I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me by Fall Out Boy Lyrics Meaning – An Anthemic Journey Through Self-Realization and Cynicism
Lyrics
And you’re the only place that feels like home
Just so you know, you’ll never know
And some secrets weren’t meant to be told
But, I found the cure to growing older
I’m the first kid to write of hearts, lies, and friends
And I am sorry my conscience called in sick again
And I’ve got arrogance down to a science
Oh, and I’m the first kid to write of hearts, lies, and friends
Douse yourself in cheap perfume
It’s so fitting, so fitting of the way you are
You can’t cover it up
Can’t cover it up
So douse yourself in cheap perfume
It’s so, so fitting, so fitting of the way you are
You can’t cover it up
Can’t cover it up no oh oh whoa
Find a safe place, brace yourself, bite your lip
I’m sending your fingernails and empty bottles you’ve sipped
Back to your family ’cause I know you will be missed
So you can find a safe place, brace yourself
They call kids like us vicious and carved out of stone
But for what we’ve become, we just feel more alone
Always weigh what I’ve got against what I left
So progress report: I am missing you to death
Douse yourself in cheap perfume
It’s so fitting, so fitting of the way you are
You can’t cover it up
Can’t cover it up
So douse yourself in cheap perfume
It’s so, so fitting, so fitting of the way you are
You can’t cover it up
Can’t cover it up, no oh
Someone old
No one new
Feeling borrowed
Always blue
Someone old
No one new
Feeling borrowed
Always blue
Someone old
No one new
Feeling borrowed
Always blue
Someone old
No one new
Always borrowed
Always you
I found a cure to growing older
I found a cure to growing older
Douse yourself in cheap perfume
It’s so fitting, so fitting of the way you are
You can’t cover it up
Can’t cover it up
So douse yourself in cheap perfume
It’s so fitting, so fitting of the way you are
You can’t cover it up
Can’t cover it up
Navigating the chaotic waters of post-adolescence, Fall Out Boy’s ‘I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me’ surfaces as a strikingly introspective piece. Whether concealed within its title’s biting satire or echoing through the relentless punk rock energy that threads the band’s sound, the song presents a tableau teeming with the tumult of growing older and the battle against the superficial.
While unpacking the track’s complex layers, the lyrics catapult listeners into the deep end of reminiscence, showcasing the proverbial struggle between staying young at heart and being burdened with the weight of emotional baggage. This analysis embarks on an explorative path to decode the intricate nuances of Fall Out Boy’s evocative narrative.
The Eternal Quest for the ‘Cure to Growing Older’
The opening line ‘I found the cure to growing older’ is a paradoxical hook—an ironically optimistic prelude to a song tinged with pessimism about the passage of time. Fall Out Boy channels a universal desire to keep the essence of youth alive, a sentiment that resounds deeply with an entire generation grappling with adulthood.
But there is no true elixir for eternal youth, only the realization that home, or perhaps a certain someone, embodies the closest sanctuary to the familiar comfort of younger years. This revelation is equally liberating and haunting, as the place that feels like home may also be the root of deeply held secrets and an inescapable past.
A Poetic Confession of Hearts, Lies, and Friends
The song’s narrator self-identifies as ‘the first kid to write of hearts, lies, and friends,’ a claim both arrogant and introspective. Fall Out Boy’s portrayal of a voice that understands the profoundness yet the commonality of these themes, acknowledges the contradiction within young artists claiming a monopoly on such universal experiences.
A subsequent apology for a missing conscience introduces an inner conflict, suggesting a person struggling between the internal awareness of one’s flaws and the external facade put forth to the world. This juxtaposition of conscience with arrogance encapsulates the complexity of the persona’s identity.
The Acrid Scent of Truth Beneath the ‘Cheap Perfume’
The recurring metaphor of cheap perfume serves as an attempt to mask an underlying, undeniable truth. The image evokes a sense of desperation; to cover up what is innately flawed or unpleasing. But as the strong chorus claims, it simply cannot be hidden, echoing the adage that the truth ultimately prevails regardless of attempts to disguise it.
This could be Fall Out Boy critiquing the superficiality of relationships or fame—the facade of glamour that cannot conceal the stench of disillusionment. It is an admonishment that even the most intoxicating, synthetic allure cannot override the authenticity of what lies beneath.
Unwrapping the Hidden Meaning: Viscous and Carved Out of Stone
Diving into the lyrics ‘They call kids like us vicious and carved out of stone,’ one can’t help but recognize the dual sense of resilience and desensitization portrayed. Fall Out Boy captures the predicament of youth who are hardened by experience, yet feel more isolated with each facade of toughness they are forced to assume.
This isolating growth is quantified against what was left behind—a score of lost innocence, squandered relations, or perhaps forsaken simplicity. The ‘progress report’ is a grim memo to self, an acknowledgment of the emotional toll that ensues as the conciliation for growing older and ostensibly wiser.
‘Always Borrowed, Always You’ – The Echo of Memory and Identity
In the penultimate verse, the poetic repetition ‘Someone old, No one new, Feeling borrowed, Always blue’ tantalizes as a lyrical mantra, encapsulating a sense of stagnation and melancholic nostalgia. It is a chorus of yearning for the past, for an essence once familiar but now hopelessly altered—lamenting the perennial borrowing of happiness from memories of old.
An allusion to ‘Always you’ affirms that, despite alterations to the self through time and experience, there remains a core—oftentimes tethered to another—that persists through the churning sea of change. Perhaps it suggests that the ‘cure to growing older’ is recognizing and holding on to the unchanging elements of one’s being, tragically aware that they are rooted in the past.
