BIG by YOUNG M.A Lyrics Meaning – Decoding the Anthem of Self-Empowerment and Hustle
Lyrics
(Zombie on the track)
I got a bunch of niggas in the studio
That’s gang-gang though (facts)
Everybody good over there, you heard?
Uh, uh, ay, uh
Never been a hater (never that)
I just, stick to my paper like a stapler (ooh)
Yellow bone smoking purple, LA Lakers, uh
If she give me pussy on a wake up
Double cup of carrot juice
Oh, that’s my savage juice
I just copped a Audemar
Oh, and a Patek too
Dripping in that iceberg
Or in a cabber too
Ay bro, don’t you cuff that hoe
‘Cause I done had her too (I done had her)
They say that they packin’, oh we packin’ too, uh (oh we packin’ too)
Run up like, what’s poppin? And what’s brackin’? Too, uh (brackin’ too)
Said I would get rich and made it happen too, uh (I made it happen too)
Take a picture with your bitch and tag her too, uh (I gotta tag her too)
Savage mode, uh (savage mode)
Rack it and roll, uh (rackin’ it and roll)
Clappin’ a hoe, uh (clappin’ a hoe)
Now you can go, uh (now you can go)
She poppin’ a bean, uh (poppin’ a bean)
Lickin’ on lean, uh
Off-white, off night, cookies and cream
Ooh, ooh
That’s that big drip (that’s that big drip)
Big wrist (ooh)
Big body, big whips (ooh)
Big Glocks (ooh)
Big guap, big notch (ooh)
Big goons (ooh)
Small problems, big moves (ooh)
Ooh, uh, sauce it up (sauce it up)
All this drip, I could fuck around and wash him up (have him washed up)
Hellcat sound like Mufasa when I start it up
That’s a wild body, bitch it’s hard to park it up (hard to park)
Uh, buss it like a baby leg, spark it up (spark it up)
Ay, homie tuck your chain it don’t spark enough (it don’t spark enough)
Ay, homie tuck your chain it don’t spark enough
Like what you doin’? Fuck this nigga doin’ bro?
This nigga got Cubic zirconia stones, man
Nigga really tryna stunt
My nigga you a lil’ nigga, you heard? You a little homie
(You should get your money back) get your money back
Double cup a Hennessy we call it money-gnac (that Henny)
Suwoo! Where all of my bloodies at?
I took her to the crib and I had fun with that (Yeah I fucked her)
Now come and get your mother back, I’m done with that (your mother)
Yo, I just copped a pocket rocket (grrr), yeah
For all you niggas pocket watching, ay (why you watchin’ me?)
Why your rollie tick-tick-tocking?, Ay (why your rollie tick?)
Ay, uh, I fuck her during tax season, perfect timing (perfect timing)
I bagged your bitch in Fashion Nova new designer (new designer)
Uh, man I like them tatted bitches, “Hi, Kehlani” (Kehlani)
I woke up in that pussy, her new name Bugatti (Bugatti)
Uh, bitch, I got that drip, my new name Tsunami
Ooh, ooh
That’s that big drip (that’s that big drip)
Big wrist (ooh)
Big body, big whips (ooh)
Big Glocks (ooh)
Big guap, big notch (ooh)
Big goons (ooh)
Small problems, big moves (big moves)
Yeah, I’m Young M.A. but she call me papi (she call me papi, ooh)
(She call me papi and I call her mami)
Yeah, I’m Young M.A. But she call me papi (Tati)
(Zombie on the track)
Brooklyn’s own YOUNG M.A has long been a force in the rap game, known for delivering bars that pack both swagger and substance. Her track ‘BIG’ is no exception, offering more than just a bass-thumping beat and catchy hook. It’s a testament to her relentless grind, her refusal to shy away from her roots, and an unapologetic celebration of success on her own terms.
What on the surface might appear to be another braggadocious track reveals layers of Young M.A’s philosophy on life, grinding, and the pursuit of wealth. In unpacking the lyrics of ‘BIG,’ we delve into the heartbeat of the hustle that defines YOUNG M.A’s music and message, piecing together each line to understand the narrative of her career path and the street savviness that underscores it.
The Bedrock of Bravado: Manifesting Success
The track opens with a siren call of ambition and M.A’s vehement denial of being a hater, instead aligning herself with the pursuit of wealth. The repeated phrase ‘never been a hater’ is not just a throwaway line; it’s her banner of authenticity in an industry often marred by envy. Her dedication to her paper is likened to the steadfastness of a stapler, indicating a work ethic that’s bound to secure the bag against all odds.
‘Yellow bone smoking purple, LA Lakers,’ she raps, embodying the synthesis of her East Coast demeanor with West Coast lifestyle – a blend of identities informing her universal appeal. The lifestyle of waking up to intimate encounters and sipping on ‘carrot juice’ – which she dubs ‘savage juice’ – further emphasizes the opulence born out of her tenacity.
Luxury and Legacy: A Dual Wield of Rap Royalty
Mention of high-end watches like ‘Audemar’ and ‘Patek’ in M.A’s verse amplifies the luxury that her success affords. However, these symbols of wealth are not mere flexes; they represent time – a resource she’s mastered, capturing the essence of her journey where minutes transformed into milestones.
Her repeated punchline, ‘Said I would get rich and made it happen too,’ is a self-fulfilling prophecy realized through pure grit. This line is not only a memorable braggadocio but also a nod to her ability to transform visions into reality, a trait that separates the victors from the dreamers in the rap game.
The Unseen Hustle: Behind the Glitz of ‘BIG’
Young M.A’s ‘BIG’ is more than hedonistic exhibitionism; it’s a blueprint of her strategy to conquer. She doesn’t just describe the jewels and jets. She punctuates her success with hard-earned lessons about staying true and guarding your rise, as seen in the cautionary lines urging her peers to safeguard their chains – potent symbols of one’s rep and status.
Moreover, the forewarning of upgrading from pocket watches to pocket rockets speaks to the necessity of defense amidst prosperity. YOUNG M.A knows the precarious balance between flaunting success and maintaining the street savvy needed to protect it — ‘For all you niggas pocket watching’ is less of a jab at onlookers and more of a reminder that scrutiny often comes with the territory of influence.
A Study in Contrast: The Juxtaposition of M.A’s World
The hook of ‘BIG’ boils down M.A’s doctrine to its simplest form: ‘Small problems, big moves.’ This line is the zenith of the song, referring to the insignificance of obstacles when you’re making monumental strides. Her problems have shrunk in the rearview mirror of her ascent, a sentiment that resonates with anyone striving towards something greater than their current circumstances.
‘Big body, big whips,’ she repeats, juxtaposing her once more modest beginnings with the enormity of her current lifestyle. Each ‘big’ underscores the growth and the quantum leaps in her career. Every line is carefully crafted to reflect the peaks she’s reached and her insatiable appetite for more.
The Persona and the Power: How ‘BIG’ Defines Young M.A
‘Yeah, I’m Young M.A. but she call me papi,’ YOUNG M.A flexes, blending gender norms and asserting dominance in a scene often divided by traditional roles. In doing so, she constructs a persona that defies expectations, signaling her command over personal narrative and industry respect. Her versatility in identity is not a gimmick but an emblem of power and self-assuredness.
In ‘BIG,’ Young M.A doesn’t whisper her ascent; she declares it with the force of a juggernaut. Her lyricism becomes a vessel for both her story and her stature, a simultaneous embodiment of the woman behind the mic and the icon she has built herself into. Her bold claim to the term ‘BIG’ is a crown she has fashioned with relentless authenticity and, true to her craft, she wears it with unabashed pride.
