Colossus by Tyler, The Creator Lyrics Meaning – Peeling Back the Layers of Fandom and Identity


You can view the lyrics, alternate interprations and sheet music for Tyler the Creator's Colossus at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Went to six flags
Six fags came up and said “ayo can we get a pic?” I said no
And they said “oh it’s wolf gang, Yonkers, goblin is my shit though”
Now I’m like, fuck, I don’t want to be an asshole
So I’m sitting there posing with Travis, Devon
With a fake smile like her titties was drawing it on
So fucking annoyed because I missed Goliath
Cause some kid said I was there then they caused a riot
Now I’m surrounded by a 25 hound of fuckers tryna get a photo
All because they noticed the top with the box logo
And them fucking ears, guarantee they didn’t even hear bastard
They bandwagon-jumped me from a pogo, I’m going fucking loco
“Hey Tyler can I” no, bitch, don’t you see me tryna buy a fucking churro?
“But Tyler, you’re my hero, I used to get bullied
Until I heard radicals, the last part got to me
See, I used to give a fuck until my cock would bleed
Now I’m the happiest I think I’ll ever ever be
My life is just like yours, no father
My momma must have forgot to stop with a pop condom
In school I was the one thinking outside boxes
So everybody in them would say that I got problems
So when I heard you say it, I said it back like fuck ’em
You’re in inspiration to niggas like me
Not the niggas who like you just cause of lyrics and beats
I’m talking about the niggas who don’t know where they’re going to be
I heard the song bastard right in the moment of heat
Not in summer, but of course I was holding a heat
Gun on the edge of my feet, I heard that first piano chord
And it drew me in like predators carrying treats
Then I said to myself fuck is he speaking to me
See me and you we go together like snare in a beat
I mean snare and a kick drum, see my forearm
I carved of on it this morning with a glass shard
On my green mini ramp that I built in my backyard (that’s weird)
That’s hard, that scar from playing air guitar
When I see you play at the Roxy (uh)
Tyler, I love you, I wanna be just like you (alright)
I think about your face and I don’t even fucking try to (no homo)
Wish I had a basement mitt for me to hide you
We could play Xbox and listen to ‘in search of’ and eat donuts
Over conversating about what church does
Come up with weird ass videos with roach bugs
I’m straight edge too, so no drugs on this trip
And Raquel that bitch, you should’ve killed that bitch
You should’ve took me instead (uh, that’s weird)
See, if you can’t have her then he shouldn’t neither
And if I can’t have you then she shouldn’t either
No one should see you, but me in your t-shirt
I worship you until the fucking wrinkles on my knees hurt (what the fuck)
Odd future, wolf gang, golf wang, flog gnaw, free earl mobbin’
I know it seems like just I’m slobbing on your knob
But I’m just a fan and I ain’t losing my fucking noggin (yeah you are)
I ain’t got a job and I went out and bought goblin about 5 times
Cause (thanks for the support) I love you man (alright)
I like tie-dyed tees or just plain white tees, I like pants that’s cut
I like words like fuck, I got your pics on my wall
With the mouth cut out, now paper cuts on my balls
Cause your dicks in my jaw (what the fuck)
And I hit you on twitter about 10 minutes a day
And I’m bitter cause you don’t even reply with a hey (sorry)
And my boys think I’m gay cause I play VCR
In my car all alone speakers waking up neighbors
Alright my nigga, calm down, it’s getting weird, take this pic
So I can get on colossus, line as slow as molasses
(Tyler listen) no nigga I see you are loving my shit
And I appreciate the fact that you would suck on my dick
But I’m not gay so its awkward, now I’m grouchy like Oscar
After spilling some shit on his newest pair of beige dockers
Yonkers and Yonkers (I love that song)
Sick of hearing about Yonkers
I’m grateful that it worked, I attacked and I conquered
“Yeah whatever but I had a fucking blast at that concert
I was at the Boston one, I got a t-shirt from Sagan
The one that says Sagan Lockhart
And when you came out to sandwiches
That’s when my fucking boycrush got started”
Just take this fucking picture man, shit

Full Lyrics

Tyler, The Creator’s ‘Colossus’ is a track that often slips under the radar, shadowed by his more controversial hits, yet it holds a treasure trove of insights into the psyche of celebrity and fandom. This song, nestled within the 2013 album ‘Wolf,’ acts as a poignant narrative that dissects the relationship between an artist and their following.

The complexities laid bare in ‘Colossus’ span various dimensions of fame, personal boundaries, and the blurring line between artist identity and fan expectation. The multifaceted nature of these lyrics invites us to explore the intricate dance of admiration that often slips into obsession.

Unmasking The Fanfare: The Intrusion of Public Life

Tyler begins by painting a scene at an amusement park, quickly soured by overwhelming attention. The irritation of being approached by fans when seeking personal space is palpable. Fans label his work with a casual reference, reducing his artistry to mere catchphrases and logos. This underscores the superficiality of fame and how celebrity status can dehumanize an individual, reducing them to a product or an icon devoid of real human complexity.

The song’s setting itself, an amusement park meant for leisure and joy, becomes a claustrophobic trap for the artist. That’s something worth noting; where most find escape, Tyler finds encroachment – a testament to the isolating flip side of fame that isn’t often sung about.

The Echoes of ‘Yonkers’: Battling the Shadow of Past Success

Tyler references ‘Yonkers,’ a defining track of his early career, expressing fatigue over its continued mention. It’s both a blessing that catapulted him to success and a curse that shackles his public image to a single moment in time. Through ‘Colossus,’ he paints a vivid picture of the internal conflict that comes with wanting to evolve as an artist while being anchored by past expectations.

The verse touches on the idea that despite his gratitude for the doors ‘Yonkers’ opened, there is a deep-seated desire to be recognized for his current and future work, rather than being perpetually tied to his earlier shock-rap days.

Crossing the Line: When Admiration Turns Obsessive

A significant portion of ‘Colossus’ is devoted to a monologue from an overzealous fan. Their dialogue blurs the line between admiration and obsession, displaying uncomfortable levels of personal investment in Tyler’s life. The fan’s monologue unpacks the darker side of fandom, one where idolization can morph into possession and entitlement.

Tyler’s response to this fan interaction is rife with discomfort and sarcasm. He flip-flops between gratitude for support and a clear agitation for the lack of personal space, all culminating in a vivid illustration of the bizarre parasocial relationships celebrities often navigate.

An Unveiling of Shared Pain: The Hidden Connective Tissue

Beneath the narrative of ‘Colossus’ lies a poignant revelation of shared trauma between Tyler and his fan – the absence of father figures, feelings of social alienation, and the use of Tyler’s lyrics as an emotional catharsis. This unveils a hidden parallel; both are seeking understanding and a sense of belonging, but are approaching this common ground from wildly different emotional landscapes.

The fan finds a sense of comradeship with Tyler, whereas the artist grapples with the idea that his most vulnerable moments are consumed and repurposed by strangers. This interweaving of personal pain unearths the universal search for connection that music often provides a platform for.

Lingering Echoes: Memorable and Unsettling Lines that Define the Track

Tyler’s ‘Colossus’ is punctuated by lines that simultaneously resonate and disturb. The intensity of the fan’s declaration, ‘You’re in inspiration to niggas like me,’ transitions into an alarming description of self-harm and obsessive behavior. It sketches a picture of the profound impact artists can unknowingly have on an individual’s life.

Notably, the imagery involving cut-out pictures and violent fantasies stands out in the narrative, raising questions about the boundaries of artistic influence and the ethical implications of consuming media that delves into deep emotional and psychological terrains.

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