In The Morning by J. Cole Lyrics Meaning – Decoding the Intimate Dialogue of Desire
Lyrics
I’m tryna get beside you like the number nine, dime
You fine as hell, I guess I met you for a reason, only time can tell
But well, I’m wondering what type of shit you wantin’?
Do you like the finer things or you a simple woman?
Would you drink with a nigga, do you smoke weed?
Don’t be ashamed, it ain’t no thing, I used to blow trees
Gettin’ lifted, I quit but shit, I might get high with you
It’s only fitting ’cause I’m looking super fly with you
A flower, you are powerful, you do something to me
‘Cause, girl, I caught the vibes like you threw something to me
So I threw ’em back, now all my niggas hollerin, “Who was that?
Oh boy, she bad, nigga, what you ’bout do with that?”
I’m finna take you home, just sip a little Patron
Now we zonin’, baby, you so fine
And can I hit it in the morning?
Can I hit it in the morning?
And can I hit it in the morning?
The sun rising while you moanin’
And can I hit it in the morning?
Can I hit it in the morning?
And can I hit it in the morning?
The sun rising while you moanin’
Uh, baby you winter time cold
The night is still young, drink that dinner wine slow
I’m tryna make the goose bumps on your inner thigh show
I’ll let you beat me there as far as finish lines go
Yeah, and if you gotta leave for work
I’ll be right here in the same bed that you left me in
I love thick women ’cause my aunt, she rode equestrian
I used to go to the stables and get them kids to bet me
And I would always ride the stallions whenever she let me
I’m joking, I mean that thing is poking
I mean you kinda like that girl that’s in the US Open
I mean I got this hidden agenda that you provoking
I got bath water that you can soak in
Things I could do with lotion
Don’t need a towel, we could dry off in the covers
And when you think you like it, I promise you gon’ love it
Yeah, when lights coming through the drapes and we both yawning
I roll over and ask if
I hit it in the morning, yeah?
Can I hit it in the morning, yeah?
Can I hit it in the morning, yeah?
The sun rising while you moanin’
Baby, can I hit it in the morning, ah?
Can I hit it in the morning, yeah?
Can I hit it in the morning?
The sun rising while you moanin’
Hey, God bless the child that can hold his own
God bless the woman that can hold Patron
God bless her homegirl that drove us home
No strings attached, like a cordless phone
You see my intentions with you is clear
I’m learning not to judge a woman by the shit that she wear
Therefore, you shouldnt judge a nigga off of the shit that you hear
Get all defensive, apprehensive, all because my career
To be fair, I know we barely know each other and yeah
Somehow I wound up in your bed, so where we headin’ from here?
Just say you’re scared if you’re scared but if you through frontin’ we can do somethin’
And you know just what I’m talking about, tomorrow you’ll be calling out
‘Cause tonight we getting right into the wee morn’
Cook a nigga breakfast after sex is like a reward
Then I go my way, you think about me all day, that’s just a warning
And can I hit it in the morning?
Can I hit it in the morning?
Can I hit it in the morning?
The sun rising while you moanin’
Can I hit it in the morning?
Can I hit it in the morning?
Ayy, can I hit it in the morning?
The sun rising while you moanin’ (yeah)
J. Cole’s ‘In the Morning’ is a track that’s as smooth and introspective as the dawn its title references. A song peppered with sensuality and the raw, unfiltered thoughts that surface in the quiet space of an early day. Cole weaves a narrative that transcends the physical act it explores, detailing a connection that exists in a realm beyond the sheets.
Diving into the essence of what it means to truly ‘hit it’ in the morning, Cole crafts a narrative that juxtaposes carnal desire with the quest for a deeper understanding of the person he’s with. It’s a moment frozen in time, an exploration of intimacy, and desire unfurled in the light of a new day. But, as with any work by J. Cole, there’s more than just the surface narrative at play here.
A Blossoming Summer Love or Just a Fling?
With the opening line, ‘baby, you summertime fine,’ J. Cole immediately grounds us in a seasonal metaphor of warmth, potential, and fleeting beauty. The question of longevity in this relationship is posed as a knowing wonder. Cole isn’t just interested in the physical interaction; he’s equally intrigued by the mental and emotional one, contemplating whether this summer spark will withstand the test of time.
‘But well, I’m wondering what type of shit you wantin’?’ J. Cole not only confronts the uncertainty of new romantic prospects but also sets a platform for considering how mutual these feelings are. He’s exploring the balance between what’s experienced physically and whether it translates into mutual respect and connection beyond the moment.
Uncorking the Elixir of Night and Spirit
J. Cole’s lyrical prowess shines as he equates the intoxication of a woman’s presence with the act of sipping Patron. It’s a clever device to show how two people can get lost in each other, leading to a place of vulnerability. The mention of getting high, not just on substances but on the very aura of the woman, signifies the height of their connection.
The laid-back beat and the seductive rhythm mirror the slow savouring of the moment, suggesting both are not just indulging in a brief encounter, but in an experience to remember. This sets the stage for the repeated question, ‘Can I hit it in the morning?’ – signaling consent as the first rays of light signify a new understanding.
The Dawn’s Hidden Intimacies Unveiled
The recurring lines – ‘Can I hit it in the morning?’ – serve as more than just a literal question. They explore the concept of vulnerability and the comfort that comes with being with someone as the sun comes up. It isn’t just about the sex; it’s about the willingness to be laid bare, literally and figuratively, in the light of day, with all defenses down.
This refrain embodies anticipation, but also a gentle seeking of permission. It’s a recognition that the morning offers a different kind of intimacy – one that’s softer, more contemplative, perhaps even more genuine, and J. Cole is asking if he’s welcome into that sacred space.
Stripping Back the Layers Beyond the Sheets
As the song progresses, J. Cole moves from the bold to the philosophical. He addresses the preconceived judgments people hold based on professions, appearances, and second-hand chatter. ‘Therefore, you shouldn’t judge a nigga off of the shit that you hear’ could be a personal recount of his experiences with women, or a more general call to look beyond the superficial.
In this verse lies the undercurrent of the need for authenticity. Cole conveys he’s after genuine interaction, not just in the physical experience he shares with this woman but also in the way they perceive each other. It’s a call for genuine connection without the filters of society’s expectations.
Ephemeral Liaisons and the Most Memorable Lines
Despite the intimacy that J. Cole describes, there’s a sense of impermanence interwoven in his lyrics. ‘No strings attached, like a cordless phone’ cleverly illustrates the nature of their connection as unbound, free from entanglements. He’s engaging in a consensual, uncommitted interaction that’s defined by the moment and aware of its fleeting nature.
Nevertheless, the morning after isn’t without its emotional complexity. The final verses, ‘Cook a nigga breakfast after sex is like a reward. Then I go my way, you think about me all day, that’s just a warning,’ are smoking with the promise of a memory that lingers. It’s a candid acknowledgment of the dichotomy of casual intimacy — profoundly personal in the moment yet simultaneously transient.
