Lët ya know by yeat Lyrics Meaning – Decoding the Depth in Simplicity

You can view the lyrics, alternate interprations and sheet music for yeat's Lët ya know at Lyrics.org.

Lyrics

This could be my last song, ho
It feel like I’m dying on the X, ho
Yeah, I be taking Percs just for my head, ho
Had to let you know, I said whoa

I just told you don’t come in the door, I said go
I had to tell y’all, I had to let you know, you not my ho
I just take the Perc’ and then I float
I pull up and I turn up, talking ’bout a, yeah, show

My money get taller every day, yeah, it grow
I know you been stalking my page, I know you lil’ ho, I know
Yeah, I went and ran it up, I had enough
Went and switched the Benz, I had it scuffed
Yeah, you’s a pick me up, no, no, I know your stuff
Yeah, you know, I call everyone, I call your bluff
Yeah, you know, you know the Tonka is my truck
Couldn’t decide on the Perc’ or the X, I took ’em both

We just laughin’ at your music, you a joke, yeah
These bitches jumpin’ on me like some rope
I make the best songs when I’m dyin’, I thought you knew
Yeah, you not my twizz, you not my twin, you not my bro, yeah

I just picked up on the side, I let it go
I just pulled up on your side, I’m in your ho
I just pulled up, made a mess and then I go
I’m richer than a bitch, I run the world

Now, go ahead, tell me what you said, what’s the word?
Now, go ahead, pull up on the cops and hit the swerve
I tried to tell you everything, you wouldn’t learn
I been one of the greatest to ever do it since my birth

This could be my last song, ho
It feel like I’m dying on the X, ho
Yeah, I be taking Percs just for my head, ho
Had to let you know, I said whoa

I just told you don’t come in the door, I said go
I had to tell y’all, I had to let you know, you not my ho
I just take the Perc’ and then I float
I pull up and I turn up, talking ’bout a, yeah, show

My money get taller every day, yeah, it grow
I know you been stalking my page, I know you lil’ ho, I know

In a music landscape dense with subtext and metaphor, Yeat’s ‘Lët ya know’ offers a visceral dive into the psyche of an artist grappling with success, substance dependency, and the inherent solitude of fame. It’s a track that thrums with the paradox of its own existence, cut from the fabric of trap beats and unabashed braggadocio.

Peeling back the layers of percussive bass and Yeat’s nonchalant delivery reveals a narrative that’s both a celebration of victories and an eerie echo of self-awareness. With ‘Lët ya know,’ Yeat crafts a sonic memoir that serves as both a pre-emptive eulogy and a defiant anthem of survival in a cutthroat industry.

The Prophetic Prelude: Contemplating Mortality Through Music

At the core of ‘Lët ya know’ lies a haunting premonition: ‘This could be my last song, ho.’ The line isn’t just a throwaway but a chilling reminder of the fine line Yeat walks between his art and the potential for it to be his swansong. The phrase suggests a brush with mortality, perhaps self-inflicted through ‘dying on the X’ — a reference to Xanax, a drug known for its addictive qualities and dangerous potential when abused.

The interplay of fame, fortune, and self-medication points to Yeat’s battle with his demons. Repeatedly mentioning his use of Percocet — ‘for my head, ho’ — turns the spotlight onto the growing issue of prescription drug misuse amongst the creatively charged and emotionally vulnerable.

Anthem of Isolation: ‘You’re Not My Ho, I Had to Let You Know’

Rap often juggles with themes of trust and loyalty, and Yeat’s emphatic disassociation in ‘you’re not my ho’ is a testament to the isolating effect of fame. Here, Yeat establishes emotional boundaries, marking a clear divide between himself and those who might claim intimacy without earning it.

This defense mechanism lies bare in the repetition of ‘I had to let you know,’ — a verbal barricade against the world. This is a narrative of Yeat taking control of the narrative around his relationships, personal or otherwise.

Beneath the Surface: The Hidden Meaning of Escape and Indifference

What appears as indifference in Yeat’s tone covers a hidden depth of wanting to escape. ‘I just take the Perc’ and then I float’ merges the themes of substance use with a yearning for weightlessness from his burdens. In these lines, Yeat hints at the seductive lure of oblivion offered by drugs as relief from the pressures of his environment.

Furthermore, ‘I pull up and I turn up, talking ’bout a, yeah, show’ juxtaposes his professional commitment with his personal withdrawal. His music-making process — involved in both creation and destruction — serves as both his cross and his catharsis.

The Financial Bravado and the Irony of Success

An ostentatious declaration of wealth runs through the veins of ‘Lët ya know.’ ‘My money get taller every day, yeah, it grow’ might be read as a superficial boast, but there’s an undercurrent of irony too. The continual growth of his wealth is depicted as both inevitable and perhaps unsatisfying — it’s not a process of joy, but simply a fact of his existence.

Yeat analyzes and dissects the trope of success within his music. The gloating is hollow, almost self-mocking as it serves to illustrate the emptiness that can accompany material gain. Similarly, calling out the ‘Pick me up’ and nonchalance about financial success highlight the cyclic, almost automated nature of gaining wealth in the rap game.

Reasserting Greatness Amidst Inner Turmoil: ‘I been one of the greatest’

Despite the vulnerability, ‘Lët ya know’ is not void of Yeat’s assertion of his place in the music pantheon. The line ‘I been one of the greatest to ever do it since my birth’ underlines a self-assured proclamation of his talent and impact. It’s a stark claim that angles toward the hope that his art will outlive any personal struggles or controversies.

‘Lët ya know’ serves as a conduit for Yeat’s artistic ethos — his insistence on his greatness amidst the cacophony of personal battles with addiction, fame, and the frailty of life. It is a track that demands acknowledgment not just of Yeat’s presence ‘in the moment,’ but his enduring legacy beyond it.