OreoMilkShake by Yung Lean Lyrics Meaning – Decoding the Essence of Hedonism in Modern Hip-Hop

You can view the lyrics, alternate interprations and sheet music for Yung Lean's OreoMilkShake at Lyrics.org.

Lyrics

Bitch I’m bussin
Pop a bottle in your head like im russian
Coke in my nose now he dead you ain’t rushin
Rush hour 3 on dvd
Catch me ghostbusting
Catch me in a hotel with your mother and her cousin
Bitch i come through like never before
Fucking your bitch and pissing on the floor
My money weed and green bitch call me yoda
Popping ecstacy like pimpels
Drinking arizona
My money stack up
Bitch call me hilary
My dick is hard like steel
Bitch i am mini me
Chain heavy like mr T
I’m so real you can call me reality
Even rihanna couldn’t get rid of me
Riddle me
Had her sucking on my dick on ritalin in italy
Sniffing cocaine
Im that mane
Yung lean stupid hoes think im charlie sheen
But he ain’t even close to lean

(hook)

Milkshake with them crushed up oreos
Bankrolls, stick my dick inside a glory hole
Burgers with bacon and that guacamole
Stick my dick inside your pussy yeah yeah real slowly

2nd

6hunna on my watch
Polopants be ready
Bitches get shaky like spaghetti
My whole crew look like freddy (kreuger)
Coming on your forehead like confetti
Bitch hold steady
I am deadly
Milkshake with them crushed up oreos
Bankrolls stick my dick inside a gloryhole
Fuck sportbras i dont even like sporty hoes
Catch me in the street bitch act like you don’t know
Burgers with bacon and that guacamole
Stick my dick inside your pussy
Yeah real slowly
Yung lean doer’s holy
Eat her out like ravioli
She’s protecting my balls like she’s a goalie
See me on the street bitch act like you dont know me
Y’all faggots been talking bout it
Yung leans trynna get a smoke around it
Purple kush all on the couch yeah
Until the police started sneaking round here

(hook)

Within the seemingly chaotic layers of Yung Lean’s ‘OreoMilkShake’, a hidden gem of contemporary rap music reveals itself. The 2013 track descends from Yung Lean’s early days, an era when the Swedish rapper’s internet-borne sound, marked by its lo-fi production and dreamy synth lines, began reshaping the borders of modern hip-hop.

The song, more than a mere confluence of drugs, sex, and money, poses as an audacious statement on the excesses of youth and celebrity culture. Yung Lean, an emblematic figure of the ‘Sad Boys’ movement, layers his oddball references and brazen boasting in a way that serves both to satirize and to embody the very tropes of trap music.

The Revelry in the Ratchet: Unpacking the Hedonistic Overtones

Yung Lean’s ‘OreoMilkShake’ stands tall as an anthem of hedonism. The vivid imagery of luxurious indulgence and carefree living is not merely to illustrate the rapper’s lifestyle but is a stark portrayal of a generation’s flirtation with opulence and moral abandon.

The lines ‘Coke in my nose now he dead you ain’t rushin’’ and ‘My dick is hard like steel’ relay not just bravado but a nihilistic dive into the fringes of excess. They speak to the desires of numbing one’s senses against the bleakness of reality, choosing instead a fantasy world sprinkled with the ephemeral highs of drugs and sex.

Drenched in Irony: The Satirical Lens of Yung Lean’s Lyrics

With his unconventional imagery and comparisons, such as ‘My money weed and green bitch call me Yoda,’ Lean employs a satirical wit that might be overlooked upon first listen. In comparing himself to the sagacious Star Wars character, he invites a duality of interpretation—mirroring the absurdity of conflating wisdom with material wealth and substance abuse.

Moreover, the juxtaposition of his crude sexual references with the mundane—’Milkshake with them crushed up oreos’—is almost a mocking imitation of rap clichés, flipping the script on conventional boasts to expose the hollow nature of such braggadocio.

A Labyrinth of Cultural References: Yung Lean’s Intertextual Play

Yung Lean’s lyrics are a playground of cultural nods. From movies like ‘Rush Hour 3’ to his outlandish claim ‘Even Rihanna couldn’t get rid of me,’ Lean stitches together a patchwork of mainstream media and personal narrative, creating a tapestry as erratic as it is engaging.

In these references, Lean is creating a language of his own, a lexicon where disparate elements of pop culture coexist to form a mosaic representation of the artist’s worldview.

Navigating the Misogyny: Critical Eye on Yung Lean’s Provocations

Tracks like ‘OreoMilkShake’ unavoidably bring up discussions of misogyny in hip-hop. The blatantly explicit lines bear testament to an aggressive sexual domination that has long colored rap lyrics.

This point of contention raises a larger question about Lean’s intent—whether he is reinforcing these stereotypes or bringing them into the light for examination. The track walks a fine line, and listeners must decide how deep the irony goes and whether Lean is critiquing the very same content he creates.

Echoes of a Hidden Meaning: The Void Beyond the Bravado

Beyond the shock value and the self-assured veneer lies the question of what ‘OreoMilkShake’ represents at its core. Is Yung Lean, through his vaporous beats and deadpan delivery, offering a commentary on the hollowness of the rap game?

When he raps, ‘Yung Lean stupid hoes think I’m Charlie Sheen,’ there’s an undeniable parallel to the actor’s own public spiral into infamy. Lean, known for embracing his outsider status, might be drawing lines of comparison to Sheen’s rejection of Hollywood norms, positioning himself as hip-hop’s enigmatic maverick.