Disrespectful by 21 Savage Lyrics Meaning – Peeling Back the Layers of Savage’s Stark Reflections
Lyrics
Pyrex whipper (Pyrex)
Louis V slippers, Saint Laurent pistol (ey)
Gucci on my tip (Guwop), nut right on her nipple (bah)
Young nigga with them M’s (young nigga), I get disrespectful (hey)
Treat y’all all the same (yah), none of y’all bitches ain’t special (nah)
Keep your mouth closed, little bitch I might bless you (shh, shh, shh)
If Young Metro don’t trust you I’m gon’ shoot you (you dig)
Bentayga with the backseat table (yah yah)
Ain’t no limit on the debit, I got paper (yah yah)
Don’t be calling me a brother, you a hater
Got new stones on my neck, nigga flooded out
Hurricane Irma on my neck, nigga, flooded out
Hurricane Harvey on my wrist, shit, flooded out
Nigga flooded out, VVS’ flooded out
Hit the booty club, nigga, and we flooded out
Take a project bitch, and get her flooded out
You can build a bear, fuck it, I’m finna build a thot
Yeah, ice on a nigga nice, lights out
Nigga bad, back on, finna put a pipe out
Got that fire with the dig, nigga, right now
Ass was flat in middle school, but it’s right now
I was robbing but I’m fucking with the mic now
I done growed up, nigga, I done sold dust, nigga
Carbon 1 5 turn ya to a cold cut, nigga
Say you wanna pint, I’m flexing with the Robituss, nigga
Put a bomb in my package, they done blowed up, nigga
I’m a north side nigga
I don’t switch sides, nigga (nah)
Got that .45, nigga (bam)
I’m a certified nigga (Hey)
Had the skeleton, forty-one (skelly)
That’s a big size difference
Reach a milli, yeah, one-on-one
That was a wise investment
We always going private (private)
Always getting a profit (Bag)
Look at this glass I’m cracking
Told her go down, get sloppy (Ooh)
Big on big, don’t size it
Birds that sing like the Isleys (brr)
I had to find some privacy
I filed ’em up like diamonds (brr Brr)
Check out my record (yeah)
10k for the chrome hearts buckle (yeah yeah)
I got a dent on my bezel (yeah)
I’m drinking codeine for breakfast (hoo Hoo)
I get you whacked, I don’t even call
I don’t even text (I get you whacked)
You know I’ma dog
You know I’ma handle it when I got pressure (hrrr)
I’m fucking your broad, I tell her to shut up, I give her no extras (smash)
No trespassing
The mansion is gated, you not on the guest list (No)
I don’t do beef with a peasant
They too quick to tell it (tell it, 12)
Fuck all them niggas they jealous
Fuck it we bigger than Elvis
Gucci on my tip (Guwop), nut right on her nipple (bah)
Young nigga with them M’s (young nigga), I get disrespectful (hey)
Treat y’all all the same (yah), none of y’all bitches ain’t special (nah)
Keep your mouth closed, little bitch I might bless you (shh, shh, shh)
Gucci on my tip (Guwop), nut right on her nipple (bah)
Young nigga with them M’s (young nigga), I get disrespectful (hey)
Treat y’all all the same (yah), none of y’all bitches ain’t special (nah)
Keep your mouth closed, little bitch I might bless you (shh, shh, shh)
21 Savage, an artist synonymous with tales woven from the gritty loom of street life and personal struggles, thrusts forth a narrative rich with bravado and stark insights in his track ‘Disrespectful.’ As the rhythmic beats interlace with unflinching honesty, the lyrics form a tapestry of raw emotion and hard-earned swagger.
Exploring the trenches where the personal intersects with the universal, ‘Disrespectful’ bristles with a layered lyricism that defies simple interpretation. The provocative title alone suggests a confrontation with the norms, a theme that 21 Savage navigates with his characteristically blunt eloquence.
A Bold Opening Salvo: Identity and Existence
The song erupts into existence with a self-assured declaration of 21 Savage’s roots and present state. His portrayal isn’t just a series of brags about material success; it is an affirmation of survival and growth. The ‘gangbanging, chain swanging’ persona is not a static character but a dynamic individual shaped by the violence and pride of Zone Six, his Atlanta neighborhood.
This introduction serves as both a calling card and a warning shot, setting the tone for a song that refuses to tiptoe around the realities of his life and worldview. It is an assertion of the artist’s persona that teeters between glamour and violence, success and the shadows of an ignoble past.
Ephemeral Wealth and Lasting Symbols
‘Bentayga with the backseat table,’ and other luxury items mentioned throughout the song suggest more than conspicuous consumption. They represent the tangible proof of a rags-to-riches story, a measure of financial success won through talent and tenacity.
The bling isn’t just an end—it’s a means to an end, a way to reflect the transformation of his lived experience. The hurricanes of jewelry symbolize the overwhelming power and sudden impact of his success, just as the storms they’re named after leave their mark on the land.
Insight into the Hidden Realms
Despite the overt messages of wealth and status, ‘Disrespectful’ is teeming with an in-depth analysis of relationships and social mobility. Lines like ‘Take a project bitch, and get her flooded out’ can be interpreted as transforming something or someone ordinary or overlooked into a figure of glamor, a Cinderella story flipped on its head.
This can be a metaphor for 21 Savage’s own journey from the depths of obscurity to the pinnacles of fame. There’s an underlying theme of transformation, whether it’s the literal jewelry that adorns him or the metaphorical journey from anonymity to notoriety.
Snippets of a Larger Story
The song’s memorable lines often boast of present-day luxuries and past struggles, forming a connective tissue to a narrative of personal evolution. ‘Ass was flat in middle school, but it’s right now’ could be read as a commentary on development and change—not just physically but metaphorically—with the ‘ass’ representing the culmination of past deficiencies turned assets.
In the same breath, he acknowledges the dangerous life he once lived, ‘robbing but I’m fucking with the mic now,’ illustrating the shift from former illicit activities to a career in music. Each line is a breadcrumb trail that listeners can follow to piece together the larger tale of 21 Savage’s life.
The Song’s Resonating Framework: Disrespect as a Virtue
‘Disrespectful’ at its heart challenges the audience to redefine their interpretation of respect. In the world 21 Savage paints, respect is earned through success and strength, it’s a currency that’s hard-won and harder kept. When he states, ‘Young nigga with them M’s, I get disrespectful,’ he hints at a power dynamic shifted by wealth and influence—in his view, financial prosperity grants him the autonomy to break societal rules and norms without consequence.
Interestingly, his repetitive declaration ‘Treat y’all all the same, none of y’all bitches ain’t special’ serves as a paradoxically egalitarian statement amidst his tales of opulence and exclusivity. It swings a spotlight onto the artificial hierarchies of fame and personal relationships, suggesting that beneath the glitter and bravado, there’s a level playing field built on the tenets of his personal code.
