down in the metro

Full Lyrics

In an industry where lyrics often glide on the surface of shallow pools, Yung Lean plunges into the depths with his song ‘Violence.’ With cryptic verses laden with enigmatic symbolism, the Swedish rapper extends an invitation to explore the ephemeral nature of life, the emptiness of excess, and the solitude of fame. This track has become an enigma, unfolding its layers upon each listen.

As we dissect the poignant lyricism and piercing beats, ‘Violence’ reveals itself not only as a song but as a canvas painted with the duality of human existence. It’s a dichotomy of surrender and control, of clinging onto the material while wading through the immaterial. Here, we venture into the labyrinth of Yung Lean’s artistry, teasing out the meanings woven into his words.

A Flurry of Materialism Amidst Spiritual Bankruptcy

The repeated mentions of ‘liquid knives’ and the allusion to living with no sense of a future pins down the underlying theme of ‘Violence’—materialism cloaked in nihilism. Yung Lean portrays a character intoxicated by the thrill of transient pleasures, all the while cognizant of their fleeting nature. The contrast of embracing luxury (‘ice, lot of ice’) and battling inner demons (‘shadows in my dreams’) renders a stark portrayal of opulence shadowed by desolation.

‘I’m forever in the club, you forever broke, bro’ serves as a tongue-in-cheek taunt, elevating the protagonist’s hedonistic revel, yet the lyricist is quick to juxtapose this with a sense of inner loss—’hole in my head and my heart so froze.’ Yung Lean captures the cold disconnection that wealth often brings, probing whether we are the sum of our possessions or the void that they can create.

Navigating the Metropolis of Memories and Ghosts

‘Head down in the metro’—A line that concludes different sections of ‘Violence’ like a refrain, resonating with the image of a soul navigating not just the city’s underbelly, but the labyrinth of his own mind. The metro, a symbol for transit and change, stands as a quiet witness to the internal chaos of a public figure searching for anonymity in the face of constant scrutiny.

The urban landscape Lean describes is a maze where relationships are as fleeting as the cities he jumps between, and the faces of ‘different girls’ blend into a forgettable haze. It echoes a restless journey where interpersonal connections are sacrificed at the altar of (in)fame and where the chase for novelty leaves a trail of hollow encounters.

A Tapestry of Bleak Imagery and Harrowing Metaphors

‘On the top of the tower with my bow and arrow’—Yung Lean presents an almost medieval contrast against the contemporary scenes, suggesting a timeless struggle of the warrior-poet. The stark ‘liquid lives lost’ evokes a battleground where the rainbow—typically a symbol of hope—triggers surrender, not victory.

The song’s visceral lexicon conjures a world where beauty and violence intertwine, where the act of observation (‘look into your eyes, I can see your brain slow’) can be as invasive as it is insightful. Lean skillfully embroiders his soundscape with vivid, often somber threads, stitching together a narrative splattered with the ink of introspection and angst.

The Paradox of Recognition in the Echoes of Anonymity

‘Ain’t nobody know me, but my name so known’—Yung Lean distills the paradox of modern celebrity into a single line. The juxtaposition of personal anonymity with the external noise of fame puts the listener into the shoes of someone struggling under the weight of their own legacy, weighed and watched, yet utterly alone.

The discerning ear catches the muted cry of existential dread in Lean’s verses, a reflection on whether one’s environment is a personal creation or a predestined cell. As the rapper navigates through the facades and the genuine, he pinpoints the void that exists in being known by all but understood by none.

‘Violence’ and Its Lyrical Labyrinth: Unveiling the Hidden Meaning

Beyond the stark nihilism and exploration of the facade of fame, ‘Violence’ doubles as a meditative piece on the human condition. Yung Lean challenges the listener to discern the deeper significance behind his verses ‘No hate, no love, love is vain’—a philosophical resignation to the inescapable clutches of futility that comes with profound realization.

The track becomes a cipher for the introspective journey of the soul adrift in the modern world, inviting interpreters to reflect on the violence not just in our actions but in our internalized struggles. With ‘Violence,’ Lean crafts a harrowing ode to the simultaneously hollow and heavy existence we maneuver, a song that compels us to consider the cost of our desires and the price of our psyche.

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