Clubhouse by Mac Miller Lyrics Meaning – Unpacking the Layers of Celebrity, Excess, and Identity
Lyrics
Yeah I done been through it all
Every brick in the wall
Got a bitch I’mma call when I’m tryna fuck
You ain’t shit to the God, need to get you a job
‘Cause you live in the mall, bills pile up
I’mma chill in the spot, with a spliff I been lifted a lot
But I’m still not high enough
All the mills that I got, couple whips in the lot
There’s a list to the top you could sign me up
Yeah, sign me up
Sign me up
You can’t bring me down
Sign me up
Yeah, above ground about thirty thousand miles up
Told the bitch slow down like dial-up
Go down first and she climbing up
Wanna let me cut, tell her “line it up”
Little bit much, I’m a wild one
All I do is fuck hoes, drink tiger blood
Since I came in the game they been sour
I’m the plug, get your motherfuckin’ power up
Mind your business, you in my office
And I go get it, I need all it
I stay lifted, smoking, sipping
Fixes fixing all my problems
Yeah I done been through it all
Every brick in the wall
Got a bitch I’mma call when I’m tryna fuck
You ain’t shit to the God, need to get you a job
‘Cause you live in the mall, bills pile up
I’mma chill in the spot, with a spliff I been lifted a lot
But I’m still not high enough
All the mills that I got, couple whips in the lot
There’s a list to the top you could sign me up
Yeah, sign me up
Sign me up
Can’t bring me down
Sign me up
I was a nobody, now my name’s on the list
Couple keys of uncut cocaine on the wrist
And I let my nuts hang on a bitch
All the money that we spend on champagne is ridiculous
And it is us, elixir in my cup
Give the bitches drugs, a dick to suck
And I don’t see why these kids wanna grow up to be just like me
I was a nobody, now my name in they mouth
Came for a steak but I left with the cow
And they hate when you right though
Ain’t shit change but my checking account
(Mac Milly)
I done been through it all
Every brick in the wall
Got a bitch I’mma call when I’m tryna fuck
You ain’t shit to the God, need to get you a job
‘Cause you live in the mall, bills pile up
I’mma chill in the spot, with a spliff I been lifted a lot
But I’m still not high enough
All the mills that I got, couple whips in the lot
There’s a list to the top you could sign me up
Sign me up
Sign me up
You can’t bring me down
Sign me up
Mac Miller’s ‘Clubhouse’ is an audacious examination of the lavish lifestyle and the mindset of wanna-be gods of the hip-hop pantheon. The track, which comes off his 2015 mixtape ‘GO:OD AM’, serves as a candid snapshot of Miller’s career at a point where fame and material wealth were becoming an inseparable part of his persona.
On the surface, the lyrics of ‘Clubhouse’ might merely seem like a brag-fest set to a laid-back beat, but beneath this facade lies a narrative rich with details about the human condition, the vacuity of success, and the price of stardom. Here, we delve into the intricate subtext behind the apparently straightforward bars.
Rise to Immortality: The Ascent from ‘Nobody’ to ‘God’
Miller begins ‘Clubhouse’ reflecting on his journey ‘through it all’, acknowledging every ‘brick in the wall’ — a metaphor for the obstacles and milestones in his career. His claim of having ‘a bitch I’mma call when I’m tryna fuck’ may superficially seem misogynistic but also speaks to the objectification and use-and-throw culture fostered by fame.
‘You ain’t shit to the God,’ Mac declares, setting himself on a pseudo-divine pedestal, a commentary on how artists are often deified by their success and cult of personality. Yet, there’s a subtle irony in play, questioning the stability of such a self-imposed status when the same individual relies on material excess to feel alive.
An Anthem for Excess: ‘All I do is fuck hoes, drink tiger blood’
A brazen nod to Charlie Sheen’s infamous quote, Mac’s appropriation of ‘tiger blood’ speaks to the intoxicating cocktail of victory and vice that characterizes the rapper’s lifestyle. The wealth and debauchery are relentless, indicating a kind of moral numbness that often comes hand in hand with Hollywood’s promise of paradise.
Yet, is Mac celebrating or cautioning? The act of indulgence here paints a larger portrait of disillusionment where fulfillment is pursued through an assortment of vices, some as outdated and slow as ‘dial-up’ connections, highlighting the antiquity of such pursuits in the search for happiness.
A Cryptic Outlook: ‘Fixes fixing all my problems’
Miller brings an ambiguous take on ‘fixes’, leaving us wondering whether he finds solace or entrapment in the temporary solutions provided by fame’s luxuries. The dependencies on substances and superficial relationships present a nuanced look into the void that artists like Mac often attempt to fill through ephemeral highs.
The stark repetition of ‘fixes’ underlines the relentless, perhaps hopeless, cycle of seeking satisfaction in a hedonistic world where real issues are but temporarily plastered over by a haze of smoke and an overflow of champagne.
The Song’s Hidden Vulnerability: ‘I’m still not high enough’
Beneath the braggadocio lies a profound admission — ‘But I’m still not high enough.’ The haunting line captures the heart of an unending pursuit, suggesting that for all of Miller’s success, there is a craving for something more meaningful that the superficialities of wealth and fame cannot saturate.
This confession is an intimate glimpse at Mac’s personal search for purpose, tinged with existential angst despite the ‘mills that I got.’ It’s a sobering reminder that in our climb to the top, the conquests we often laud may never be enough to quell the human desire for deeper connection.
Memorable Lines: Uncovering the Power of Mac’s Message
‘Came for a steak but I left with the cow’ is one of the track’s most vivid and layered lines. Here, Mac Miller illustrates not just taking what you want from success, but claiming ownership over the entire process, a bigger, bolder statement of one’s impact on the world.
‘Ain’t shit change but my checking account’ juxtaposes with the previous luxuries touted, bringing us back to a grounding truth — that money is often the only tangible metric of change in an artist’s life. It reflects on how, outside the flashy growth in digits, transformation remains elusive, particularly in one’s identity and peace of mind.
