Bankrobber by The Clash Lyrics Meaning – The Anthem of the Anti-Hero


You can view the lyrics, alternate interprations and sheet music for The Clash's Bankrobber at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

My daddy was a bank robber
But he never hurt nobody
He just loved to live that way
And he loved to steal your money

Some is rich, and some is poor
And that’s the way the world is
But I don’t believe in laying back
Sayin’ how bad your luck is

So he came to jazz it up
Never learned to shovel
Break your back to earn our pay
Don’t forget to grovel

My daddy was a bank robber
But he never hurt nobody
He just loved to live that way
And he loved to take your money

He’s gone now

The old man spoke up in a bar
Said “I never been in prison
A lifetime serving one machine
Is ten times worse than prison”

Imagine if all the boys in jail
Could get out now together
Whadda you think they’d want to say to us?
While we was being clever

Someday you’ll meet your rocking chair
‘Cause that’s where we’re spinning
There’s no point to want to comb your hair
When it’s grey and thinning

Oh

Hey, my daddy was a bank robber
But he never hurt nobody
He just loved to live that way
And he loved to steal your money

So he came to jazz it up
We never learned to shovel
Break your back to earn your pay
And don’t forget to grovel, hey

Get away, get away, get away, get away, get away, get away, get away

My daddy was a bank robber
But he never hurt nobody
He just loved to live that way
And he loved to steal your money

Hey
Run, rabbit run

Brrrp, strike out boys, for the hills
I can find that hole in the wall
I know that they never will

Daddy was a bank robber
But he never hurt nobody
He just loved to live that way

Full Lyrics

The Clash, often hailed as the spearhead of the punk rock revolution in Britain, delivered anthems that resonated with the buoyant and rebellious spirits of youth. Among their illustrious catalogue lies ‘Bankrobber,’ a song that clasps onto the trope of the anti-hero, cloaked in reggae-infused rhythms that meander against the tide of traditional Clash punk sonics.

‘Bankrobber’ is not just a song; it’s a storytelling masterpiece that taps into the zeitgeist of anti-establishment sentiments through the lens of a familial saga. With its hypnotic reggae beats and seductive guitar lines, this song invites listeners to contemplate the dichotomies of society, personal rebellion, and the misshaped concept of law-abiding virtue.

Not Your Typical Hymn of Rebellion

While many songs of the era screamed anarchy against the system, ‘Bankrobber’ walks a less trodden path. It doesn’t only protest but also empathizes, drawing a curtain to reveal the man behind the heist. The song refuses to paint its subject, the titular bank robber, as a villain. Instead, we see a soul who rejects the mundane shackles of conformity, with thievery as his chosen form of dissent.

The Clash challenge the notion that all forms of resistance come from the barrel of a punk-powered guitar. In ‘Bankrobber,’ the reggae rhythm becomes the vessel for subversion, suggesting a revolution can be as smooth and steady as the bassline that guides this offbeat track. Through musical contrast, they spotlight the anti-hero not as a figure of aggression, but rather as a romanticized rebel.

Dissecting the ‘Villain’: A Bridge to Empathy

Hearing about a bank robber typically conjures images of violence and greed, yet The Clash subvert expectations. The song’s protagonist is introduced as someone who ‘never hurt nobody,’ a line that dismantles preconceived notions and beckons the audience to look closer. This clever lyric serves as a bridge to empathy, connecting listeners to someone whom society would quickly label as ‘bad.’

By foregrounding the bank robber’s nonviolent stance, The Clash cleverly question the edifice of morality upon which laws are built. The character’s love for the lifestyle is emphasized over material greed, highlighting a pursuit of freedom over fiscal gain, and thus reframing the narrative from that of a simple crime story to one of personal liberty.

The Clash’s Hidden Commentary on Capitalism

Beneath the tale of a suave bank robber lies The Clash’s pithy critique of capitalism. The song’s setting in candle-lit bars and its gruff characters relay a working-class authenticity that punk has always embraced. In the line ‘A lifetime serving one machine is ten times worse than prison,’ the band delivers a knockout punch to the 9-to-5 grind, comparing it to a sentence far worse than any jail time.

This critique is given dimension with the depiction of the prison system as a place of potential camaraderie among the downtrodden. The hypothetical freeing of jailed ‘boys’ raises questions about the societal constructs that confine humans to metaphorical prisons of labor and conspicuous consumption. The Clash extend an invitation to imagine a world where the conventional idolization of wealth is overthrown.

Generation to Generation: Rocking Chairs and a Legacy of Dissent

As inexorable as the spin of a rocking chair, the fight against conformity is a legacy passed from one generation to the next. In ‘Bankrobber,’ this lineage is encapsulated as the protagonist embodies the spirit of his nonconformist father. With the rocking chair as a metaphor, The Clash envision a future where the hair may grey, but the spirit of rebellion, once sparked, never dulls.

This generational theme echoes the timelessness of the message, suggesting that as long as there is a system, there will be those who choose to stand outside of it. ‘Bankrobber’ therefore asserts itself as an anthem not just for one generation but for all those who find themselves at odds with the prevailing norms of society.

Memorable Lines That Still Resonate

It’s the contagious refrain ‘my daddy was a bank robber’ that sears itself into the psyche, serving as a reminder that the anti-hero’s narrative is preserved through the art of storytelling. The melodious ‘but he never hurt nobody’ extracts the barbed wire from the act of rebellion and wraps it in velvet, challenging the listener’s moral compass.

The song’s concluding call to ‘get away’ rings as a siren song for all who feel entrapped by society’s dictates. This combined with the almost onomatopoeic ‘run, rabbit run’ further illustrates the relentless chase for freedom against the backdrop of a system that is always just one step behind. The lyrics and their delivery by The Clash make ‘Bankrobber’ an enduring classic, challenging the boundaries of moral storytelling through song.

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