LEECH by the GazettE Lyrics Meaning – Decrypting the Shadows of Human Paradox
Lyrics
Marbleの壁は高く
泥に塗れていたよ
殴りつけられたような
痛みが俺を離さねぇ
大量に零れたImperfection
完全に飲まれたExpression
I who sings black again.
I who dyes black again.
何度も頭を潰す Insult
Let’s send a gallows
in the last scene
which you hope for.
Don’t hush up a mistake.
Take responsibility.
未だ見えねぇ行方知れずの物
纏わせたのは全て上辺だけ
売り飛ばされたのは思想の偽造
凝りもせずまた寄って来やがる
Can you hear the counting song
of pain?
目に映る答えを描く
Can you hear the counting song
of pain?
黒き日は今も褪せぬまま…
A prosecute.
Your luck will run out someday.
Hatred to you is a proper act.
流れた欠陥と無表情と無力
時が忘却に飢えても
忘れることはしない
You are the same as a leech
which sucks blood to live.
Let’s send a gallows
in the last scene
which you hope for.
Don’t hush up a mistake.
Take responsibility.
未だ見えねぇ行方知れずの物
纏わせたのは全て上辺だけ
売り飛ばされたのは思想の偽造
凝りもせずまた寄って来やがる
Can you hear the counting song
of pain?
目に映る答えが消える
Can you hear the counting song
of pain?
黒き日を葬る無意味さに
I felt humiliation.
美しき静寂が悲しげに
揺れてる目を塞ぐ事さえ罪
A prosecute.
Your luck will run out someday.
Can you hear the counting
song of pain? The president.
You are the same as a leech
which sucks blood to live.
In the visceral plane of J-rock, the GazettE has carved out a niche that’s both darkly alluring and sharply critical of societal norms. The band, known for its intense sonic landscape, offers more than mere auditory assaults — they deliver thought-provoking poetry veiled within their music.
Among the GazettE’s impressive repertoire, ‘LEECH’ stands as a staggering manifesto of the inner turmoil and societal decay. Diving into these cryptic verses, one can’t help but surface with a fresh lens, through which every uttered metaphor and heated lyric casts a broader illumination on the condition of contemporary existence.
The Visceral Cry of the Disenchanted
Beginning with an almost suffocating image of marble walls – symbols of elegance and wealth – ‘LEECH’ paints a picture of being soiled and battered, an apparent contradiction that serves as a backdrop for unyielding pain and imperfection.
This dichotomy of external grandeur and internal agony poses a haunting question about the genuineness of our superficial constructs. The GazettE impels us to consider the stark disparity between the facades we erect and the reality we attempt to obscure.
Metaphors for the Macabre: Unpacking the Leech Analogy
‘LEECH’ employs its title creature as a compelling metaphor for the parasitic nature of humans in their relentless pursuit of survival. The leech, which survives by drawing blood from its host, becomes a mirror to our socio-political systems, reflecting the exploitative tendencies that define human interactions.
This filthy bloodsucker is portrayed not as an anomaly of nature, but as a reflection of ourselves – we who drain resources, relationships, and even souls, all in the pursuit of personal gain.
Repetition as Rebellion: A Chorus of Despair
The recurring lines ‘Can you hear the counting song of pain?’ amplify the anguish that resonates throughout the song, compelling listeners to confront the omnipresent distress evident in the world around us.
GazettE’s repetitive lyrical cry is not just a marker for rhythm; it’s a chant against the ignorance that so often surrounds suffering. By reiterating these lines, they deliver an incantation that’s both a lament and a rallying call.
Unveiling the ‘Presidential’ Conundrum
Amid the eldritch lyricism of ‘LEECH,’ there lies the mention of ‘the president,’ a term loaded with authority and governance. It’s a cryptic insertion that alludes to the ambivalence of leadership and its impact on the societal psyche.
This reference can be seen as the GazettE’s commentary on the illusion of power and the ultimate demise of those who abuse it. The implication of leadership being parasitic serves to underscore the band’s scathing view on institutional corruption.
In Memoriam of the Lost Expressions
Amongst the song’s most haunting lines, ‘A prosecute. Your luck will run out someday,’ carries an ominous prediction—karma catching up to those who have wronged. It’s a prophetic shadow that hangs overhead, promising retribution for the emotional carnage caused by societal leeches.
The admonition to ‘take responsibility’ for our mistakes becomes a culmination point in the song, marking it as not merely a passive criticism but a call to action—a plea for personal and societal introspection and the courage to amend.
