Arma-Goddamn-Motherfuckin-Geddon by Marilyn Manson Lyrics Meaning – The Apocalypse of Culture and Conformity
Lyrics
All sorts of tax-free face-lift-abortion-nervous-break-dance
Satanic girls gone wild
Truly fuckin’ suicidal
First, you try to fuck it.
Then, you try to eat it.
If it hasn’t learned your name,
You’d better kill it before they see it
First, you try to fuck it
Then, you try to eat it
If it hasn’t learned your name,
You’d better kill it before they see it
It’s arma-goddamn-mother-fuckin-geddon
(Fuck! Eat! Kill! Now do it again!)
It’s arma-goddamn-mother-fuckin-geddon
(Fuck! Eat! Kill! [etc])
First, you try to fuck it
Then, you try to eat it
If it hasn’t learned your name
You’d better kill it before they see it
It’s arma-goddamn-mother-fuckin-geddon
I’ve got a black eye of a soul
My morals in a hole
I wish I was still dead
But the TV said its just a tropical depression
Pointless intervention, legal separation
Call my dealer or my lawyer, “We’ve got a situation!”
First, you try to fuck it
Then, you try to eat it
If it hasn’t learned your name,
You’d better kill it before they see it
First, you try to fuck it
Then, you try to eat it
If it hasn’t learned your name,
You’d better kill it before they see it
It’s arma-goddamn-mother-fuckin-geddon
(Fuck! Eat! Kill! Now do it again!)
It’s arma-goddamn-mother-fuckin-geddon
(Fuck! Eat! Kill! [etc])
Is it the news?
Or is it the noose?
Results may vary,
Side effects are very
It’s arma-goddamn-mother-fuckin-geddon
Arma-goddamn-mother-fuckin-geddon
Arma-goddamn-mother-fuckin-geddon
Arma-goddamn-mother-fuckin-geddon
Arma-goddamn-mother-fuckin-geddon
It’s arma-goddamn-mother-fuckin-geddon
(Fuck! Eat! Kill! Then do it again!)
It’s arma-goddamn-mother-fuckin-geddon
(Fuck! Eat! Kill! [etc])
Fuck the goddamn, the TV and the radio
And fuck making hits, I’m taking credit for the death toll
It’s arma-goddamn-mother-fuckin-geddon
It’s arma-goddamn-mother-fuckin-geddon
It’s arma-goddamn-mother-fuckin-geddon
In the shadowy realms of rock rebellion, Marilyn Manson stands as an unyielding provocateur, an artist who has relentlessly challenged the norms with jarring visuals and lyrical chaos. ‘Arma-Goddamn-Motherfuckin-Geddon,’ a track from Manson’s seventh studio album ‘The High End of Low,’ released in 2009, is no exception. As the title detonates in the mind with its fusion of Armageddon and profanity, one braces for a cultural critique wrapped in ear-splitting boldness.
The song’s raw energy and unapologetic roar are a harbinger of Manson’s message, where the brash hammering of words serves to dismantle the societal facades built upon consumerism, superficiality, and the relentless seduction of fame and media. With its rallying cry against the backdrop of a teetering world, ‘Arma-Goddamn-Motherfuckin-Geddon’ encapsulates a defining moment of anarchy against a polished, scripted life.
An Ode to the End Times or Stark Social Commentary?
With the linguistic blend of ‘Armageddon’ and expletives, Manson paints a portrait of the end times not in the fashion of biblical prophecies but through the lens of societal implosion. The blasphemous and satirical layering in the title and chorus speaks to an individual disillusioned with a world feasting upon its own destruction, whether it’s through vanity, gluttony, or the mystique of fame.
As he screams, ‘Death to the ladies first, then the gentlemen,’ Manson subverts chivalrous tropes, implying perhaps that disaster knows no gender; it’s an equal-opportunity annihilator. The pre-apocalyptic atmosphere is saturated with actions of consuming and exploiting without care for consequence or name, a snide commentary on society’s values.
The Grotesque Trifecta – ‘Fuck, Eat, Kill’
The repetitive nature of ‘First, you try to fuck it. Then, you try to eat it. If it hasn’t learned your name, You better kill it before they see it,’ reveals a haunting triad of human instinct reduced to its most primal and grotesque elements. This refrain, both unsettling yet starkly honest, seems to mirror a spiritual void, a kind of modern existential crisis where individuals, starved for depth, gorge on superficial cravings.
Manson doesn’t mince words nor emotions; the visceral choice of ‘fuck, eat, kill’ serves as a metaphor for the extremes of consumption, where intimacy, sustenance, and destruction are fed by an insatiable ego, and perhaps, a media-saturated culture that hastens to commoditize every aspect of human life.
The Hidden Meaning Beneath the Surface
Despite the abrasive exterior, ‘Arma-Goddamn-Motherfuckin-Geddon’ holds beneath its spikes a critique of escapism and the collective sedation through media. The ‘tropical depression’ mentioned might be a cryptic jab at the minimization of personal and societal turmoil, diminished and sanitized by the hollow reassurances from TV screens.
Even the line ‘Call my dealer or my lawyer, we’ve got a situation!’ evokes the desperation to numb or fix a breakdown in communication with substance or litigation, a snarky nod to the often preferred way of dealing with problems in a society that prioritizes quick fixes over genuine connection and resolution.
Memorable Lines with Impactful Punch
‘Fuck the goddamn, the TV and the radio / And fuck making hits, I’m taking credit for the death toll’ is as fierce a proclamation as they come. These lines blatantly scorn the institution of fame that Manson has been a part of, dismissing its impact on artistic integrity.
Is it recognition or rebellion? Maybe it’s both. There’s a revolutionary zeal in taking responsibility for the ‘death toll,’ symbolizing perhaps the slaying of conformity and the mindless consumption of media—a bold declaration for an artist whose career thrives in an industry built on those very aspects.
Apocalypse Now: The Anthem of Discontent
Ultimately, ‘Arma-Goddamn-Motherfuckin-Geddon’ serves as an anthem for the discontented, those who feel pushed to the margins of a society beset by spectacle, greed, and a hunger for the next ephemeral high. It’s a fight song for the apocalypse that Manson suggests we might unconsciously crave or even strive for through our daily choices and indulgences.
Manson’s signature abrasive musical style and lyrical prowess culminate in a creation that’s as much a warning as it is a rallying cry—a song that calls for the recognition of a society teetering on the edge, delivered with the percussive force of a prophetic wake-up call.
