Animals by Architects Lyrics Meaning – A Provocative Dive into Existential Dread

You can view the lyrics, alternate interprations and sheet music for Architects's Animals at Lyrics.org.

Lyrics

I do my best, but everything seems ominous
Not feeling blessed, quite the opposite
This shouldn’t feel so monotonous
It never rains, but it pours

We’re just a bunch of fucking animals
But we’re afraid of the outcome
Don’t cry to me because the fiction that we’re living in
Says I should pull the pin

Should I just pull the pin?
Should I just pull the pin?

I dug my heels, I thought that I could stop the rot
The ground gave way, now I’ve lost the plot
Fucked it again, that was all I’ve got
It never rains, but it pours

Life is just a dream within a

We’re just a bunch of fucking animals
But we’re afraid of the outcome
Don’t cry to me because the fiction that we’re living in
Says I should pull the pin

Buried under dirt, a diamond in the mud
Infinity is waiting there ’cause nobody can burn a glass cathedral

Dream within a, dream within a

We’re just a bunch of fucking animals
But we’re afraid of the outcome
Don’t cry to me because the fiction that we’re living in
Says I should pull the pin
We’re just a bunch of fucking animals
But we’re afraid of the outcome
Don’t cry to me because the fiction that we’re living in
Says I should pull the pin

Should I just pull the pin?
Should I just pull the pin?
(Buried under dirt, a diamond in the mud)
Should I just pull the pin?
(Infinity is waiting there ’cause nobody can burn a glass cathedral)
Should I just pull the pin?

In the constellation of modern metal, ‘Animals’ by Architects shines as a dark star, compelling us to a somber dance of introspection and raw emotion. The song, a standout track from their ninth studio album ‘For Those That Wish to Exist’, serves not only as a rhythmic foray into melodic aggression but also as a profound existential commentary.

Through brooding verses and a haunting chorus, ‘Animals’ captures the zeitgeist of disillusionment and the struggle for meaning in a seemingly indifferent world. Architects mold a vessel with their words, filling it with the universal angst of a generation confronting the absurd.

The Cry of Quiet Desperation: Parsing Through Ominous Undertones

The song opens with a declaration of unease, as the protagonist struggles against an oppressive sense of doom. The notion that ‘everything seems ominous’ sets the stage for a relentless examination of the human condition, where blessings are scarce, and life’s monotony grinds down the spirit.

This opening salvo strike a chord within listeners who have grown tiresome of the loop of despair that modern life often presents. The metaphorical ‘rain that pours’ is the unending hardships that seem to cascade down with fervor, leaving one to question the existence of reprieve in a life that feels anything but sacred.

The Bestial Mirror: Unflinching Reflection on Human Nature

The chorus’s primal scream, ‘We’re just a bunch of fucking animals,’ reveals a raw and unfiltered truth, serving as a bold-faced admission of our most basic instincts. The song suggests that, underneath our self-constructed veneers of civilization, we are driven by primal urges, fears, and the struggle for survival.

Yet fear of the uncertain and the future paralyzes us. This duality, between acknowledging our raw nature and being petrified by the consequences of embracing it, encapsulates the turmoil of existing within the tightening grip of societal constructs that demand a semblance of order amidst chaos.

The Sisyphean Struggle: Loss of Control and Surrender

Following the brash confession, the protagonist illustrates an attempt to ‘stop the rot,’ which symbolizes a fight against decay or perhaps the march of time itself. Their effort fails, and they must face the loss of control, a motif that resonates with anyone who has strived against overwhelming odds.

This admission that once more ‘the ground gave way’ and ‘I’ve lost the plot’ is both a personal and universal acceptance that despite our deep yearnings for control, we are but characters in a grand design, or rather a ‘fiction’, with our destinies often dictated by unfathomable scripts.

The Hidden Meaning: Searching for Eternity in a Glass Cathedral

Amidst the caustic reflections, ‘Animals’ presents a cryptic yet evocative line: ‘Buried under dirt, a diamond in the mud. Infinity is waiting there ’cause nobody can burn a glass cathedral.’ This is possibly the most enigmatic sequence, suggesting that beneath the filth and despair of our experiences lies an enduring, unspoiled beauty.

The ‘glass cathedral’ represents a sanctuary that stands unharmed by fire, signifying hope or truth that lives on despite the chaos of the external world. In this, Architects may be emphasizing the persistence of purity and the possibility of transcendence amidst the perceived meaninglessness of life.

Memorable Lines: The Redefinition of Bliss and the Infinite

One can’t help but dwell on the phrase ‘Life is just a dream within a.’ This unfinished thought coerces us to ponder on the construct of reality. If what we perceive is merely a layer among many realities, what does this mean for our understanding of existence, purpose, and serenity?

Its recurring, rhetorical interrogation ‘Should I just pull the pin?’ resonates deeply, as it may represent giving up or perhaps an act of rebellion to break free from the confines of the fictions we dwell in. This line will remain etched in our minds as we individually contemplate the precipice between passive existence and active liberation.