LUMBERJACK by Tyler, The Creator Lyrics Meaning – Decoding the Mastery of Self-Empowerment


You can view the lyrics, alternate interprations and sheet music for Tyler, The Creator's LUMBERJACK at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Rolls-Royce pull up, black boy hop out
Shoutout to my mother and my father, didn’t… (hold up)
“Oh, my God, I never seen nothin’ like this”
That’s what my mom was sayin’
She, she was cryin’ and shit
It was, she was just like, “This shit is beautiful”
It was a beautiful moment
You al… You always keep the picnic blankets in the back
‘Cause you, you never know (gangsta Grillz)
You never know where the fuck you gon’ end up at
(Okay, now we ready)

Rolls-Royce pull up, black boy hop out
Shoutout to my mother, and my father didn’t pull out
MSG sell out, fuck is niggas yap ’bout?
Whips on whips, my ancestors got they backs out (yeah, oh)
Too far? 500 stacks for the hood (I dare you, nigga)
Call me Lumberjack ’cause I wish a nigga would race (uh-huh, right)
Do I like I? This the wish a nigga could face (uh)
They ain’t gettin’ paper like they should, wait
(You niggas woulda, coulda, shoulda, oh, shit)

Niggas ain’t really on the type of shit he on
I hit Drizzy and told him I had a million for him (oh shit)
I own my companies full, told ’em to keep the loan
I took that gold bitch home, niggas was big mad (ugh, oh)
I put that bitch on the shelf to let it ventilate
And bought another car ’cause I ain’t know how to celebrate (top shelf, nigga)
That big boy, that big bitch, for all weather
It never rain in Cali, came with an umbrella (ooh)

Rolls-Royce pull up, black boy hop out (man, what the fuck?)
Shoutout to my mother, and my father didn’t pull out
MSG sellout, fuck is niggas yap ’bout? (Sold out)
Good credit score, this card really can’t max out (wow)
Too far? 500 stacks for the hood
Call me Lumberjack ’cause I wish a nigga would race (uh-huh)
Nigga this the face, man I wish a nigg… (it’s the face)
It’s different, it’s really different (catch up, niggas)

Ayo, I might sled in Utah, LA is too warm
My nigga tall, he look like a bitch, I call him Mulan (hey, oh)
Salad colored emerald on finger, the size of croutons
Niggas cannot fuck with performance of Magic New Wand (oh, nigga)
That’s my nuance, used to be the weirdo (ah)
Used to laugh at me, listen to me with their ears closed
Used to treat me like that boy off Malcolm in the Middle (why I’m motherfuckin’ rich)
Now I’m zero, zero, zero, zero, zero, zero, zero (not six)

Rolls-Royce pull up (zeros), black boy hop out (not seven)
Nah, I can’t take this shit no more, man, I quit
That’s it, I quit
I swear to God, nigga (fuck niggas is talking to me about?)
Quality Wednesday music
Wish a nigga could face
(Them stones is cloudy, nigga) Oh yeah, you asked for it
(Fuckin’ crumbs) Wish a nigga would face
Fuck you mean nigga?

Full Lyrics

In the dense forest of modern hip-hop, Tyler, The Creator stands tall, an ever-evolving figure cutting down his past with the ax of artistry and innovation. ‘LUMBERJACK,’ a track off his celebrated album ‘CALL ME IF YOU GET LOST,’ serves not only as a testament to his multifaceted talents but also as a revealing narrative on success, heritage, and individuality.

‘LUMBERJACK’ spins layers of meaning tighter than the threads of a designer fabric. Each verse works as a vibrant sketch of Tyler’s journey, painting a vivid image of his triumphs and the timber he had to fell to build his unique mansion of success. Through a careful dissection of the song’s arresting lyrics, we venture into the heart of Tyler’s lumberyard, set to decode the masterful connotations behind the wordplay and references.

Chopping Down the Mighty Trees of Doubt

The recurring Rolls-Royce in the lyrics isn’t just a flex of material wealth; it symbolizes the luxury of freedom that Tyler has earned. The opening shoutout to his parents acknowledges his existence as an act of fate, immediately grounding his narrative in the roots of family and chance. When the black boy hops out, it’s a nod to the defiance of stereotypes and the creation of a space where success is colorblind.

‘MSG sell out’ hammers down the magnitude of his accomplishments, highlighting sold-out shows at iconic venues. His success is not a quiet whisper in the expansive hall of fame; it’s a resounding echo that defies the yaps of negativity and doubt. The anthem of achievement rings louder as he reflects on the legacy of those before him, the ancestors who ‘got their backs out,’ juxtaposing their labor with his current opulence.

A Lyrical Confrontation with the Status Quo

Tyler’s braggadocio is laced with the reality of a society bent on minimizing the success of people of color, particularly in the realm of art and entrepreneurship. ‘I own my companies full, told ’em to keep the loan’ is not only about financial independence; it’s about ownership in a world that often denies it. By keeping ownership of his creativity and economic ventures, he suggests a self-determined path that exits the cycle of debt and control.

The song delves into the unforgiving nature of success and the societal pressure on how one should celebrate it. The purchase of another car ’cause I ain’t know how to celebrate’ serves as a critique of indulgent success norms and possibly a satirical jab at those who expect a prescribed form of celebration from the successful.

Unveiling the Hidden Rebellion in ‘LUMBERJACK’

Beneath the seemingly straightforward braggart lyrics lies a deeper resonance of rebellion. Tyler, The Creator has long been known for his avant-garde approach to music and fashion, often rebuking traditional notions of ‘making it.’ In ‘LUMBERJACK,’ he is both acknowledging the fruits of his talents and challenging the notion that his story is finished.

Terms like ‘call me Lumberjack’ signify not only a play on words but also the readiness for combat against societal expectations and the music industry’s paradigms. His willingness to cut down any opposition, like a lumberjack through timber, reveals a preparedness to defend his creative territory and personal evolution.

Lyrical Gems: The Colorful Imagery of Success

Tyler’s playful use of language shines through when he whimsically addresses a companion as ‘Mulan.’ This light-hearted line is juxtaposed with the ‘salad colored emerald on finger, the size of croutons,’ showcasing his wealth with both humor and a sharp visual wit. The unexpected comparisons and vivid descriptions are trademarks of his lyrical style, crafting an image that’s at once fantastical and realistic.

Moreover, the bewitching blend of bravado and introspection in ‘That my nuance, used to be the weirdo,’ validates his eccentric past while celebrating his luxurious present. This acknowledgment of his previously unorthodox persona underlines the significant evolution and acceptance he’s experienced, making his climb to the pinnacle of success even more impactful.

Memorable Lines That Echo Beyond the Music

‘Now I’m zero, zero, zero, zero, zero, zero, zero’ is possibly one of the most powerful moments within the track, as it encapsulates the grandeur of Tyler’s status. These zeros, an allusion to his considerable wealth, also suggest an infinite potential, implying that the scope of his success is boundless, unrestrained by any measure.

The track closes out with a pseudo-resignation, a moment that serves as a meta-commentary on celebrity culture. ‘Nah, I can’t take this shit no more, man, I quit,’ might reflect the pressure-filled world of celebrity and the eternally insatiable nature of the public. With this line, Tyler, once again, chops at the expectations placed upon him, maintaining his autonomy and playing by his own rules.

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