Creepin’ In by Norah Jones Lyrics Meaning – A Soulful Exploration of Emotional Vulnerability
Lyrics
Goes right through the sole
Of this old shoe
And the water on the ground ain’t got no place, it’s fine
So, it’s only got one thing left to do
Just creep on in
Creep on in
And once it has begun, it won’t stop until it’s done
Sneakin’ in
There’s a silver moon
Came a little too soon
Oh, for me to bear
It shines brightly on my bed and the shadow’s overhead
Won’t let me sleep as long as it’s there
Just creep on in
Creep on in
And once it has begun, it won’t stop until it’s done
Sneakin’ in
Creep on in
Creep on in
And once it has begun, it won’t stop until it’s done
Sneakin’ in
There’s a big old hole
Goes right through my soul
Oh, that ain’t nothin’ new
So, as long as you’re around
I got no place else you’ve found
There’s only one thing left for you to do
I just creep on in
Creep on in
And once you have begun, don’t stop until you’re done
Sneakin’ in
And once it has begun, it won’t stop until it’s done
Sneakin’ in
And once it has begun, it won’t stop until it’s done
Sneakin’ in
Sneakin’ in
Sneakin’ in
Sneakin’ in
Creepin’ in
Sneakin’ in
Sneakin’ in
Sneakin’ in
Sneakin’ in
Sneakin’ in
Creepin’ in
You want to keep creepin’ on in
Creep
Creepin’ in
Norah Jones has always had the ability to stir the deep seas within our souls with her melodically haunting voice, and ‘Creepin’ In’ is no exception. The song, a seemingly simple tune, carries within it an ocean of emotions, from vulnerability to the sweet surrender to love’s inevitable encroachment.
Laced with metaphorical lyricism, Jones taps into the visceral imagery of wear and repair that so often accompanies the human condition. But what lies beneath the surface of its folksy charm? As we explore these poignant lyrics, we peel back the layers of this timeless piece, examining the emotional fabric woven into its heart.
The Sole of a Song: Wearing Heart on Lyric
The opening lines of ‘Creepin’ In’ immediately anchor us to a metaphorical framework; we are introduced to weariness, a ‘big old hole’ that pierces through the sole of a well-trod shoe. This hole is more than just a physical tear—it symbolizes the deep-set feelings of exhaustion and the emotional voids we find hard to mend.
Jones’s characteristically mellow tone serves as a counterweight to the heavy metaphor, with each note feeling like a step taken on the enduring path of introspection. The imagery speaks to the relentlessness of life’s hardships, suggesting that no matter what barriers we erect, emotions will find their way in, seeping into our existence.
Moonlit Musings: The Cycle of Luminous Longing
The celestial reference to the ‘silver moon’ is far from arbitrary. In many traditions, the moon represents change, femininity, and the cycle of time. Here, it arrives ‘too soon,’ symbolizing an untimely awakening of feelings, perhaps love or realization, that our protagonist is not yet ready to face.
The moon’s brightness isn’t just illuminating her bed; it’s casting shadows overhead—reminding us that with illumination often comes the contrast of darkness. It’s a duality that manifests as restlessness, keeping her awake with the knowledge of change at her doorstep, ready to ‘creep on in.’
Echoes of the Soul: The Resonance of Self-Awareness
Later, Jones shifts from the physical to the ethereal, as the ‘big old hole’ she refers to has now moved from her shoe to her soul, revealing that the weariness and void she feels is not just superficial—it’s a spiritual depletion that’s just as present and pervasive.
But in this vulnerability comes a choice—inviting instead of repelling. With ‘no place else you’ve found,’ the subject decides to embrace this encroaching presence, to allow the shadow parts to become part of the whole. In doing so, she finds a paradoxical strength in acknowledging her own fragility.
Uncovering the Hidden Meaning: Embracing the Inevitable Creep of Change
On a deeper level, ‘Creepin’ In’ could be seen as an allegory for accepting change and personal growth. It’s about the recognition that despite our instinct to resist, some things—be it love, truth, or self-discovery—have a way of breaking through our defenses and taking hold within us.
The recurring motif of feelings that ‘won’t stop until it’s done’ speaks to the inevitability of transformation. It’s an ode to the enduring march of time and how it softens our resistance, compelling us to evolve even when we feel anchored to the past or the security of the familiar.
Memorable Lines: The Sweet Serenade of the Inescapable
‘And once you have begun, don’t stop until you’re done / Sneakin’ in’—these lines from ‘Creepin’ In’ hit a tender nerve. They resonate with the universality of experience, where once something meaningful begins taking shape within us, it has a nature of completing its course—much like love’s quiet arrival and steadfast stay.
In essence, these lines invite the listener to not only brace for the emotional insertion of life’s most potent forces but also to participate actively in their unfolding. It’s a message of submitting to the gentle force of what feels like destiny, to not resist the tide that’s meant to sweep you away.
