Turn It Out by Death From Above 1979 Lyrics Meaning – Unveiling the Velocity of Existence
Lyrics
Don’t hold your breath
I’m on the move, move, move
Move
I know you have so much to
Say to me but I’m on the move, move, move
Move
Move, move, move
Oh, we’ll take the time
Take the time to turn it out
With an ear-splitting concoction of bass and percussion, Death From Above 1979’s ‘Turn It Out’ from their debut album ‘You’re a Woman, I’m a Machine’ is no less than a thunderous call to arms. Erupting onto the music scene with the force of a sonic boom, the Canadian duo encapsulates a raw energy that is both rare and ferocious.
Yet beneath the layers of raucous sound and rebellious punk spirit, ‘Turn It Out’ hides a labyrinth of meaning that is begging to be unraveled. The song, emblematic of the paradoxes within the human condition and the relentlessness of time, operates on levels that go beyond its immediate auditory assault.
The Relentless Rhythm of Reality
From the track’s vicious opening riff, it’s clear that Death From Above 1979 aren’t here to take prisoners. The breakneck tempo and aggressive instrumentation mirror the pace of modern life, a cacophony that we’re all subjected to. But ‘Turn It Out’ does more than just mimic; it questions and confronts, challenging the listener to find their own beat within the chaos.
The sense of urgency imbued in each note is palpable, reflective of a generation gasping for air in a cyclone of social expectation and self-fulfillment. It’s a sonic sprint through the trials and tribulations of the human experience, a reminder that time waits for no one.
‘Don’t Hold Your Breath’: A Mantra of Motion
‘Be there for you someday soon / Don’t hold your breath / I’m on the move, move, move.’ These lines deliver a stark reality: life doesn’t pause for our personal narratives or desires. The lyrics suggest a state of perennial motion, an acknowledgment of the transience and impermanence that define our existence.
The mantra-like repetition of ‘move’ becomes both a command and a concession – an order to keep pushing forward, and an admission of our inability to stay static, even if we wanted to. It is a testament to the inexorable march of time, and the need to embrace change and momentum.
A Dialogue with Silence: What’s Unsaid in ‘Turn It Out’
Amidst the relentless energy of ‘Turn It Out,’ the song leaves space for what isn’t verbalized. ‘I know you have so much to / Say to me but I’m on the move, move, move.’ There is a tension here, a play between the need for expression and the compulsion to keep moving.
The silence speaks volumes, encapsulating the gulf that often exists between our innate desire to connect and the reality of our solitary journeys. We are left to ponder the weight of the unspoken, the conversations that are lost in the wake of life’s relentless forward push.
Locating the Pulse: The Hidden Heartbeat of ‘Turn It Out’
Though ‘Turn It Out’ may at first listen appear to revel in nihilism, a closer dive reveals a rhythm that beats with purpose and intent. The song’s title itself implies a transformation, a stripping down to essentials to confront the core of our being.
The act of ‘turning it out’ is an introspective challenge, a call to dissect our motivations, fears, and dreams. In doing so, Death From Above 1979 invites us to find a rhythm that is uniquely our own – to recognize the power in our actions and the poetry in our everyday struggles.
Memorable Lines That Echo in the Void
‘Oh, we’ll take the time / Take the time to turn it out.’ In the closing act of ‘Turn It Out,’ the lyrics propose a momentary halt, an introspective pause amidst the uproar. It’s a communal proposition, a shared space of contemplation where the noise subsides, and the essence of the song – and perhaps of our own lives – is laid bare.
These lines resonate long after the track fades, instigating a reflexive silence that is haunted by the echoes of what has passed. It’s in this void that the true depth of ‘Turn It Out’ lingers, a profundity that challenges us to take the time to examine and understand the music of our own existence.
