The Reflecting God – Delving into the Abyss of Self-Deification


You can view the lyrics, alternate interprations and sheet music for Marilyn Manson's The Reflecting God at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. The Ashtray World: A Metaphor for Human Existentialism
  5. Facing the ‘God’ Within: The Psyche’s Dark Mirroring
  6. Existential Weapons: The Sharp Swords of Truth
  7. Unforgiven and Undaunted: Manson’s Rejection of Salvation
  8. Memorable Lines: Nihilism or Empowerment?

Lyrics

Your world is an ashtray, we burn and coil like cigarettes
The more you cry, your ashes turn to mud

The nature of the leeches, the virgin’s feeling cheated
You’ve only spent a second of your life

My world is unaffected
There is an exit here, I say it is and it’s true
There is a dream inside a dream
I’m wide awake the more I sleep
You’ll understand when I’m dead

I went to God just to see
And I was looking at me, yeah
Saw heaven and hell were lies
When I’m God, everyone dies

Scar, scar, can you feel my power?
Shoot here, and the world gets smaller
Scar, scar, can you feel my power?
One shot, and the world gets smaller

Let’s jump upon the sharp swords, cut away our smiles
Without the threat of death there’s no reason to live, at all

My world is unaffected
There is an exit here, I say it is and it’s true
There is a dream inside a dream
I’m wide awake the more I sleep
You’ll understand when I’m dead

I went to God just to see
And I was looking at me, yeah
Saw heaven and hell were lies
When I’m God, everyone dies

Scar, can you feel my power?
Shoot here and the world gets smaller
Scar, scar, can you feel my power?
One shot, and the world gets smaller
Scar, scar, can you feel my power?
Shoot here, and the world gets smaller
Shoot, shoot, shoot motherfucker
Shoot, shoot, shoot motherfucker

Each thing I show you is a piece of my death
No salvation, no forgiveness
No salvation, no forgiveness
No salvation, no forgiveness
No salvation, no forgiveness
No salvation, no forgiveness (this is beyond your experience)
No salvation, no forgiveness
No salvation, no forgiveness (forgiveness)
No salvation, no forgiveness (forgiveness, forgiveness)
No salvation, no forgiveness (forgiveness, forgiveness)
No salvation, no forgiveness (forgiveness, forgiveness)
No salvation, no forgiveness (forgiveness)

I went to God just to see
And I was looking at me, yeah
Saw heaven and hell were lies
When I’m God, everyone dies

Scar, can you feel my power?
Shoot here and the world gets smaller
Scar, scar, can you feel my power?
Shoot here, and the world gets smaller
Scar, scar, can you feel my power?
Shoot here and the world gets smaller
Scar, scar, can you feel my power?
One shot, and the world gets smaller

Shoot, shoot, shoot motherfucker
Shoot, shoot, shoot motherfucker
Shoot, shoot, shoot motherfucker
Shoot, shoot, shoot motherfucker

Full Lyrics

The Reflecting God

Standing as one of Marilyn Manson’s most powerful and enigmatic oeuvres, ‘The Reflecting God’ continues to fascinate and perturb listeners well into the present day. A molotov cocktail of visceral imagery, existential angst, and theological defiance, this track off the 1996 album ‘Antichrist Superstar’ serves as a linchpin for understanding Manson’s provocative artistry.

The Ashtray World: A Metaphor for Human Existentialism

Manson’s opening lines sketch a bleak tableaux where humanity’s aspirations and suffering are equated to the ephemeral life of a burning cigarette. This ‘ashtray’ world suggests a plane of existence where aspirations wither into meaninglessness, an idea that Manson uses as a springboard to plunge into the depths of existential philosophy.

The conflation of ash with mud underlines the inevitable decay of human endeavor, stoking the notion that in a world suffocating in its own waste, hope can often morph into despair, catalyzing a voyage towards self-realization or nihilism.

Facing the ‘God’ Within: The Psyche’s Dark Mirroring

In a brazen twist, Manson positions himself in a face-to-face encounter with divinity, only to reveal that the God he sees is a reflection of himself. This chiaroscuro revelation forces a confrontation with the inner self, making ‘The Reflecting God’ a psychological thrill ride into the human appetite for power and control.

The line ‘When I’m God, everyone dies’ speaks to the annihilative force of internalized power, the destructive potential that ensues when one’s god-like self-image supplants all external measures of morality or restraint.

Existential Weapons: The Sharp Swords of Truth

Manson builds upon existentialist themes by inviting us to ‘jump upon the sharp swords’ and dispense with superficiality. This can be interpreted as a call to embrace the inherent dangers of seeking truth, suggesting that genuine self-discovery is fraught with peril but essential.

This section of the song spotlights death not merely as a threat but as a critical aspect of authenticity. The presence of mortality, Manson argues, gives shape and purpose to life, encapsulating the existentialist credo that meaning is found in the shadow of oblivion.

Unforgiven and Undaunted: Manson’s Rejection of Salvation

Key to ‘The Reflecting God’ is the relentless repetition of ‘No salvation, no forgiveness.’ Manson’s rejection of these concepts is a thunderous renunciation of traditional religious and moral structures, positioning the song as an anthem for irreverence and freedom from dogma.

By negating the possibility of both salvation and forgiveness, Manson denies the acceptance of external absolution, forcing listeners to grapple with the concept of self-determination unmoored from supernatural paradigms.

Memorable Lines: Nihilism or Empowerment?

One of the most powerful components of Manson’s ‘The Reflecting God’ lies in its resonant lines, offering a glimpse into Manson’s complex relationship with power and existential thought. Phrases like ‘I’m wide awake the more I sleep’ suggest a paradoxical enlightenment, where disengagement with reality leads to a deeper understanding of it.

Manson’s lyric, ‘Shoot, shoot, shoot motherfucker’ can be read as a cathartic release of pent-up aggression or as an incitement to action. Whether listeners perceive this as a nihilistic ejaculation or a call to empowerment depends on their interpretation of Manson’s overarching artistic vision.

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