Lost Kids Get Money by Brent Faiyaz Lyrics Meaning – The Existential Odyssey of Urban Youth
Lyrics
I just pull up in this bitch
In the function with my clique
I stay in the back, big thing on my hip
Fuckin’ in the back, I stay with a bitch
Smellin’ like a lick, smellin’ like Margiela
Seein’ is believin’, I don’t see none of you fellas (Stevie Wonder)
Dropped a song and these famous bitches love it
I’m a dog, they don’t root for me in public
If I hit it then it ain’t woth no discussion
We the reason that our city buzzin’
All my bros collect, all my bros is next
Who need work? I could plug you with connects
Shit get hot, who you call, collect?
Who you just finesse?
Go lay low out West
Money get lost when you don’t chase it
(Gon’ and chase it) What you lookin’ at me for?
Should be lookin’ at a bankroll
Money get lost when you don’t chase it
(Gon’ and chase it) What you lookin’ at me for?
Should be lookin’ at a bankroll
Money get lost when you don’t chase it
(Gon’ and chase it) What you lookin’ at me for?
Should be lookin’ at a bankroll
Money get lost when you don’t chase it
(Gon’ and chase it) What you lookin’ at me for?
Should be lookin’ at a bankroll
What you mean you ain’t gettin’ no bread? (Yeah, yeah)
All my fuckin’ soldiers get paid
If you on a plot today (yeah)
Don’t let one-two take your guap away
Just took a ride in the Rover
Through my old hood with my friends
I’m still pipin’ hoes from like 2010
They heard about my moves, they know I’m the man
I got too much to lose, fuckin’ on these fans
I paid all my dues, plus I never ran
I need all the loot put it in my hand, uh
Better grab your girl ’cause I’ma fuck her (oh yeah)
She chose up, I do it like no other, no
Anywhere I wanna go, I been doin’ all these shows
I be spendin’ all this dough
Money get lost when you don’t chase it
(Gon’ and chase it) What you lookin’ at me for?
Should be lookin’ at a bankroll
Money get lost when you don’t chase it
(Gon’ and chase it) What you lookin’ at me for?
Should be lookin’ at a bankroll
Money get lost when you don’t chase it
(Gon’ and chase it) What you lookin’ at me for?
Should be lookin’ at a bankroll
Money get lost when you don’t chase it
(Gon’ and chase it) What you lookin’ at me for?
Should be lookin’ at a bankroll
(Money get lost when you don’t chase it)
Brent Faiyaz, the Maryland-bred singer with a penchant for soulful riffs and raw, emotive lyrics, has captured the essence of a generation’s hustle in ‘Lost Kids Get Money.’ Beyond the slick production and hypnotic hooks lies a resonant tale of street ingenuity and the relentless pursuit of financial uplift.
This track isn’t merely about flaunting wealth; it’s an urban manifesto, an anthem for the dreamers locked in the vice of survival, yet still ambitious enough to grab at life’s finer threads. Dive into the subtleties tucked between the lines and explore the compelling strands woven into this rhythmic testimonial of struggle and success.
The Unseen Fight: Behind Luxe Lyrics
Faiyaz paints a picture of the unseen hustle behind closed doors—the ‘lost kids’ grinding in the shadows before emerging with bankrolls and bravado. The narrative isn’t just braggadocio; it’s an acknowledgement of the unseen battles that underpin monetary victories. Grappling with the duality of anonymity versus success, Faiyaz invites listeners to peer beyond the facade of nonchalance.
The mention of ‘smellin’ like a lick’ harkens back to the smell of cold, hard cash — a metaphor for opportunity seized, while ‘smellin’ like Margiela’ speaks to reaping the spoils of one’s toil. Faiyaz juxtaposes the scrappiness of street-borne aspirations with the outcome that everyone sees – the money, the luxury, but not the path it took to get there.
Defying the Public Gaze: A Rebellious Interlude
There’s a trenchant critique embedded within Faiyaz’s assertions of detachment and sexual conquests. The line ‘I’m a dog, they don’t root for me in public’ encapsulates society’s hypocrisy, superficial support, and the loneliness at the peak. It’s a realization that despite his achievements, his struggle for credibility persists amidst the public’s fickle adoration.
The artist’s candidness about relationships with ‘famous bitches’ and promiscuity is an exploration of access and the temptations that come with success. His transgressions are not glamorized but simply stated as facts of his life, perhaps suggesting that acclaim can bring moral compromise and disconnection from one’s past ideals.
Connection and Community: A Tribute to Solidarity
There’s a recurring motif of brotherhood—’All my bros collect, all my bros is next,’ promises Faiyaz. This line serves to underline the importance of a supportive community; it’s a homage to those who hold you down while facing the same struggle.
In a world where individual success often eclipses collective growth, Faiyaz underscores the significance of lifting as one climbs. His pledge to plug his friends with connections is his way of extending the ladder downwards, ensuring the whole crew ascends in this dogged pursuit of prosperity.
The Hustler’s Creed: A Philosophical Hook
The haunting refrain ‘Money get lost when you don’t chase it’ doubles as the hustler’s creed and the song’s heartbeat. It’s a call to action, a reminder that success and wealth seldom come to those who wait passively on the sidelines.
Faiyaz weaves this mantra through the whole song, drilling it into the subconscious while framing it as self-evident law. It’s the philosophical pillar supporting the entirety of ‘Lost Kids Get Money’, a straightforward decree on the nature of hustle and ambition that resonates with the relentless spirit of the modern age.
Timelessness and Transition: Nostalgia Meets Evolution
Amidst the bravura and machismo, Faiyaz laces the track with reflections on his own evolution. He brings us down memory lane, ‘I’m still pipin’ hoes from like 2010,’ only to subtly highlight how far he’s come since then—both in status and in perspective.
Through this nostalgic glance, ‘Lost Kids Get Money’ becomes more than a present snapshot; it transforms into a testament to growth, a recognition of the transient nature of life and the progression of a dream that goes from the streets to the stage. Faiyaz stands as both narrator and protagonist in this ongoing saga of reputation, risk, and reward.
