Oh La La by Goldfrapp Lyrics Meaning – Decoding the Glittery Lust of an Electro-Pop Masterpiece
Lyrics
Weaving it through the wire
Switch me on
Turn me up
Don’t want it Baudelaire
Just glitter lust
Switch me on
Turn me up
I want to touch you
You’re just made for love
I need la la la la la la
I need ooh la la la la
I need la la la la la la
I need ooh la la la la
Coils up and round me
Teasing your poetry
Switch me on
Turn me up
Oh child of Venus
You’re just made for love
I need la la la la la la
I need ooh la la la la
I need la la la la la la
I need ooh la la la la
You know I walk for days
I want to waste some time
You want to be so mean
You know I love to watch
I want to love some more
It’ll never be the same
A broken heel like a heart
I’ll never walk again
Yeah!
I need la la la la la la
I need ooh la la la la
I need la la la la la la
I need ooh la la la la
Plunging into the world of Goldfrapp’s ‘Oh La La,’ we find ourselves wrapped in a velvety tapestry of sound, an invitation to switch on and decode the sensuality embedded within the lyrics. On the surface, the track pulses with the vibrant energy typical of the electronic duo’s style, but beneath the glittering synths and Alison Goldfrapp’s sultry voice lies a labyrinth of desire and symbolism waiting to be traversed.
There’s a palpable electric current that runs through ‘Oh La La,’ an enticing siren song that beckons listeners to delve deeper into its seductive depths. With a tease of glitter and a hint of literary rejection, we’re transported to a hedonistic world where evocative poetry meets raw human need. It’s a journey of sparking connections, both literal and metaphorical, and it implores us to explore the vast expanse between yearning and fulfillment.
Igniting the Wires of Desire: The Call to Connect
When Goldfrapp demands to dial up and weave through the wire, there’s an urgent sense of wanting to establish a connection that transcends the physical realm. It’s an allusion to the digital age, where romance and seduction have been transformed by technology – love is literally in the wires, just waiting for the right frequency to come alive.
The invocation to switch on and turn up is less a command and more a mutual consent between lovers, an erotic power play where the act of ‘turning on’ becomes a shared experience. It’s a modern dance of intimacy and immediacy where the spark is only a switch away, emphasizing how our relationships have been coded into an electronic pulse.
Rebelling Against Baudelaire: A Modern Lust for Glitter
Goldfrapp’s refusal of Baudelaire isn’t simply about rejecting the romanticism of the 19th century poet’s complex and melancholic love; it’s a declaration for something more tangible and corporeal. The artist craves ‘just glitter lust’—a powerful, more immediate experience, that’s as shiny and superficial as it is irresistible.
This line dissects our culture’s growing preference for the ephemeral, the sparkly, the now – a contrast to the yearning and depth traditionally sought in romantic pursuits. It signals a shift toward a world where the glittering surface matters just as much as, if not more than, the substance beneath.
The Ode to Venus: Decoding the Deity of Love
In calling the object of desire a ‘child of Venus,’ Goldfrapp invokes the mythical goddess of love and beauty, drawing a parallel with the allure of the lover being sung to. This timeless reference layers the song with a sense of divine affection and otherworldly attraction, positioning love as an ethereal force that defies simple explanation.
This line positions the lover in a light of perfection and innate seduction, built from the ground up for the singular purpose of love. It’s a deification of the beloved, elevating the act of love from human to celestial, and underscoring the deep, almost primal pull of attraction.
The Seductive Siren of Synth-Pop: Unraveling the Hidden Meaning
Beneath the addictive chorus of ‘la la la’ and ‘ooh la la la,’ Goldfrapp is crafting a clever dichotomy between desire and the march of modernization. The song conveys a powerful message on the nature of human want—constant, insistent, unable to be fully satiated.
This hidden meaning might reflect on our endless consumption and the commodification of intimacy, a biting critique swathed in a hypnotic melody. The lyrics suggest a cycle of yearning and fulfillment, pushed by a society bent on instant gratification yet perpetually lusting after something just out of reach.
Walking Days to Waste Time: The Surreal Journey of Longing
Goldfrapp’s lyrics articulate a willingness to surrender to the odyssey of desire, even if it means ‘to walk for days’ just ‘to waste some time.’ It’s an admission of the irrationality that often comes with attraction, the lengths one will go to for even the illusion of connection or the mere presence of the beloved.
The song then twists the narrative to confess a sadistic pleasure, a love for watching, hinting at the voyeuristic tendencies that modern love sometimes entails. The technology that brings us closer also allows for a more detached form of interaction, complicating what it means to truly ‘know’ someone in an era of digital avatars and curated personas.
