Hoe Cakes by MF DOOM Lyrics Meaning – Unraveling the Intricate Wordplay of Hip-Hop’s Masked Maverick
Lyrics
(Super)
I got this girl and she wants me to duke her
I told her I’ll come scoop her around eight, she said (super)
That sounds great, shorty girl’s a trooper
No matter what I need her to do, she be like (super)
Own his own throne, the boss like King Koopa
On the microphone he flossed the ring (super)
Average emcees is like a TV blooper
MF DOOM, he’s like D.B. Cooper
Out with the moolah, I let her get a outfit
Just to cool her off she said “Niggas ain’t about shit”
I wonder if she meant it, I doubt it
The way it be in her mouth she can’t live without it
And can’t live with this, handle your business
Villain’ll stay on a scandalous hoes shit list
One pack of cookies please, Mr. Hooper
It’s fun smacking rookies, he is the (super)
Look like a black Wookie when he let his beard grow
Weirdo, brown skin’ded always kept his hair low
Rumors has it it’s a S-Curl accident
DOOM was always known to keep the best girls backs bent
Some say it’s the eyes, some say the accent
A lotta guys wonder where they stacks went
I call her thunder thighs with the fatty swolla
Only mess with high rollers, do what daddy told her
No matter the city she with me to do the thang thang
Work in the coochie, hoopti chitty chitty bang bang
Same name on the titty as on the name ring
Pretty like Baby D off “All in the Same Gang”
Keep my eye on her, really don’t trust her
But I treat her like a daughter, taught her how to bust a nut
And the heat to turn beef to horsemeat chalupa
Teach her how to hold it, of course he is the (super)
See most cats treat her like Foofur
Or beat her to a stupor, take it from the (super)
You need to make her feel cuter
And lay down the G like Luther, everything’ll be (super)
Do for her, keep her in a new fur
So she look sweet when she go to meet the (super)
Got the buddha get the Grenadiers, twist it
Put it in the air, come here, kiss it
Listen here scooter, let her try to bag you
When she’s on the rag never let her fry the Ragu
Which’ll have you under some type of spell crying “dag boo”
Her name on your back in a tattoo
Whether a bourgie broad, nerd ho, street chick
Don’t call her wifey if you met her at the Freaknik
You don’t want her, don’t waste her time, I’ll dupe her
And be a father to your child like the (super)
He keep his hoes in check
Sends ’em out to get glows from off frozen necks
Tell ’em take his clothes, leave him posing naked for real
Better yet, get him for the check off the record deal
Find out where he keep the Tec and the blue steel
Make sure for extra wreck let him know how you feel
And while he’s running down to All-Star Weekend to ball
I’m coming with the U-HAUL (Super)
(Super)
(Super)
Has the laser cannon been loaded?
Everything has been prepared as you ordered
But how did you get permission to return to New York, Master?
Through the efforts of a misguided fool
It’s free enterprise!
And I’m not gonna let some blasted government bureaucrat tell me how to run my business
But DOOM-
Will be my guest on my private estate on Long Island!
There’s nothing you can do about it
He’s dangerous, I just hope you know what you’re doing
Don’t I always?
Ah, there’s DOOM’s jet, right on time
Why is it so cold down here?
Ah, the heat went out in the whole building
Warm enough out there on Long Island with DOOM
DOOM? Here in New York?
Yes, DOOM, has an amazing new machine
Get the president of the United States on the phone
How long’s all this gonna take, DOOM?
I would not advise you to repeat that error
Sure, I know what you mean
With a beat that samples the Super Friends theme and a flow smoother than the finest cognac, MF DOOM’s ‘Hoe Cakes’ stands out as a masterful concoction of wit, satire, and braggadocio. The track, contained within the 2004 seminal album ‘MM..FOOD’, serves up a layered lyrical feast, packed with references and double entendres that elude simple digestion.
Here we dissect more than just the flour and butter of ‘Hoe Cakes,’ kneading into the dough to uncover the hidden gems baked by the metal-faced lyricist. DOOM’s sly nods to relationship dynamics, industry insights, and self-promotion come under the microscope, revealing a richer narrative than one might taste upon the first bite.
Superhero Samples and Villainous Verses
The echoing chant of ‘Super’ weaves a thematic thread throughout ‘Hoe Cakes,’ connecting MF DOOM to the superhero universe, albeit with a twist. By equating himself to supervillains and antiheroes, DOOM flips the traditional hip-hop narrative of triumph and dominance. He isn’t just any protagonist – he is the cunning, unpredictable force operating by his own code.
This motif in ‘Hoe Cakes,’ paired with samples from the classic cartoon ‘Super Friends,’ signals DOOM’s playful intervention into what we consider heroic. Even in villainy, there’s charisma – a magnetic appeal that attracts ‘thunder thighs with the fatty swolla’ and adoration from fans craving his subversive stance.
A Culinary Approach to Relationships
Much like the art of cooking, ‘Hoe Cakes’ presents relationships as a mix of raw ingredients and skillful craftsmanship. DOOM’s use of the word ‘duke,’ a play on ‘do,’ suggests an informal, almost irreverent intimacy, whereas ‘scoop[ing]’ his girl alludes to scooping batter, adding a layer of domestic affection to the hustler’s bravado.
He toys with the idea of the independent woman (‘got the buddha get the Grenadiers, twist it / Put it in the air, come here, kiss it’) while simultaneously exposing the unsavory elements of the rap game through the objectification embedded in phrases like ‘handle your business.’ The duality is as rich and complex as the dough to which the title refers.
Diabolical Dexterity: The Intricacies of DOOM’s Wordplay
‘Hoe Cakes’ is a labyrinth of linguistic ingenuity, bending idioms and conventions like the supervillains bend steel. With dexterity that would leave lesser emcees stranded in the maze, DOOM asserts his prowess (‘Own his own throne, the boss like King Koopa’), leaving crumbs of clever wordplay for listeners to chase.
Whether it’s the self-referential ‘MF DOOM, he’s like D.B. Cooper,’ highlighting his own mythic status and elusiveness, or ‘Average emcees is like a TV blooper,’ underscoring his superiority within the hip-hop pantheon, DOOM’s command of language is superlative – fitting for a song that hinges on the ‘super’ sample.
Reflecting the Gaze: Hidden Meanings Behind the Mask
Behind the bravado and beats lies the heart of ‘Hoe Cakes’ – its concealed commentary on fame, perceived identity, and the artist’s own mythology. DOOM often obscures his true self with both a physical mask and metaphorical misdirection, compelling audiences to question authenticity and the nature of celebrity.
Furthermore, the character construction within the song (the keeper of hoes, the quirky lover, the street-smart hustler) invites listeners to reflect on the masks they too wear daily. ‘Look like a black Wookie when he let his beard grow / Weirdo, brown skinned always kept his hair low’ – with these lines, DOOM satirizes his own image and that of the rap industry.
Memorable Lines Etched in Hip-Hop Lore
Several lines from ‘Hoe Cakes’ resonate with a force that vibrates through the cultural zeitgeist. The pithy ‘It’s fun smacking rookies, he is the (super)’ not only fits snug into the beat’s pocket but also captures DOOM’s playful admonishment of his lesser peers.
Then there’s the cautionary ‘Don’t call her wifey if you met her at the Freaknik,’ which offers a humorous but poignant snapshot of relationship faux pas within the hip-hop narrative. Such verses balance cynicism with comic relief, encapsulating DOOM’s unique ability to dance between satire and sage advice.
