Something to Believe by Weyes Blood Lyrics Meaning – Searching for the Ethereal in the Everyday

You can view the lyrics, alternate interprations and sheet music for Weyes Blood's Something to Believe at Lyrics.org.

Lyrics

Drank a lot of coffee today
Got lost in the fray, I gave all I had for a time
Then by some strange design I got a case of the empties
The ruler of my world, a lost forgotten pearl
When fire leaves a girl
Too burned to dry my life
Living on a fault line
And then I

I just lay down and cry
The waters don’t really go by me
Give me something I can see
Something bigger and louder than the voices in me
Something to believe

Didn’t always do it right
Might have left the heat on high
Didn’t know I had any left
Thought I finally met my death
Gonna do all I can
Stay away from the quicksand
Gonna do all I can

Nobody’s gonna love you the same way
Some of us go astray
I walk so far from them all
Instead of dropping the ball
I seem to carry so many
The colors don’t align, a question of time
I seem to lose what I find
Please give me a sign soon
Really wanna find out the truth
And then I

I just lay down and cry
The waters don’t really go by me
Give me something I can see
Something bigger and louder than the voices in me
Something to believe
Something to believe
Something to believe
Something to believe
Something to believe

An odyssey through the tempests of the human psyche, Weyes Blood’s ‘Something to Believe’ is less a song and more a hymn to existential longing in an age of disquiet. With a voice that channels the echoes of bygone eras through the lens of contemporary disenchantment, Natalie Mering (the artist behind Weyes Blood) crafts a poignant narrative steeped in both the personal and universal.

Navigating the waters of the soul’s darkest moments, ‘Something to Believe’ weaves a tapestry of yearning for transcendence and a craving for meaning in a cacophony of life’s relentless discord. This exploration is a mirror reflecting the listener’s own search for solace, and here, we delve into its layered lyricism to unveil the profundity of Mering’s sonic soliloquy.

A Heart in the Abyss: The Emotional Current of ‘Something to Believe’

As much an internal dialogue as a proclamation to the world, ‘Something to Believe’ starts with a confession of vulnerability – ‘Drank a lot of coffee today, got lost in the fray.’ These opening lines set the stage for a journey through emotional exhaustion and the craving for a lifeline amid the turmoil of existence.

Mering’s rich imagery depicting ‘a case of the empties’ and a world that feels both intimately hers and hopelessly distant, provides a sorrowful backdrop that resonates with anyone who has felt adrift in their own life. Her ability to transpose the despair of estrangement into the universal language of bluesy balladry is what gives this song its hauntingly relatable core.

Echoes of the Earthquake: The Metaphor of Living on Fault Lines

The evocative phrase ‘Living on a fault line’ captures more than just a geological precariousness; it encapsulates the fragility of our personal foundations. As Mering confronts the internal earthquakes that threaten to unravel her, she articulates a feeling of instability that reverberates through the zeitgeist of our contemporary uncertainty.

This seismic imagery conjures up notions of impending breakdown, suggesting that the terra firma of our minds is as unstable as the ground beneath us. The risk of emotional collapse—a personal Richter scale moment—is a profound undercurrent that runs through the song, symbolizing both fear and the faint hope of rebuilding.

A Siren’s Lament: Dissecting the Song’s Most Memorable Lines

In the refrain, ‘I just lay down and cry, the waters don’t really go by me’, we find an arresting juxtaposition of surrender and immobility. The imagery of water – often associated with life and renewal – ‘not going by’ suggests a stagnation, a feeling of being untouched by the passage of time and growth that so defines the essence of existence.

Unquestionably a centerpiece of the song’s emotional gravity, this lyric exemplifies Mering’s uncanny ability to encapsulate profound despair and the thirst for catharsis. The simplicity of the image juxtaposed with the complexity of its emotional weight is perhaps what makes these lines linger long after the song has ended.

The Quest for a Beacon: Understanding the Song’s Hidden Meaning

Beneath the surface of vulnerability lies ‘Something to Believe’’s hidden meaning – a desperate plea for a sign, a symbol, anything tangible to cling to when one’s own internal compass spins ceaselessly. The titular ‘something to believe’ is a multifaceted metaphor extending beyond the religious or spiritual; it’s a yearning for an anchor amid the metaphysical whirlwind.

This quest for belief is not just for faith in a higher power but also for faith in oneself, in love, in humanity. Mering’s appeal for something ‘bigger and louder than the voices in me’ speaks volumes to those struggling to find their voice in a chorus of doubt, a resolute desire to transcend internal and external chaos.

An Anthem for the Forlorn: The Timeless Relevance of Weyes Blood’s Creation

While Weyes Blood’s ‘Something to Believe’ is ancient in melody and sentiment, its relevance is undeniably modern. Mering fronts a timeless dialogue on the human condition, touching on the haunting ramifications of isolation in an increasingly disconnected world.

In this song lies an anthem for the forlorn — those circling the periphery of their own lives, feeling the weight of what once was, and what could be again. It becomes more than music; it is a balm for the soul and a gentle harbinger of hope for anyone who has ever sought meaning in the eye of their personal storm.