Lifeforms by Daughter Lyrics Meaning – Unraveling the Haunting Elegy of Existence and Loss


You can view the lyrics, alternate interprations and sheet music for Daughter's Lifeforms at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

From the beginning
Small lifeforms
They can kill without warning
So you don’t explode

Stop you growing limbs and thinking
That you love them now you’re blinking
And reminding her of him

Oh you steal his features
And your mother is a bleacher
She don’t even feel the heat no
She don’t even want to speak to you

But you, you’ll always find another place to go
(Oh you) you’ll always find another womb to grow, to grow, to grow

Well you can try to sink down deeply
And find the children lost at sea
Find the children who discretely
Were killed in infancy

To stop them holding you and screaming
That you’ll lose your wildest dreaming
Still reminding you of him
How he left without reasons

But you, you’ll always find another place to go
(Oh you) you’ll always find another womb to grow, to grow, to grow

You can try to forget me but I won’t let you easily
You can try to forget me but I won’t let you easily
I’m floating out in the water, washed out to sea
Drifting away with time you’ll regret you conceived it
Clean up the dead you leave behind
Just like insects

Clean up the dead you leave behind

Full Lyrics

In the world of indie music, hauntingly beautiful melodies often carry the weight of profound themes, and Daughter’s ‘Lifeforms’ is no exception. Behind the ethereal soundscape lies a labyrinthine exploration of existence, mortality, and the visceral connection between life and death. This chilling anthem by the English indie folk band Daughter resonates with a silent scream that echoes through the hollows of the human condition.

While the lyrics brush against a canvas of loss and detachment, lead vocalist Elena Tonra’s voice serves as a poignant tool for carving out raw emotion from the cold grip of the song’s themes. ‘Lifeforms’ extends beyond the angst of personal struggles, delving into the essence of what it means to exist within the transient space between birth and the inexorable finality of death.

The Cyclic Journey from Womb to Tomb

At first glance, the refrain of ‘Lifeforms’ that speaks of always finding another place to go, another womb to grow, conjures the notion of relentless human resilience. There’s a hauntingly cyclical pattern revealed here, a nod to the philosophy of eternal recurrence. It suggests a ceaseless loop, which is at once comforting in its familiarity and terrifying in its implications of a predestined fate.

Tonra’s involvement of contrasting life environments, from the protective womb to the open sea, serves as a metaphor for the journey of life itself. Despite the notion of growth and the inherent optimism that comes with the promise of new beginnings, there remains an underlying sense of despair – as if these new ‘wombs,’ these fresh starts, are just temporary havens from an underlying existential dread.

Deciphering the Haunting Chorus

The chorus repeats a haunting mantra that is both an observation and a grim reminder: ‘You can try to forget me but I won’t let you easily.’ It’s as if the song injects itself into the listener’s consciousness, becoming an inextricable part of their thoughts and experiences. This refrain digs beneath the surface, exposing our innate fear of being forgotten, of leaving no enduring legacy.

This line also speaks to the inability to escape the influence of those who have left us – whether they be ancestors, lost loved ones, or forsaken ideals. These ‘lifeforms’ linger, refusing to be washed away by the tides of time, instead embedding themselves in the very fabric of our being.

A Vivid Portrait of Generational Hauntings

Tonra magnificently weaves a narrative that extends beyond personal experience to encapsulate the generational transference of traits and traumas. In referring to a child inheriting stolen features and a mother’s indifference, there’s a commentary on how familial legacies can be both a blessing and a curse. The metaphor of a mother as a ‘bleacher’, erasing or whitewashing emotions, speaks to the cyclical pattern of emotional detachment passed down through generations.

‘Lifeforms’ delves into the complex interplay between nature and nurture, seemingly questioning the inevitability of inherited dispositions and the self’s struggle to assert individuality amidst these genetic echoes. This interplay tugs at the notion of identity formation within the context of family dynamics, where personal growth can sometimes feel stifled by the shadows of lineage.

The Hidden Meaning: A Comment on Human Erasure

One of the most piercing themes in ‘Lifeforms’ is the subtle commentary on how society processes loss and memory. The directive to ‘Clean up the dead you leave behind’ serves as a chilling directive to sanitize our pasts, to remove the unpleasant remains of what once was. Human erasure extends beyond physical existence; it encompasses the stories, the histories, and the potential that is wiped clean in the aftermath of life.

This line can be interpreted as a critique of how modern culture handles death and the remnants of life. The parallel drawn to the ‘dead’ and ‘like insects’ reflects societal tendency to minimize the significance of individual life forms, reducing the sanctity of existence to something as trivial and easily discarded as an insect’s carcass.

Memorable Lines: The Lingering Echo of Existential Melancholy

‘Well you can try to sink down deeply / And find the children lost at sea’ – these lines resound with a profound sadness that encapsulates the heart of ‘Lifeforms’. Such poignant imagery speaks to the inner search for those who have been submerged, lost beneath the waves of life’s tumultuous sea. It’s a search for what was, perhaps, never truly realized or valued, represented by the lost children, suggestive of lost innocence and potential.

The verse not only evokes a sense of mourning for what has been lost to the depths but also challenges the listener to confront their own depths – to find and address the submerged parts of the self. In engaging with ‘Lifeforms’, we are invited to undertake our own deep dives into the ocean of being, searching out the truths and lives silenced by existence’s relentless surge.

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