LET IT GO by Playboi Carti Lyrics Meaning – Unraveling the Layers of a New Rap Anthem
Lyrics
I think the Xans tryna tell me something
I came in with a cool hundred
And I got some bitches coming
And I got some bitches calling
I’m with Dro got that pack goin’ for the low
Sell a P, sell a O, sell it for the low
If she top, I’m in love, I’mma let it go
Let it go, on your block, we gon’ do a show
Let it go on your block, I might do a show
He a pussy, he a opp, he gon call the po’
All my niggas they on go, they on fucking go
Got the pole with the scope, know I keep a pole
Why these niggas, why these mans actin like some hoes
In my Ksubi Jeans, bankroll, bankroll, bankroll
That bitch all on me, Terio, Terio, Terio
Got a stripper bitch that depend on me J-Lo J-Lo J-Lo
I came in with a cool hundred
And I got some bitches coming
And I got some bitches calling
I’m with Dro got that pack goin’ for the low
Sell a P sell, sell a O, sell it for the low
If she top, I’m in love, I’mma let it go
Let it go, on your block, we gon’ do a show
Fuck that bitch I’ll go ’til dawn
Rick Owens on top of ones
We don’t do no one on ones
Put that Xanny on your tongue
Rock the show, I like to punk
She the type of bitch I love to fuck
Baby you the chosen one
And baby I don’t fall in nothing
Fell asleep in LA, woke up to the sun
Fuck my PO, he know I got hella guns
And shoutout my OG, he know I keep it 1
Fuck that SGP, he know I brought the phonk
Hit him with the pump, leave him in the trunk
Would have fucked your baby momma but it stunk
Beat a nigga ass, leave him on the lawn
I came in with a cool hundred
And I got some bitches coming
And I got some bitches calling
I’m with Dro got that pack goin’ for the low
Sell a P sell, sell a O, sell it for the low
If she top, I’m in love, I’mma let it go
Let it go, on your block, we gon’ do a show
In an era where trap beats and mumbled flows are often dismissed as lacking depth, Playboi Carti’s ‘LET IT GO’ emerges as a collage of modern hip-hop’s excess, anxiety, and ethos. As the rapid hi-hats and 808s of trap music pulsate through Carti’s verses, there lies a deeper narrative—a chronicle of survival, indulgence, and the duality of fame and street life.
This track, veiled in catchy hooks and ad-libs, resonates with an audience well-versed in the language of the streets and the allure of quick money. But behind the bravado and catchy lines, ‘LET IT GO’ is a complex canvas painted with Carti’s personal journey, the shadow of substance use, and the eternal dance with the temptations of hedonism.
The Struggle for Authenticity in the Spotlight
One cannot overlook Playboi Carti’s vivid portrayal of the struggle to maintain authenticity in the rap game. Through references to fashion, flings, and fidelity to the block, Carti weaves a tale that is as much about staking a claim in music as it is about not losing oneself to the industry’s fickle nature.
The repeated assurances of ‘If she top, I’m in love, I’mma let it go’ speak volumes about the transient nature of relationships in the face of stardom. Carti’s attachment to material markers – Ksubi Jeans and Rick Owens – highlights a culture of validation through luxury that both empowers and ensnares artists.
Decoding the Pill-Popping Mentality in Modern Hip-Hop
‘LET IT GO’ doesn’t shy away from the prevalence of drug culture in the rap community. Xanax—a symbol of both escape and enslavement—is personified as it ‘tries to tell’ Carti something, perhaps signaling an internal conflict between the desire to numb reality and the knowledge of the drug’s destructive path.
The casual intertwining of substance use with daily experiences (‘Put that Xanny on your tongue’) paints a stark picture of dependency, a motif that has become disturbingly familiar and influential among Carti’s peers and fans. This narrative reinforces the glorification and yet, the silent cry for help embedded within the fabric of contemporary music.
An Ode to the Mercenaries of the Streets and Fame
In ‘LET IT GO,’ Carti salutes the hustler’s spirit, the relentless pursuit of money through any means necessary. The song acts as a homage to those who operate on society’s fringes—selling ‘P’ and ‘O’ for the low. It’s an acknowledgment of the grind and the shadow economy that bolsters the bravado of rap culture.
However, as much as it’s an ode, it is also a reflection. Carti forces listeners to question the morality of success at the expense of others and self. The line ‘All my niggas they on go, they on fucking go’ captures a readiness for action but also a possible indictment of a lifestyle bound by constant vigilance and aggression.
The Unforgiving Cycle of Violence and Retaliation
Amidst the glamor and the hustle, ‘LET IT GO’ doesn’t gloss over the violent undercurrent that runs through certain echelons of hip-hop. References to guns (‘Got the pole with the scope, know I keep a pole’) and visceral outcomes—’Hit him with the pump, leave him in the trunk’—are stark reminders of the life-and-death stakes that color Carti’s and so many others’ realities.
The aggression in the lyrics poses an unapologetic portrayal of the ‘ride or die’ mentality that both propels and plagues communities caught in the cyclical tides of violence. The song’s nonchalant delivery of such themes is a powerful narrative device, implicating listeners in the cycle themselves.
Performative Versus Genuinely Misguided: The Hidden Complexity
Undoubtedly one of the most provocative aspects of ‘LET IT GO’ lies in its hidden complexity. On the surface, the track could be dismissed as yet another trap anthem lauding questionable lifestyle choices. Yet there’s an undercurrent of resistance, challenge, and vulnerability that anchors it firmly in reality.
The bravado-filled lines often serve as a masquerade for Carti’s reprieve, a way to confront and cope with the pressures that come with the territory. ‘Fuck my PO, he know I got hella guns’ might sound like recklessness, but could equally be read as an admission of being trapped in a system set against one’s rise. Thus, Carti manages to showcase the highs and lows of his journey without erasure of the difficult and often dangerous complexities that define it.
