Volt by Yung Lean Lyrics Meaning – Delving into the Electrified Mind of a Swedish Rap Prodigy
Lyrics
Heart departed from my soul
Thanks to everyone who hates me, only makes me fit my role
I got orange juice and doobies
I’ll be tourin’ troops and groupies
Shed fire, vampire, diamonds, diamonds, I got rubies
I got pills in my smoothies
Sbe, just some loonies
Move like gang, hit the scene with my trueies
Money, money in my bank account
You know I’ve gotta spend it all
Flick the lighter’s light
If I die you’ll never see me fall
Fuck the police, ’til the, ’til the, ’til the curtain call
Ball? No, basketball, New shoes, bank calls
Mix it with some alcohol, Adderalls, ’til I fall
Not supposed to make it so we chase it ’til we got ’em all
Made it, did it, out of zero
Flipped it, got it, made a hero
Fuck the game, I’ve been a year old
Faster than you like De Niro
If you don’t like me, get the fuck out my face
I’m ridin’ in a starship, get the fuck out my way
In the ever-evolving landscape of music, where genres intertwine and artists’ personal narratives become increasingly central to their art, stands a track that encapsulates the enigmatic journey of a young artist: ‘Volt’ by Yung Lean. Known for his dreamy beats and emotional lyrics, the Swedish rapper delves into a psychedelic soundscape that transcends mere auditory experience.
‘Volt’ surfaces as an electrifying entry into Yung Lean’s discography, offering fans and new listeners alike a glimpse into the heart of a youth in metamorphosis. Through a series of evocative lyrics and haunting harmonies, Lean embarks on an introspective odyssey, revealing layers of meaning that defy initial assumptions.
Illuminating the Inner Lion: A Heart Cry from the Soul
Lean begins with an emphatic declaration of inner strength likened to a ‘lion’s heart,’ a symbol of bravery and resilience. However, this potent heart seems severed from his soul—an indication of a profound internal rift shaped by external adversities. It’s a compelling introspective look into how Lean perceives himself amidst the pressure and how he keeps pushing forward regardless of the wounds.
By thanking ‘everyone who hates’ him, he embraces the role of an outsider within the music industry and society at large. It’s a classic case of defiance through gratitude where antagonism fuels his authenticity, molding him into the figure that his adversaries catalyze. Lean’s journey is thus characterized by transformation; he doesn’t just bear his trials but shapes them into his armor.
Through the Smoke: Deciphering the Hedonistic Haze
Yung Lean reflects a lifestyle laden with substances in an almost celebratory tone, but the narrative transcends simple glorification. The ‘orange juice and doobies,’ the pills ‘in my smoothies,’ speak of the coping mechanisms in the dizzying world of fame. There’s a dual layer here—both an admission of indulgence and a subtle critique of the escapism it represents.
His mention of ‘tourin’ troops and groupies’ casts a shadow over the reality of an artist on the road: a life filled with transient connections and temporary highs. The recurring fire and vampire imagery evoke a sense of burning out and parasitic relationships—perhaps a nod to the industry’s and fans’ insatiable hunger for the ‘diamonds’ and ‘rubies’ Lean seemingly provides.
Anthem of the Underdog: Embracing the Chase
There’s a raw sense of ambition in ‘Volt’ that reverberates with the listener—the relentless pursuit of success against all odds. ‘Not supposed to make it so we chase it’ — encapsulates Yung Lean’s underdog mentality, where the act of chasing dreams is an end in itself. It’s a typified soundtrack for the rebels, the misfits, who see the act of pursuit as a form of rebellion.
The line ‘Made it, did it, out of zero’ paints Lean as not just a self-made man, but a figure of transformation. His originating from ‘zero’ to becoming a ‘hero’ is a powerful narrative that resonates with many of his fans. It validates their own struggles and celebrates the idea that anyone can redefine their narrative and drastically alter their fate.
Riding High in Rebellion: The Genesis of a Space-age Outlaw
Defiance is woven deeply into the fabric of ‘Volt.’ Lean’s rebuke to anyone who doesn’t align with him (‘If you don’t like me, get the fuck out my face’) is not just a teenage angst-ridden line, but a pronouncement of sovereignty over his artistic and personal space. He embodies the spirit of a modern-day rebel, challenging authority and societal norms at every turn.
The reference to a ‘starship’ only drives this point home further: Lean sees himself as a voyager on a cosmic scale, navigating the challenges of life and the music industry as if steering through uncharted galaxies. Here, the ‘starship’ serves as a metaphor for his aspirations and creative path, stressing that no earthly force should stand in the way of his otherworldly pursuits.
Unraveling the Threads of a Memorable Epic
‘Volt’ is laden with memorable lines that stick with the listener long after the track has ended, giving it a haunting quality that defines Yung Lean’s style. Verses such as ‘Fuck the police, ’til the, ’til the, ’til the curtain call’ are tinged with an anti-establishment sentiment that is both provocative and resonant with the current cultural zeitgeist.
But it’s not just the defiance that makes these lines memorable; it’s their rawness and honesty. They reflect a sense of fatigue with the relentless pace of life and the calcified structures against which Lean, and his listeners, find themselves rebelling. ‘Volt’ manages to be both a personal reflection and a universal rallying cry, further cementing Lean’s position as a unique voice in the music sphere.
