Xs by Rina Sawayama Lyrics Meaning – The Lure and Illusion of Materialism in Modern Society
Lyrics
Hey, I want it all, don’t have to choose
And when the heart wants what it wants, what can I do?
So I’ll take that one, that one, yeah, that one too
Luxury and opulence, Cartiers and Tesla X’s
Calabasas, I deserve it
Call me crazy, call me selfish
I’m the baddest and I’m worth it
Gimme just a little bit more, little bit of excess
Oh, me, oh, my
I don’t wanna hear “No, no”
Only want a “Yes, yes”
Oh, me, oh, my
Gimme just a little bit of (excess, excess)
Oh, me, oh, my
Gimme just a little bit more, little bit of excess
Gimme just a little bit more, little bit of excess
Oh, me, oh, my
I don’t wanna hear “No, no”
Only want a “Yes, yes”
Oh, me, oh, my
Gimme just a little bit of (excess, excess)
Oh, me, oh, my
Gimme just a little bit more, little bit of excess
Flex
When all that’s left is immaterial
And the price we paid is unbelievable
And I’m takin’ in as much as I can hold
Here are the things you’ll never know
Make me less, so, I want more
Bought a zip-code, at the mall
Call me crazy, call me selfish
Say I’m neither, would you believe her?
Gimme just a little bit more, little bit of excess
Oh, me, oh, my
I don’t wanna hear “No, no”
Only want a “Yes, yes”
Oh, me, oh, my
Gimme just a little bit of (excess, excess)
Oh, me, oh, my
Gimme just a little bit more, little bit of excess
Oh, me, oh, my
Where did it go awry?
When all this time, Heaven was in our eyes
So, say goodnight, forget about it ’til the end of time
Yeah, I want more, more, more, more
More, more, more, more, more
Gimme just a little bit more, little bit of excess
Oh, me, oh, my
I don’t wanna hear “No, no”
Only want a “Yes, yes”
Oh, me, oh, my
Gimme just a little bit
Oh, me, oh, my
Gimme just a little bit more, I need it now
Gimme just a little bit more, little bit of excess
Oh, me, oh, my
I don’t wanna hear “No, no”
Only want a “Yes, yes”
Oh, me, oh, my
Gimme just a little bit
Oh, me, oh, my
Gimme just a little bit, little bit of
A little more (excess, excess)
A little bit more (excess, excess)
A little bit more (excess, excess)
In the glittering landscape of pop music, few songs strike the shimmering chord of consumer culture critique quite like Rina Sawayama’s ‘Xs.’ A track that paints a sonic portrait of excess against a backdrop of irresistible hooks, Sawayama delves into the heart of modern materialism and the relentless pursuit of more.
The song weaves through the labyrinth of luxury, juxtaposing the intoxicating allure of possessions with an undercurrent of sobering truth. It is a musical paradox: a catchy anthem for the very societal impulse it questions, which makes ‘Xs’ all the more compelling.
The Euphoria of ‘Yes’: Dissecting the Desire for Excess
Rina Sawayama doesn’t hold back as she captures the exhilaration that comes with ascension to material heavens. The song’s insistent chorus, ‘Gimme just a little bit more, little bit of excess,’ serves as a mantra for ceaseless consumption, a reflective mirror held up to a culture that perpetually whispers ‘more’ into our eager ears.
The relatable desire for ever-growing abundance is laid bare as a sentiment not unique to the individual, but as a pervasive part of our collective consciousness. Sawayama taps into the paradox of materialism, where satisfaction remains ever out of reach, and the ‘little bit more’ becomes a relentless pursuit.
A Satirical Celebration: Cartiers, Tesla X’s, and Calabasas
With tongue firmly planted in cheek, Sawayama’s lyrics list the emblems of wealth with a mix of ardor and irony. Mentioning Cartiers and Tesla X’s, she invokes the symbols of status that have become the hallmarks of success in today’s age. The name-dropping is both an allusion to pop culture’s material obsessions and a critique of the emptiness that often accompanies them.
The reference to Calabasas, an affluent LA suburb known for its celebrity residents, further roots the song in a place synonymous with wealth and ostentation. But beyond the façade of extravagance, Sawayama challenges listeners to ponder the genuine value of such material symbols.
The Hidden Meaning Behind the Melody: A Reality Check
Beneath the pulsating beats and catchy refrains, ‘Xs’ hides a wake-up call. Sawayama doesn’t just give us an infectious tune; she offers a subtle reality check. The lines ‘When all that’s left is immaterial, and the price we paid is unbelievable’ serve as a poignant reminder of the true cost of our excesses—the lost moments and spiritual debts that accumulate in the shadow of our physical acquisitions.
It’s a potent message packaged in a pop song: the things we chase with fervor often hold the least tangible worth. Sawayama’s clever songwriting invites listeners to dance, but also to discern the hollow nature of what is often sought with such fervor.
Memorable Lines That Resonate: ‘Gimme Just a Little Bit More’
It’s the line that won’t leave your head, the demand that encapsulates the heart of the song: ‘Gimme just a little bit more, little bit of excess.’ This catchy hook transcends the song, echoing in the chambers of a society driven by the myth that happiness can be attained through accumulation.
The repetition of ‘Oh, me, oh, my’ coupled with the straightforward demand for ‘Yes, yes’ versus the dreaded ‘No, no’ encapsulate a childlike insistence on satiation. Sawayama pinpoints the innocence and impulsivity in our adult desires, pulling at the universal thread of wanting that connects us all.
The Culture’s Mirror: Reflecting on Our Obsession with ‘Xs’
Rina Sawayama’s ‘Xs’ is more than a song; it’s a cultural commentary set to a danceable beat. It reflects the zeitgeist’s obsession with obtaining ‘more’ and serves as a mirror to the excess that defines contemporary life. The track dares to examine the void that comes dressed as desire, questioning the very nature of what we consider success and fulfillment.
In urging her listeners to engage with the notion of ‘a little bit more,’ Sawayama doesn’t just create a soundtrack for the party; she sparks a conversation at the heart of the dance floor. The song is a Trojan horse, carrying within it a dialogue about consumption, identity, and what truly makes us ‘worth it.’
