Rock N Roll by Ken Carson Lyrics Meaning – Unraveling the Anthem of Rebellious Spirit and Hedonism
Lyrics
Yeah, that’s just how I roll (808)
Yeah, that’s just how I rock
That’s just how I roll, that’s just how I rock
And roll, roll, roll, roll
Roll, roll, roll, roll
I wanna rock and roll, you can tell by my clothes
I get high as fuck every day, I think I see a UFO
whoa, whoa, whoa, whoa
whoa, whoa, whoa, whoa
I’m fuckin’ on this ho, I think she emo
She got slits on her wrist, she so suicidal
I’m trippin’, I’m trippin’
I’m trippin’, I’m trippin’
This A-C-I-D got me trippin’
It feel like I’m in another dimension
I pop me some X and pass one to your bitch, yeah
Pour me some Wock’, I don’t pour up no Tris, yeah
Roll up a blunt of Metro and get missin’
I’m high as fuck, lil’ bitch, I cannot listen
I’m high as fuck, lil’ bitch, I cannot hear
I can’t hear ’cause I’m holdin’ these racks to my ear
This not a Uber, bitch, this is a Lear
If you ain’t suckin’ or fuckin’, you can’t ride in here
He tried to run, we shot at his rear
When I got a gun, you cannot come near
I shoot shit for fun, shoot you like a deer
I rock and I roll, I rage and they cheer
You a rat and you told, you can’t come ’round here
Swear these niggas be hoes, these niggas be weird
You can get smoked, get shot in your beard
He leakin’ blood like a bitch on her period
I’m sippin’ mud, my Sprite never clear
If I roll up a blunt, I’ll smoke it right here
She wanna rock and roll, she wanna come near
I fuck her for fun, she takin’ me serious
Yeah, that’s just how I rock, yeah
Yeah, that’s just how I roll
Yeah, that’s just how I rock
That’s just how I roll, that’s just how I rock
And roll, roll, roll, roll
Roll, roll, roll, roll
I wanna rock and roll, you can tell by my clothes
I get high as fuck every day, I think I see a UFO
whoa, whoa, whoa, whoa
whoa, whoa, whoa, whoa
I’m fuckin’ on this ho, I think she emo
She got slits on her wrist, she so suicidal
In a musical landscape often saturated with cookie-cutter formulas and recycled motifs, Ken Carson emerges with his track ‘Rock N Roll,’ delivering an audacious blend of raw energy, unapologetic hedonism, and a rebellious spirit. The song serves as a defiant declaration of personal identity and unfiltered expression, resonating with a generation simultaneously enchanted by the neon glow of modernity and the nostalgic grunge of the past.
Beyond its pulsating beats and catchy hooks, ‘Rock N Roll’ harbors a confluence of symbolism and personal narrative that warrants a deeper dive. Carson’s lyrics are not mere words but a manifesto draped in the rhythms and echoes of a lifestyle that skates on the edge of societal norms and the very fabric of the zeitgeist itself.
A Symphony of Modern-Day Hedonism
The track kicks off with a steadfast refrain, ‘Yeah, that’s just how I rock… that’s just how I roll,’ which acts as a personal credo for Ken Carson. It’s a telling encapsulation of his lived experiences and the ‘rock star’ lifestyle that courses through his veins—a lifestyle marked not just by the glamour of stardom, but also by the daily high-stakes gamble with excess and impulse.
Carson doesn’t simply sing about the rock and roll life; he embodies it. From the fashion choices to the relentless pursuit of adrenaline through substances and escapades, each line is a testament to living at the moment, consequences be damned. It’s reflective of our society’s paradoxical relationship with hedonism—simultaneously glamourized and vilified.
The Rebellious Echo of Youthful Exuberance
’I wanna rock and roll, you can tell by my clothes,’ flings open the wardrobe to reveal an attire that screams rebellion. Much like the iconic leather jacket of the ’50s or the ripped jeans of the ’80s punk scene, Carson’s fashion is an extension of his musical persona, a non-verbal cue to his unchained philosophy. The rock and roll reference is less about the genre and more about an ideology of freedom and nonconformity.
His music paints a picture not just of his own experiences but of a collective spirit of revolt among the youth. It captures the essence of youthful exuberance—a desire to dismantle the old, to challenge the status quo, and live by one’s own set of rules, even if it means courting self-destructive tendencies.
Unearthing the Hidden Meaning: Venturing into the Abyss
Beneath the veneer of high-octane living, ‘Rock N Roll’ subtly touches on the darker elements of Carson’s psyche. References to a UFO sighting and a partner marked by emotional scars hint at disillusionment and a search for meaning in the unfathomable. These mentionings are not to be taken at face value, but rather as symbolic of a deeper alienation and an attempt to connect with something—anything—beyond the mundane.
In his heightened state, fueled by acid and prescription cough syrup, he presents an individual on the brink, teetering between reality and a hallucinogenic abyss. Such uncompromising honesty about substance use and mental explorations reflects a generational cry for help as much as it represents personal bravado.
Dissecting the Soundscape: A Sonic Rollercoaster
The track’s soundscape complements Carson’s lyrics in a fusion that’s both heady and hard-hitting. A relentless beat drives the song, reminiscent of a rocker’s chaotic and perilous lifestyle. The 808s act as the throbbing pulse of the track, a heartbeat that keeps the listener anchored amidst the lyrical turmoil and revelry.
The repetitive ‘roll, roll, roll, roll’ is hypnotic, ensnaring the listener in the cyclical nature of Carson’s chosen lifestyle. It’s a siren call to those who resonate with the raw and unpolished energy of the street-born rockstar—a nod to the gritty underbelly of the music world where legends are often born.
Memorable Lines: A Reflection of a Fractured Reality
When Ken Carson declares, ‘I rock and I roll, I rage and they cheer,’ he is narrating the fascination with the spectacle that is his life—a carnival of delights and dangers where every action elicits reaction, where his existence becomes a performance in itself. It’s an interesting commentary on modern celebrity—where the lines between person and persona blur, and the audience’s roar is both fuel and the fire.
The imagery he weaves is vivid and visceral, such as when he equates bleeding to ‘a bitch on her period’ or when violence is trivialized with ‘shoot you like a deer.’ These are not casual lines but serve to mirror a society increasingly desensitized to violence and suffering, each lyric an open wound speaking of an internal battle between numbing the pain and feeling alive.
