Domo23 by Tyler the Creator Lyrics Meaning – Unraveling the Controversial Tapestry
Lyrics
Bitch must think I’m a motherfucking dummy
Because I dress bummy, bitch think I’m broke
Bitch, I ate one roach and I made a lot of money
Popping since Bastard, (manager) Clancy is my slave master
Thanks to them crackers, my pockets are fatter than
Excess shit that’s weighting on Jasper
I’ve never popped a bottle, but I’ve fucked a couple models in Europe
Yup, and a couple of them swallowed
Meet me half way, bitch I’m going all in
And I never pull back, shout-out to my nigga Taco
Fuck that, Golf Wang
Fuck that, Golf Wang
Fuck that, Golf Wang
Fuck that, Gold Wang
Fuck that, Golf Wang
Fuck that, Golf Wang
Fuck that, Golf Wang
Fuck that, Gold Wang
So, a couple fags threw a little hissfit
Came to Pitchfork with a couple Jada Pinkett signs
And said I was a racist homophobic
So I grabbed Lucas and filmed us kissing
Feelings getting caught, it’s off, I’m pissing
You think I give a fuck? I ain’t even stick my dick in yet
(No homo, too soon)
And while y’all are rolling doobies
I be in my bedroom scoring movies
Still, I’m sounding like a fucking newbie
Suck my dick, motherfucker, sue me
Mom got a new whip so she could scoop me
A year ago, I ain’t have no hoopty
Four story home, gotta climb eight sets of stairs
Just to see where my fucking roof be
Fuck that, Golf Wang
Fuck that, Golf Wang
Fuck that, Golf Wang
Fuck that, Gold Wang
Fuck that, Golf Wang
Fuck that, Golf Wang
Fuck that, Golf Wang
Fuck that, Gold Wang
Wait a God damn second
I’m tripping balls, David Beckham
Will fall cause shit’s going down
Just like Rodney King’s swimming lessons
Now me and Justin smoke sherm and been talking ’bout freeing perms
And purchasing weapons naming them and aim them in One Direction
(Wait a minute)
It sounds like midgets in a God damn speaker
Anytime you play this shit loud
But that’s just me trying to get milk now
And the grunts of a God damn cow
Hit me on my beeper while Captain Hook sucks my Peter
Pan camera, repeat procedure
And when the beat drops, have a God damn seizure
Fuck that, Golf Wang
Fuck that, Golf Wang
Fuck that, Golf Wang
Fuck that, Gold Wang
Fuck that, Golf Wang
Fuck that, Golf Wang
Fuck that, Golf Wang
Fuck that, Gold Wang
Fuck that, Golf Wang
Fuck that, Golf Wang
Fuck that, Golf Wang
Fuck that, Gold Wang
Fuck that, Golf Wang
Fuck that, Golf Wang
Fuck that, Golf Wang
Fuck that, Gold Wang
Cut it out!
I said I didn’t want no goddamn lettuce
I don’t want that shit!
I don’t want your goddamn lettuce
Dissecting the audacious track ‘Domo23’ from Tyler the Creator’s bold repertoire uncovers a turbulent narrative that goes beyond its surface-level ferocity. Hailed as one of hip-hop’s most dynamic talents, Tyler harnesses a lyricism that is as provocative as it is introspective. The song, hailing from his album ‘Wolf,’ showcases the duality of Tyler’s artistry—aggression blended with commentary.
While ‘Domo23’ may be punctuated by its explicit chants and seemingly brazen lyrics, a more profound message bubbles beneath. This song exemplifies Tyler’s knack for stirring controversy while simultaneously planting seeds for deeper conversation among listeners. Here, we delve into the layered meanings and memorable lines that make ‘Domo23’ a staple in Tyler’s provocative catalog.
An Anthem of Defiance or a Satirical Skit?
At first glance, the recurring ‘Fuck that, Golf Wang’ might read as a juvenile dismissal or a catchphrase of rebellion. But for Tyler and his collective, Odd Future, it’s a badge of honor—a proud proclamation of their independence from conventional norms. The chant serves as a war cry from a group that has built their empire on the very same criticism that some might leverage against them.
The Golf Wang mantra, emblematic of their clothing line and broader lifestyle brand, transcends mere bravado, embodying a spirit of owning one’s identity and defying the status quo. In this context, ‘Domo23’ becomes an anthem not just for Tyler but for anyone fighting against oppressive labels or outside expectations.
The Price of Fame and the Illusion of Appearances
Tyler confronts superficial judgments head-on with ‘Because I dress bummy, bitch think I’m broke.’ These lines cut right through the mirage that appearance equals financial status—a sentiment felt by many artists navigating the stages of fame. Despite criticism targeting his fashion sense, Tyler reveals the irony that his so-called ‘bummy’ look belies his financial success.
The notion of dressing ‘bummy’ might also reflect a broader artistic philosophy for Tyler; he refuses to conform to industry standards or cater to societal impressions of wealth. He presents himself authentically, making clear that his worth and talent aren’t for sale to the highest bidder.
Demystifying the Artist’s Lifestyle in ‘Domo23’
Pulling back the velvet curtain of celebrity life, Tyler dives into the real and the raw. ‘I’ve never popped a bottle, but I’ve fucked a couple models in Europe’ may be a gritty boast, but there’s a twinge of sarcasm on the pressures and expectations of an artist’s offstage adventures.
The verse portrays Tyler’s juggling act of fame’s perks with its objectification—questioning the authenticity of relationships forged in the limelight. It exposes an industry where social currency often trumps personal connection, leading to the existential inquiry of whether any of it truly satisfies.
Confronting Criticism with Unapologetic Candor
Tyler’s mention of ‘a couple fags threw a little hissfit’ and the following lines aggressively tackle the backlash and allegations of homophobia he’s faced. Flipping the script, he recounts a public performance of sexuality—an act both contemplative and confrontational.
In an industry saturated with stereotypes and performative activism, Tyler uses ‘Domo23’ to provoke discussion on the complexities of identity. The song is less a retort and more a mirrored reflection, forcing society to confront its hypocrisy in judging others.
A Line That Epitomizes Tyler’s Audacious Spirit
‘I don’t want that shit! I don’t want your goddamn lettuce’ encapsulates the ethos of ‘Domo23’ and Tyler’s music as a whole. It’s not just about rejecting lettuce; it’s a microcosm for rejecting whatever doesn’t align with one’s values or desires, no matter how seemingly trivial.
The final ad-lib rejects the notion of conformity or acceptance for the sake of peace. Tyler is not here to subscribe to prescribed diets or lifestyles; he is the creator of his own narrative—even if it might seem nonsensical or bizarre to the listener.
