Freestyle 2 by Ken Carson Lyrics Meaning – Unveiling the Raw Urban Symphony of Survival
Lyrics
Yeah
Uh, I put that hoe in Prada and after I made her holla
And my bro took off yo’ mans, I heard that was yo’ top shotta
I got Vetements on my pants and my shirt Balenciaga
Huh, huh, huh, huh
Huh, huh, huh, huh, huh
My swag came a long way, I was rockin’ nada
I don’t give a fuck ’bout what a ho say
These hoes not my problem
Send a hunnid shots out that Rolls, ayy
Them 762’s got em’
Huh, huh, huh, huh
Huh, huh, huh, huh, huh
Them 762’s hit his body, made him Harlem shake
I get to that bag, to that cake, you procrastinated
Now she wanna fuck with me now but she pulled up too late
When I send me boy a opp to drop, he be so fascinated
Fuck the D.A., they got no evidence, they close that case
If a nigga thinkin’ it’s shit sweet, he get shot in his face
I got Glock 19’s, ARP’s, I got hella K’s
I been servin’ codeine, to these fiends, yeah, they sippin’ drank
5k a PT, whatchu mean? Bitch, that’s no debate
I been countin’ blues, countin’ green, like it’s Earth day
And that nigga think he me, but he not me on my worst day
I just spent yo rent on my motherfuckin’ shirt
These niggas think we playing, hell nah, this ain’t Nerf
Pull up to a nigga land, pull up to his turf
Pull up with that Mac-10, pull up go berserk
I been off that X again, I feel it in my nerves
Now she wanna fuck with Ken, that lil’ bitch getting curved
My lil bitch, she not a 10, she a 103rd
And I withdraw all the money that was at the bank, bitch, that’s word
I got Wockhardt in my system, that’s why my word slur
They was so surprised when they killed him, but that was chirpin’ like a bird
Nigga I’m the shit, like a turd
But my shit smell like cologne
I fuck her face, yeah, fuck her make up up, then I send that bitch home
You don’t wanna race, yeah, this a SRT with a red eye package on
You don’t want no smoke bitch, FN 57’s shoot a nigga in his dome
Hit that boy in his chest, hit his heart now it’s chrome, huh
I told that pussy nigga, “Yeah, leave me alone”
Huh, huh, huh, shouldn’t have fucked with a member, huh
You shouldn’t have fucked with the gang, huh
You shouldn’t fucked with a X-M-A-N, yeah, X-Man
And all my niggas masked up, yeah, yeah, yeah, just like Bane
And all my nigga in control of this shit, yeah, like a game
Opium
Ken Carson’s ‘Freestyle 2’ is not just a track; it’s an unfiltered sonic diary, striking a chord with the gritty truths of street life blended within the opulence of a hard-earned lavish lifestyle. As the hypnotic beats roll beneath Carson’s fierce and relentless delivery, the listener is plunged into a narrative that balances precariously between aggressive bravado and the sobering realities of a rapper’s world.
The song serves as an existential backdrop to Carson’s own journey from obscurity to prominence, threading his relationship with materialism, violence, and perseverance. It’s a track burgeoning with coded lingo, underpinning with its unapologetic authenticity, and echoing the echoes of a life far removed from the sparkle of the mainstream.
Dressing the Pain with Designer Threads
Carson’s meticulous attention to high fashion brands like Prada and Balenciaga serves as armor, both a testament to his successes and a barrier against his past. It’s as if each luxury item is a badge, won through relentless hustle and a reminder of the streets he escaped. But there’s a deeper irony here, too—despite the hardships, these possessions might be just as ephemeral as the security they promise.
In ‘Freestyle 2,’ attire is more than just cloth and pattern; it’s emblematic of status—a status that Carson is acutely aware can flip at a moment’s notice. This tension is palpable throughout the song as he juxtaposes his newfound affluence against a backdrop of danger and uncertainty.
Beyond the Barrel: Violence as a Versus
In ‘Freestyle 2,’ the casual mention of ‘762’s and Glock 19’s serves not just as bravado, but as a grim acknowledgment of the environment that forged him. Carson’s lyrics don’t glorify violence as much as they report from the front lines, depicted as an inescapable aspect of life and, paradoxically, as a tool for survival in a ruthless world.
The authenticity of Carson’s experience with violence is raw and real. The indifference in his tone when reciting lines about gun violence and its consequences speaks volumes about the numbness that can come from overexposure to such realities. It’s a harrowing reminder of the desensitization that can occur within the most volatile of environments.
The Opiate of the Streets: Substance as a Shield
Ken Carson’s cavalier mentions of ‘Wockhardt in my system’ and ‘serving codeine to these fiends’ are far from mere party lines. There’s a duality here; on one hand, the vice as escapism from the harsh world he inhabits, on the other, a currency in the economy of the streets.
Here, substance use is threaded through the very fabric of the narrative, suggesting a culture where drugs are not just a part of the environment but an intrinsic aspect of surviving it. The role of substances in Carson’s lyrics reveals a complex landscape where drugs are both anesthesia and a pathway to wealth.
A Search for Self in a Sea of Sameness
The line ‘And that nigga think he me, but he not me on my worst day’ encapsulates a central theme of ‘Freestyle 2’: the search for identity. In a world where mimicry is common, and authenticity is the currency, Carson is vocal in his assurance that his stories, struggles, and successes are uniquely his own.
The song becomes a melodic assertion of individuality, standing firm in an often homogenized genre. You can feel Carson’s grip on his narrative tighten with each verse, asserting that despite the sea of challenges, his voice will not be drowned out or replicated.
Unlocking the Cryptic – The Hidden Meaning of ‘Freestyle 2’
Beneath the braggadocio and the chilling recount of violence lies a narrative of resilience. In the hidden crevices of ‘Freestyle 2,’ Carson’s underlines a story of metamorphosis—from a pawn in the treacherous game of street life to a commander in his own right.
This song is not just a graphic tableau of Ken Carson’s reality; it’s a symbol of transformation. The repeated ‘huh’s serve as both a marker of his incredulity at his past life and a confirmation of his disbelief at the surreal turn his life has taken. It’s a profound duality that places Carson as both a product of his environment and as a shrewd manipulator of its rules.
