Cannibal by Kesha Lyrics Meaning – Unveiling the Pop Anthem’s Voluptuous Appetites


You can view the lyrics, alternate interprations and sheet music for Kesha's Cannibal at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Rah!
(Rah!) I have a heart, I swear I do
But just not baby when it comes to you
I get so hungry when you say you love me
(Hush!) if you know what’s good for you
I think you’re hot, I think you’re cool
You’re the kinda guy I’d stalk in school
But now that I’m famous, you’re up my anus
Now I’m gonna eat you, fool

I eat boys up, breakfast and lunch
Then when I’m thirsty, I drink their blood
Carnivore, animal, I am a cannibal
I eat boys up, you better run
I am cannibal (cannibal, cannibal, I am)
I am cannibal (cannibal) (I’ll eat you up) (I am)
I am cannibal (cannibal, cannibal, I am)
I am cannibal (cannibal) (I’ll eat you up)

Whenever you tell me I’m pretty
That’s when the hunger really hits me
You’re little heart goes pitter-patter
I want your liver on a platter
Use your finger to stir my tea
And for dessert I’ll suck your teeth
Be too sweet and you’ll be a gonner
Yeah, I’ll pull a Jeffrey Dahmer

I eat boys up, breakfast and lunch
Then when I’m thirsty, I drink their blood
Carnivore, animal, I am a Cannibal
I eat boys up, you better run
I am cannibal (cannibal, cannibal, I am)
I am cannibal (cannibal) (I’ll eat you up) (I am)
I am cannibal (cannibal, cannibal, I am)
I am cannibal (cannibal) (I’ll eat you up)

Oh-oh, whoa-oh, whoa
Oh-oh, whoa-oh, whoa
Oh-oh, whoa-oh, whoa
Oh-oh, whoa-oh, whoa
Oh-oh, whoa-oh, whoa
Oh-oh, whoa-oh, whoa
Oh-oh, whoa-oh, whoa
Oh-oh, whoa-oh, whoa

I am cannibal (cannibal, cannibal, I am)
I am cannibal (cannibal) (I’ll eat you up) (I am)
I am cannibal (cannibal, cannibal, I am)
I am cannibal (I’ll eat you up)

I love you, ha-ha-ha
I warned you
Rah!

Full Lyrics

At the core of Kesha’s toothy track ‘Cannibal’ lies more than just an electrifying beat and carnivorously catchy lyrics. This song is an audacious expression of female empowerment and unapologetic desires wrapped in hyperbolic metaphor. With its release, Kesha seized the pop world by its jugular, challenging prevailing norms and inviting a closer look through her characteristic irreverence and biting humor.

A veneer of playful savagery masks a deeper commentary on fame, the objectification of women in media, and the dynamics of sexual autonomy. ‘Cannibal’ can be easy to dismiss as a simple dance track, but Kesha’s artistry lies in her ability to use her pop platform as both a mirror and a sledgehammer to society’s glossy exterior.

The Empowerment of Appetite – When Predator Becomes Prey

Kesha’s invocation of cannibalism serves as a powerful metaphor for reversing the traditional roles of predator and prey in the context of sexual politics. Where women have historically been positioned as the consumables within the gaze of male desire, Kesha flips the script. The lines ‘I eat boys up, breakfast and lunch / Then when I’m thirsty, I drink their blood’ aren’t mere shock value fodder. Instead, they’re a deliberate appropriation of male voyeuristic language, reclaiming the agency in her narrative.

This shift showcases not only agency but an embracing of one’s sexuality and hunger for life. In doing so, Kesha subverts societal expectations and proposes a world where being voracious—in all senses—is not only acceptable but something to be reveled in.

Anatomy of a Killer Chorus – The Lethal Catchiness of ‘Cannibal’

An undeniable element of any pop song’s success is a killer hook, and ‘Cannibal’ boasts one that is both infectious and introspective. The repetition of ‘I am cannibal’ alongside the synth-driven beat creates an atmosphere that’s impossible not to dance to. Yet, it’s in this mantra-like chorus that Kesha’s message is amplified.

Listeners are compelled to sing along to an affirmation of self-consumption—suggesting that in the world of fame and external validation, there is a risk of self-destruction. This duality presents the song as an earworm with a cautionary tale at its heart; a nuanced layer that commands reflection amid the revelry.

Devouring Fame: The Celebrity Cannibalism Paradox

Fame is a beast that both feeds the celebrity and consumes them in return, a paradox not lost on Kesha. She playfully notes, ‘But now that I’m famous, you’re up my anus,’ a crude yet candid acknowledgment of how public figures internalize the glare and fascination of fans. The irony is palpable, as the cannibal (Kesha) is also being devoured by the mechanisms of fame—by the listeners and the industry itself.

Kesha’s lyricism hints at the objectification inherent in celebrity culture—a culture that devours the personal lives and identities of its idols. In assuming the role of cannibal, she embodies the all-consuming nature of fame that paradoxically empowers and entraps.

The Hidden Meaning: A Celebration of Women’s Agency in Desire

Beyond the gory imagery and tongue-in-cheek references to serial killer Jeffrey Dahmer, ‘Cannibal’ harbors a hidden meaning as an anthem of female autonomy and empowerment. Lyrics like ‘Whenever you tell me I’m pretty / That’s when the hunger really hits me’ suggest an active choice to engage in the pursuit of pleasure and an individual’s command over how such compliments are consumed and internalized.

It’s an ode to the idea that women can have an appetite for life and love without apology, can pursue and savor without being labeled predatory, and can assert their desires without societal consent. For Kesha, being a ‘cannibal’ is synonymous with having the audacity to want and the power to claim.

Memorable Lines: When Humor Bites Back

Kesha’s use of humor is as sharp as the proverbial teeth she flaunts in the song. Phrases like ‘Be too sweet and you’ll be a gonner / Yeah, I’ll pull a Jeffrey Dahmer’ are laden with dark wit, serving up memorable one-liners that embed themselves into the collective consciousness. They’re unsettling yet undeniably catchy—marking the song with a signature style that elicits a grin as readily as it does a gasp.

Beyond their immediate shock value, these humorous asides contribute to the song’s overarching commentary on consumption—physical, personal, and cultural—presenting a complex tableau of what it means to be both a woman and a public figure in a world that is hungry for every piece of you.

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