Alors on danse 2 by Stromae Lyrics Meaning – Unraveling the Dance of Despair and Dive


You can view the lyrics, alternate interprations and sheet music for Stromae's Alors on danse 2 at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Throw your hands in the sky right now
(Alors on)
(Alors on)
Throw your hands in the sky right now
‘Cause it’s going down

Unfortunately for the rest of y’all
I’m way better than the best of all
And even though they focus on just the flaws
This still gonna annihilate the festivals
And we still gon’ sip the Dom Pérignon
And still gon’ eat the filet mignon, ain’t it
Yeah, yeah, yeah I’ve been known
To cover up my eyes with the Ray-Beons

Alors on danse
Alors on danse
Alors on danse
Alors on danse
Alors on (Throw your hands in the sky right now)
Alors on

Flashing lights, the stress of life
It’s way too much to handle in one night
Live this life like there’s no tomorrow
Wake up in Paris with a Russian model
Throw your hands in the sky
If anybody got five dollars in they pocket right now
I call this club Titanic
Why? ‘Cause it’s going down

Alors on danse
Alors on danse
Alors on danse
Alors on danse

Alors on chante
La la la la la la
La la la la la la
Alors on chante
La la la la la la
La la la la la la

Alors on chante (Throw your hands in the sky right now)
Alors on chante (Throw your hands in the sky right now)
Et puis seulement quand c’est fini
Alors on danse
Alors on danse
Alors on danse
Alors on danse
Alors on danse

Et là, tu t’dis que c’est fini
Car pire que ça, ce serait la mort
Quand tu crois enfin qu’tu t’en sors
Quand y en a plus et ben y en a encore
Est-ce la zik ou les problèmes?
Les problèmes ou bien la musique?
Ça t’prend les tripes, ça te prend la tête
Et puis tu pries pour que ça s’arrête
Mais c’est ton corps, c’est pas le ciel
Alors tu te bouches plus les oreilles
Et là tu cries encore plus fort
Et ça persiste, alors on chante

La la la la la la
La la la la la la
Alors on chante
La la la la la la
La la la la la la
Alors on chante

Alors on chante
Et puis seulement quand c’est fini

Alors on danse (Throw your hands in the sky right now)
Alors on danse
Alors on danse (Throw your hands in the sky right now)
Alors on danse (‘Cause it’s going down)

Full Lyrics

When the Belgian maestro known as Stromae released ‘Alors On Danse’ in 2009, it became more than a chart hit; it morphed into a cultural phenomenon that blended electronic beats with poignant social commentary. Fast forward to the present, and the enigmatic artist revisits the conceptual plane with ‘Alors on danse 2.’ However, this isn’t simply a sequel that retreads familiar territory; rather, it’s a deeper exploration into the cyclical nature of escapism and the bittersweet tang of life.

Beneath the seemingly straightforward pump of electronic rhythm lies a rich tapestry of struggle, defiance, and an aching melancholy for relief from life’s inexorable pressures. The song flickers as a beacon through the smog of collective malaise, where dance – the primal response to music – is both the question and the answer to the complex enigma of existence.

Threading Through Societal Critique and Personal Swagger

Opening with a brash declaration of superiority, ‘Alors on danse 2’ immediately sets itself apart as an anthem of self-confidence. Stromae’s words are a call to arms, a challenge to the status quo where even as critics narrow in on faults, the spirit of the music refuses to be dampened. It’s an ode to the untouchable spirit that persists in joyful defiance.

While some may interpret the references to Dom Pérignon and filet mignon as commonplace braggadocio, Stromae layers his lyrics with subtle irony. The luxurious imagery juxtaposed with inner turmoil paints a picture not of simple boastfulness but of the often vacuous pageantry of success.

Rising Above the Noise: A Look into the Song’s Celebrated Hook

The infectious hook ‘Alors on danse’ translates to ‘So we dance,’ an imperative that commands the listener to move, physically and emotionally. It’s the song’s heartbeat, an electrical current that travels through the wiry maze of existence compelling us all to respond in kind. Here, the collective directive to dance becomes a shared experience, a unified moment of abandon in the face of chaos.

Metaphorically, Stromae is not just referring to dance in the literal sense. The repetitive nature of the hook alludes to the monotonous cycle of escapism where each ‘Alors on danse’ is a reminder of the temporary relief we seek from life’s burdens. And the beat drives on, relentless.

The Escapade Continues: When the Club Becomes Titanic

With sly wit, Stromae dubs the club ‘Titanic,’ a figurative vessel where everyone is dancing knowing it’s sinking – it’s going down. This image encapsulates the ephemeral nature of our escapades, be it through partying, wealth, or status; we’re all aware of the doom yet we dance on, captivated by the flashing lights and the stress of life that’s too much to handle in one night.

The deft analogy is compelling, hinting at the collective denial of our existential dread. We ‘live this life like there’s no tomorrow’ because, as the night swallows the Titanic-club whole, it’s a distraction from the icy depths below, from reality.

Unveiling the Anthem’s Hidden Depths

‘Ça t’prend les tripes, ça te prend la tête,’ sings Stromae, illuminating the wrenching grip of problems we face; they seize us by the guts and the mind. The artist articulates the struggle of trying to keep afloat amidst the swirl of troubles, where music becomes both a source of problems and a solution – a dichotomy that echoes within the soul.

Stromae’s dextrous interplay between light and shadow, between the insistent drive of bass and the despair in his verses, peels back the layers of human experience. It’s about the internal dialogue, the argument between surrendering to sorrow and chanting ‘la la la’ to drown it out, a universal anthem to the resilience of the human spirit.

Memorable Lines that Etch onto the Mindscape

Perhaps the most arresting lines in the song, ‘Est-ce la zik ou les problèmes? Les problèmes ou bien la musique?’ resonate long after the music fades. Here lies the question of causality: does music elicit life’s tumult, or is it life’s tumult that calls forth the music? It’s a compelling thought that grips listeners, inviting them to ponder the relationship between their own soundtrack and the narrative of their lives.

These words create an indelible impression, serving as the fulcrum of the track’s poignance. The circularity of issues and the beat, the ceaseless dance – Stromae compels us to consider what really moves us, and in doing so, what moves to us. And thus, the dance goes on, endlessly in motion, a spiral that captures the essence of the song, and with it, the essence of our intricacies.

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