Yoshi City by Yung Lean Lyrics Meaning – Unpacking the Nostalgia in a Modern Melancholy Anthem


You can view the lyrics, alternate interprations and sheet music for Yung Lean's Yoshi City at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Stockholm city we’re burned out
Yoshi city we burn it down
I guess it’s my turn now
Smoking loud, I’m a lonely cloud
I’m a lonely cloud, with my windows down
I’m a lonely, lonely; I’m a lonely, lonely
Stockholm city we’re burned out
Yoshi city we burn it down
I guess it’s my turn now
Smoking loud, I’m a lonely cloud
I’m a lonely cloud, with my windows down
I’m a lonely, lonely; I’m a lonely, lonely

Be the only hope I got left
Blessed without success
Fuck stress I’m gonna trust the best
I’m nervous that she’s so upset
She don’t want me, bitch I’m flustered
I’m an aristocrat without the progress
Roses all on her wedding dress
Blood from her mouth, I’m a mess
Alien faces everywhere I go
Downtown bitch that’s where I smoke
Got my heart next to my phone
Do or die? Stupid high
Lonely nights, finna sacrifice
Fuck your life, I need mine
I’ll take yours and rewind
Walk in my shoes, you’ll see why
Fuck everyone, I don’t reply
Sad boys bitch, we world wide
Grey sweatshirt, L size
Wakizashi and grape Nikes
Fuck norms, fuck a normal life
Fuck norms, I’ll break em out
A year and I’ll blow that’s what I said
Lean, lean, lean you got it in your head
Like a disease you know I spread
I can’t sleep without you on my bed
Yoshi city, that’s the town
All me, I came up now
Sad boys, time to burn it down
Windows down, face out
Squad up when we riding now
We riding now

Stockholm city we’re burned out
Yoshi city we burn it down
I guess it’s my turn now
Smoking loud, I’m a lonely cloud
I’m a lonely cloud, with my windows down
I’m a lonely, lonely; I’m a lonely, lonely
Stockholm city we’re burned out
Yoshi city we burn it down
I guess it’s my turn now
Smoking loud, I’m a lonely cloud
I’m a lonely cloud, with my windows down
I’m a lonely, lonely; I’m a lonely, lonely
Stockholm city we’re burned out
Yoshi city we burn it down
I guess it’s my turn now
Smoking loud, I’m a lonely cloud
Lonely cloud, with my windows down
I’m a lonely, lonely; I’m a lonely, lonely
Stockholm city we’re burned out
Yoshi city we burn it down
I guess it’s my turn now
Smoking loud, I’m a lonely cloud
Lonely cloud, with my windows down
I’m a lonely, lonely; I’m a lonely, lonely

I’m a lonely, lonely; I’m a lonely, lonely

I’m a lonely, lonely; I’m a lonely, lonely

Full Lyrics

In the realm of modern hip-hop and emo rap, few songs capture the zeitgeist quite like Yung Lean’s ‘Yoshi City’. Released in the midst of his meteoric rise, the track serves as an anthem for the disenchanted, a beacon of raw emotive resonance in a digital age. The Swedish artist, known for his divergent soundscapes and introspective lyrics, evokes a complex bouquet of sentiments with his melancholy magnum opus.

Beyond the pensive beats and the chilled, hazy veneer of ‘Yoshi City’, lies a tapestry of meaning ripe for exploration. Yung Lean’s artful fusion of personal struggle, generational anxiety, and a distinct sense of place speaks to the hearts of listeners navigating the blurred lines of modern existence.

A Metaphorical Metropolis: Yoshi City as a State of Mind

Despite its title, ‘Yoshi City’ isn’t just a geographical reference; it’s a psychological landscape, a microcosm of Yung Lean’s internal world. The dichotomy presented between Stockholm and Yoshi City represents a journey from the known to the enigmatic, from grounded reality to an escapist digital haven. It’s an emblem of Yung Lean’s personal experiences, infused with universal themes of isolation and disillusionment.

Burning down ‘Yoshi City’ can be seen as an act of catharsis, a way to rise from the ashes of mundane existence into a state of rebirth. Yung Lean navigates through his melancholy and disconnection, embodying both the fire starter and the detached observer—the ‘lonely cloud’.

From the Flames of Stockholm: Symbolism in Scorched Cities

The recurring imagery of combustion throughout ‘Yoshi City’ is loaded with symbolism. Stockholm, emblematic of Yung Lean’s birthplace and reality, is ‘burned out’, suggesting a sense of ennui. This resonates with a generation that feels the slow burn of societal pressures and the erosion of purpose in a hyperconnected world.

By setting fire metaphorically to the cities, Lean could be purging the parts of his life that feel constrictive, embracing chaos as a form of liberation. It’s a defiance against the normative structures—the ‘norms’—that he so vehemently rejects, choosing his own path over prescribed success.

Lonely Clouds and the Search for Connection

The self-referential ‘lonely cloud’ is not just a lyrical hook but a potent symbol for Yung Lean’s isolation and quest for identity. In his solitude, windows down, the artist invites the world to witness his vulnerability. He’s reachable and exceedingly remote, adrift in a society that prioritizes connectivity yet seldom offers true companionship.

As a cloud, Yung Lean floats above the fray, observing the comings and goings with detachment. Yet, there’s a sense that in the act of drifting, the artist is searching for a connection that transcends the superficial—a longing for something tangible amidst the ephemeral.

The Lament of the Misunderstood Aristocrat

The line ‘I’m an aristocrat without the progress’ hits with the piercing duality of privilege and stagnation. Yung Lean touches upon the paradox of potential unfulfilled and the frustration it breeds. This is further compounded by the turmoil of unreciprocated affection—’She don’t want me, bitch I’m flustered’—painting a picture of romantic despair.

Such lines stand as a testament to the human condition, to the intertwined feelings of entitlement and impotence. Lean articulates the angst of a youth culture that’s been handed the tools to succeed—education, technology, freedom—and yet finds itself bound by invisible chains of expectation and traditionalism.

Hidden Meaning in ‘I’m a Mess’: Alienation and Autobiographical Grit

‘Alien faces everywhere I go’ isn’t just a line; it’s a glimpse into Yung Lean’s psyche, bringing forth themes of alienation and the unnerving sensation of being an outsider. The ubiquitous ‘alien faces’ could signify a society in which the artist feels out of place, a literal interpretation of not recognizing oneself in the crowd.

Yung Lean’s ‘I’m a mess’ is a blunt, self-aware confession juxtaposed with the grotesque image of a blood-stained wedding dress. It serves as an ironic commentary on the decay of traditional symbols of purity and commitment in an age marked by fleeting relationships and fragile connections.

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