Ew by Joji Lyrics Meaning – The Dissection of a Sweetly Melancholic Ballad
Lyrics
What does love mean when the end is rolling in?
Oh, let it go, let it stay, give me love when I’m not there
Cold, is it safe to be warm in the summer?
Who knows? (Who knows?)
I said who knows?
Ooh
Teach me to love just to let me go
I can’t believe that I’m not enough
Not enough
And so long
No one will be here to save you
And no one will be here to let you know
Let you know
This is your world
(This is your world)
This is your world
(This is your world)
Quietly still, in a lie
Oh, goodnight
I don’t mind
Ooh
Teach me to love just to let me go
I can’t believe that I’m not enough
Not enough
And so long
No one will be here to save you
And no one will be here to let you know (let you know)
The depths of human emotion and the complexities of intimate relationships often elude clear-cut articulation; nonetheless, Joji’s song ‘Ew’, within its wistfully arranged melodies, captures this turbulent essence. Joji, a master of melding somber lyrics with soul-stirring sounds, delivers a piercing examination of love, loss, and self-worth in this haunting piece.
Beneath the soft piano keys and Joji’s harrowing vocal performance lie layers of profound meaning. Each line of ‘Ew’ seems to reflect the ebb and flow of emotional tides, speaking to the listener’s own experiences with love’s fleeting nature. The song’s title itself, a word often used to express disgust or aversion, belies the true sensitivity and vulnerability buried within the track.
An Emotional Odyssey Through Love’s Labyrinth
Joji has a talent for creating intimate narratives that resonate with his audience. ‘Ew’ appears like an odyssey, a journey through the stages of grief one experiences when faced with the dissolution of love. With each carefully crafted line, Joji tugs at the heartstrings, revealing the paralysis of disbelief that can accompany a loved one’s departure.
The question ‘What does love mean when the end is rolling in?’ is not just a lyric but a profound inquiry into the nature of affection and attachment. The cyclical nature of Joji’s rumination in the song suggests a struggle to find grounding in an otherwise unstable emotional landscape.
Melancholic Melody Masking Hidden Meanings
The duality of the song’s tranquil tune and its emotional heaviness fosters a sense of comfort and despair. This contrast invites listeners to peel back the layers, interpreting Joji’s message beyond the surface-level sorrow. The hidden meaning within ‘Ew’ addresses the universal human condition of feeling inadequate in the eyes of another.
By juxtaposing the security of ‘being warm in the summer’ with a cold questioning of ‘is it safe?’, Joji summons an inner dialogue that many can relate to—the constant battle between seeking validation from external sources and finding inherent self-worth.
A Chorus That Echoes in the Void of Rejection
In the haunting repetition of ‘Teach me to love just to let me go’, Joji captures the essence of a poignant struggle against the dichotomy of learning to love and being forced to release it. The chorus becomes a mantra for the forsaken, those who have felt the sting of not being ‘enough’ for someone.
The stark declaration that ‘no one will be here to save you’ adds a stark realism to the song. Here, Joji acknowledges a somber truth of existence: in the end, we are each alone in our emotional reckoning.
Memorable Lines That Scrape the Soul
Within ‘Ew’, various lines strike a chord and haunt the listener long after the song ends. ‘I can’t believe that I’m not enough’ serves as a raw reflection of self-doubt that can inhabit a person in the wake of abandoned love. It’s a vulnerably human admission that encapsulates the song’s emotional intensity.
Furthermore, ‘This is your world’ repeated in ethereally layered vocals, gives a sense of relinquishment, an acceptance of being cast aside in the theater of someone else’s life. The minimalist approach in lyrics allows these lines to swell with unspoken significance.
The Hush Before the Storm: A Quiet Conclusion
Ending with a whisper rather than a crescendo, ‘Ew’ leaves listeners in a contemplative silence. ‘Quietly still, in a lie, Oh, goodnight, I don’t mind’—these closing words are almost stoic, belying a serene resignation to circumstance.
The goodnight is not just a farewell to the lover but to the illusion of perpetual connection itself. By concluding with a soft, almost indifferent ‘I don’t mind’, Joji depicts the poignant acceptance that accompanies the end of an emotional struggle, mirroring the quiet aftermath of emotional tumult.
