MAYBE by The Kid LAROI Lyrics Meaning – A Journey Through Self-Reflection and Hard Truths


You can view the lyrics, alternate interprations and sheet music for The Kid LAROI's MAYBE at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Drown my sorrows in this bottle
Won’t like waking up tomorrow
I’m the only one that cares about myself
And you don’t need me like I need you
So if you go maybe I’ll free you
But I’ll be lost, to tell the truth, I need your help
And even you can’t fix my problems
Like you once did, I’m too hollow
I can’t talk to you no more and I can’t tell
If it’s me or if it’s you ’cause you don’t even pick up my calls no more
I’m drunk and left alone with all my thoughts

So maybe, maybe I’m driving me crazy
Maybe it’s me and it’s not you
I’m not too good at admitting when I fuck up
But maybe, maybe it’s you who can save me
I got love for you, but I hate me
Maybe, there’s no way to change me
So maybe, maybe I’m driving me crazy
Maybe it’s me and it’s not you
I’m not too good at admitting when I fuck up
But maybe, maybe it’s you who can save me
I got love for you, but I hate me
Maybe, there’s no way to change me, yeah-yeah

No way that I’ll ever change
So I’m down to lay down next to my brain
Said I’m okay, but no way
More than I can take
And there’s no one to blame but me
No need to wait for me
“Why do you pick me up just to break me?”
That’s what you say to me, why do you play with me?
You won’t ever understand

So maybe, maybe I’m driving me crazy
Maybe it’s me and it’s not you
I’m not too good at admitting when I fuck up
But maybe, maybe it’s you who can save me
I got love for you, but I hate me
Maybe, there’s no way to change me
So maybe, maybe I’m driving me crazy
Maybe it’s me and it’s not you
I’m not too good at admitting when I fuck up
But maybe, maybe it’s you who can save me
I got love for you, but I hate me
Maybe there’s no way to change me

Full Lyrics

Australian rapper and singer The Kid LAROI delves into a somber dialogue on internal struggle and the potential for salvation in his emotional track, ‘MAYBE’. The song oscillates between raw vulnerability and a hard-hitting realization of self-inflicted turmoil, capturing a moment of intense personal reckoning.

Unpacking ‘MAYBE’ is a deep dive into personal demons, relationships, and the intricate dance between dependency and self-worth. The Kid LAROI serves up not just a musical piece but a confessional, digging his heels into the sometimes muddy waters of self-awareness and growth.

Sorrow Drowning in Melody: The Kid LAROI’s Battle with Himself

Right from the opening lines of ‘MAYBE,’ The Kid LAROI takes listeners down an emotional well, establishing a connection with anyone who’s ever sought respite in the numbness of a fleeting escape. Drowning sorrows in a bottle is more than a cliché—it’s a stark canvas illustrating his desolate state and an attempt to forget the troubles of tomorrow.

This venture into the psyche of The Kid LAROI reveals a solo struggle. The artist paints a picture of isolation with ‘I’m the only one that cares about myself,’ highlighting the solipsistic prison of his thoughts, and laying bare the universal human fear of being alone in one’s mental battles.

Between Need and Freedom: The Push and Pull of Relationships

‘And you don’t need me like I need you’—this line echoes the asymmetrical nature of dependency that propels the track forward. It’s in the admission of needing help while simultaneously considering freeing the other person from the burden of oneself; an act of love colliding with self-loathing.

The Kid LAROI encapsulates the complexity of modern relationships where communication breakdowns and the refusal to answer calls represent more than mere inconvenience, but a chasm forming between individuals who were once each other’s anchors.

The Heart of Darkness: Unpacking the Hidden Meaning of ‘MAYBE’

The repetition of ‘maybe’ throughout the song twists and turns with multiple layers of meaning. It’s an emblem of uncertainty and wavering between introspection and external blame, constantly questioning whether the issues at hand are self-made or inflicted by others.

Amidst this uncertainty, one thing remains clear: the artist is stuck in a pattern, recognizing his resistance to change and seemingly embracing it. This fatalistic acceptance acts as a paradox that haunts the core of ‘MAYBE,’ calling into question whether this is a cry for help or a resignation to fate.

Echoes of Regret: Admitting Fault in the Face of Deterioration

The line ‘I’m not too good at admitting when I fuck up’ serves as a raw confession, one that resonates with the pride and difficulty that comes with owning up to one’s mistakes. It is this grappling with accountability that makes the heart of ‘MAYBE’ beat with relatable pain and humanity.

In this acknowledgment, The Kid LAROI confronts his demons, exposing the fallibility that lies within us all as something that can be both destructive and disarming. Despite the visibility of his own faults, there’s a flicker of hope that someone out there has the potential to ‘save’ him.

The Unforgettable Lines that Define ‘MAYBE’

The poetic desperation in ‘I got love for you, but I hate me’ encapsulates a harrowing duality that is at once heartbreaking and revealing. It’s a line that sticks with you, marrying the intensity of self-inflicted resentment with the yearning to be better for someone else.

The juxtaposition of love and self-hatred within these words speaks to a profound sense of unworthiness that The Kid LAROI grapples with, laying bare a raw emotional honesty that places ‘MAYBE’ in the echelon of memorable and hard-hitting tracks.

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