Loving Someone by The 1975 Lyrics Meaning – Decoding the Anthem of Dissent and Devotion

You can view the lyrics, alternate interprations and sheet music for The 1975's Loving Someone at Lyrics.org.

Lyrics

Yeah, you should be loving someone
Oh, oh, loving someone
Yeah, you should be loving someone
Oh, oh, loving someone
Yeah, you should be

My heart is telling me the telly isn’t telling me anything
I need but it needs to keep selling me
Besides celebrities lacking in integrity
Holding up the status quo instead of showing the kids
That they matter, who are they gonna batter next?
Just keep holding their necks and keep selling them sex
It’s better if we keep them perplexed
It’s better if we make them want the opposite sex
And disenfranchised young criminal minds
In a car park beside where your nan resides
Are not slow, they’ve just never been shown
That you should be

Loving someone
Oh, oh, loving someone
Yeah, you should be loving someone
Oh, oh, loving someone
Oh, oh

We’re all human, we’re just like you man
We’re sentient, or something or other
I can’t remember, whatever
We shouldn’t have people afloat
If it was safer on the ground, we wouldn’t be on a boat
Charlatan telepathy exploiting insecurity and praying on the purity
Of grief and its simplicity but I know that maybe I’m too skeptical
Even Guy Debord needed spectacles, you see
I’m the Greek economy of cashing intellectual cheques
And now I’m trying to progress, but instead of selling sex
And I think I should be

Loving someone
Oh, oh, loving someone
Yeah, you should be loving someone
Oh, oh, loving someone
Yeah, you should be loving someone
Oh, oh, loving someone
Yeah, you should be loving someone
Oh, oh, loving someone
Yeah, you should be

I am forever in alongside the boys in jumpers
On bikes from schools and cars
With autumn leaves fallen sparse across the mid-afternoon
She blazed about how cultural language is an operating system
A simple interface rendered feeble and listless
When tested with a divinity or a true understanding of the human condition
I never did understand the duality of art and reality
Living life and treating it as such but with a certain disconnect
To touch that cajoles at the artist with comfort and abandon
And between the spires and rolling roofs of the white city
That orange, English light cast only one, singular shadow
For you are not beside but within me

Loving someone
Oh, oh, loving someone
Yeah, you should be loving someone
Oh, oh, loving someone
Yeah, you should be loving someone
Oh, oh, loving someone
Yeah, you should be loving someone
Oh, oh, loving someone
Oh, oh

The 1975’s ‘Loving Someone’ is more than a mere melodic hook; it’s a sociopolitical manifesto wrapped in the velvet of synth-pop. This track from their critically acclaimed sophomore album ‘I like it when you sleep, for you are so beautiful yet so unaware of it’ dissects the contemporary zeitgeist with surgical precision, merging the personal with the pervasive in the way that only Matty Healy and company can.

Peeling back the layers of ‘Loving Someone’ reveals a labyrinth of themes, from media manipulation to the commodification of the human experience. The ardent outcry for genuine connection serves as both a balm and a battle cry in a society increasingly disconnected from the titular act of ‘loving someone’.

The Telly Tells Tall Tales: Unraveling Media’s Distorted Mirror

When ‘My heart is telling me the telly isn’t telling me anything I need’ rings out, it becomes clear that The 1975 is not just crafting a song but a statement. The band critiques how mainstream media and the entertainment industry perpetuate a cycle of mindless consumption and obsession with superficial celebrity culture, distracting from the substance of what truly matters in life.

The authenticity that ‘Loving Someone’ craves is juxtaposed against a tapestry woven from falsehoods and artificiality. As the song suggests, these narratives contribute to a status quo that ignores the pressing issues, instead ‘keeping them perplexed’ and preoccupied with trivialities.

Navigating the Binary Seas: A Closer Look at Societal Constructs

In a world fixated on formulating identities shaped around gender and sexuality, ‘Loving Someone’ challenges the audience to break free from these dichotomies. The lyrics call into question the motives behind such binary obsessions and the impact it has on young minds, ‘It’s better if we make them want the opposite sex,’ hinting at the manipulative tactics employed to maintain this cultural normative.

However, the band’s message serves as a reminder that such constructs serve more to confine than define, and ultimately, in loving someone, these imposed boundaries become irrelevant in the face of human connection and affection.

Dissecting the Duality: Artistic Integrity vs. Commercial Compromise

Healy sings of being ‘the Greek economy of cashing intellectual cheques,’ a metaphor amalgamating personal strife and national crisis to reflect on the balance between intellectual integrity and the pressures of conforming to commercial success. There is a discernible struggle in the quest for progress, where the value of artistry is pitted against the industry’s focus on ‘selling sex.’

The 1975, no strangers to dissecting their relationship with fame, weave through ‘Loving Someone’ a self-awareness that criticizes the way artists are nudged towards commodifying their vision and how this challenge is met with a yearning to remain true to one’s art.

A Lyrical Awakening: The Song’s Most Memorable Lines

‘We’re sentient, or something or other, I can’t remember, whatever,’ captures a generational nonchalance amidst a sea of information overload, reflecting the contemporary despair of connection and understanding. These lines resonate as an anthem for an overwhelmed society, echoing a collective yearn for simplicity and meaning in human relationships.

The philosophical undercurrent of questioning and uncertainty rings through the track, creating space for listeners to ponder their roles in the societal construct, and redefine their connections with others outside the confines of a commercialized industry.

The Silent Symphony of Social Commentary: The Song’s Hidden Meaning

‘Loving Someone’ unlocks a more profound dialogue about human nature, the condition of existence, and the systems we navigate. With ‘She blazed about how cultural language is an operating system,’ the band positions language—and by extension, culture—as mechanisms that shape our understanding of existence, while also limiting our perception.

The contrast between the platonic ideal of love and the grim reality of social engineering culminates in the realization that ‘loving someone’ becomes an act of rebellion. It is within this hidden meaning that The 1975 invite their listeners to find respite from a world of complexity in the sanctity of love and connection.