Matte Black – Decoding the Depths of Dark Rap Imagery

Lyrics

(You did good, $lick)
(It’s a smash)

Wetto, Wetto, Wetto
Wetto, Wetto, Wetto
Wet, wet, wet, wet, wet, wet

I got that Glock in my yoga pants
Fuckin’ that bitch in a yoga stance
Swangin’ that K with an open stance
Loaded from smokin’ that opium
Stain a lil’ boy in the clothes he’s in
All of my walls, they closing in
51/50, they tryna come get me
Just mindin’ my business and moseyin’
Matte black, smokin’ packs
Panic attacks, back to back
Xanax on my lap, debatin’, should I relapse?
But back to the ho I was talkin’ ’bout
I just wanna put it up in her mouth
Pimping up in my blood, what’s up, cuz?
Thuggin’ that dirty South
Four letters, two numbers, bitch, Grey59
Three fingers in the air, main bitch by my side
$licky pull up in a quarter mil’ and slaughter up your daughter
Yung Jesus with them Forgi wheels don’t walk, he drive on water
Any time, any place, any hood, any state
Good ’til it fuckin’ ain’t, woods to the fuckin’ face
Ridin’ with my baby sage, lines on expensive plates
Tears on my diamond chains, stoic never lookin’ phased
Poet when I’m spittin’ game (game)
Show me how that pussy shaved (shaved)
Dosage climbin’ with my shame (shame)
Mama cryin’ for my pain (pain)
Will they ever understand? Can I even help my dad?
Money fuckin’ up my fam’, givin’ until there’s nothin’ left
Pulling up in that latest (damn)
Choppa stay on me, don’t need no hands
Prefer to be lonely, don’t need no friends
Ho we just fuckin’, I don’t date fans
I’m with my cousin and talkin’ plans
Went to my hood and I copped some land
Blowin’ through my money like Democrats
Two-step on the IRS, fuck a tax

Why the fuck you look to me for help?
There ain’t an ace in the cards I was dealt
I’m thirty-one, still don’t know how to take care of myself
Honestly, I’m scared that I might melt
Leave behind a bunch of black spots on a white pelt
Maybe in the next life I’ll come back as a nice belt, i’on know
There’s a fine line between me and you
The biggest difference is I’ll snort that shit and probably puke
Dodge and juke all the bullshit y’all try and pull me through
But I’m still shining, baby girl wylin’
Catch me ridin’ by with that look in my eyes
Palms start to sweat, by the way I’m grippin’ my nine
Yeah, I’m always on my toes but I’m still the same height
Standin’ tall over my grave
Make sure it’s filled with all the people we supposedly saved
Make sure you throw the plaques in and all the money we made (we made)
I can’t put them on my wall, that shit just ain’t my taste
It ain’t my taste, it ain’t my taste
Lil’ shawty wanna marry me, I said, “You’re better off in debt”
If it didn’t work out, baby, I’ll be real hard to forget
German whips and private jets, private beaches to access
Fuck on me, baby, I’m still a mess and no, that ain’t a threat
I ride for my family, that’s Grey59
Try and be all I can be and not waste my time (not waste my time)
On the brink of insanity, I can’t make up my mind
Yeah, I battle my vanity and I think I’m blind

Four letters, two numbers, bitch, Grey59
Three fingers in the air
Three fingers in the air
Four letters, two numbers, bitch, Grey59
Three fingers in the air, mane
Three fingers in the air, mane
All about my family, that’s Grey59
All about my family, that’s Grey59
Try and be all I can be and I waste my ti-ti-ti-time
Try and be all I can be and I waste my time

Through the smoke of raw, unfiltered expressionism comes the song ‘Matte Black’ by $uicideboy$, a veracious earful of lyrical audacity and cold, unapologetic realism. The enigmatic duo, comprised of Ruby da Cherry and $lick Sloth, has always been revered for their ability to translate the ethos of a troubled psyche into a hauntingly melodic poetry. Deconstructing ‘Matte Black’ reveals not only the complex layers of personal struggles and societal critiques but also solidifies $uicideboy$’s role in pioneering the subgenre of shadowy, trap-laced rap.

As we dive into the Stygian waters of ‘Matte Black’, we unearth the socio-emotional underpinnings of the lyrics, exploring themes from the burden of fame and wealth to the raw corporeality of mental health struggles. The track is a smoldering mosaic—one that pieces together the dark, the exuberant, and the profound from the shattered stained glass of the human experience.

A Symphony of Sinister Sounds: $uicideboy$’s Genre-Defying Artistry

To string together the enigmatic verses of ‘Matte Black’ requires an understanding of the $uicideboy$’s unique sound. The track serves as a synergy of somber, heel-dragging beats with elements of Southern rap, infused with the indistinct chatter of a genre coming undone in the face of innovation. This atmospheric backdrop is not just music, but an audial canvas for the macabre imagery painted by the duo.

The song champions the shadowy grandeur that has become synonymous with $uicideboy$, juxtaposing confessional torment against braggadocious, if not nihilistic, lyricism. It’s a theatrical score for the misfits, a melody for the disillusioned—a sonic cry from the darkest corners of society’s alleyways.

Darker Than Black: The Hidden Angst in ‘Matte Black’

Beneath the surface of their stoic musical bravado, ‘Matte Black’ reveals a profound internal conflict. The song’s namesake, an allusion to a certain opaque hue, hints at the omnipresent shadow that follows the narrators, manifesting in their references to mental distress and substance dependence.

Sentiments of isolation and the weight of expectation seep through the cracks of their armor. The motif of darkness in ‘*Matte black, smokin’ packs*’ becomes a metaphor for the smokescreen built around their personal battles with anxiety, addiction, and the insatiable emptiness that fame and fortune evidently cannot fill.

The Infamous Lines: Echoes of Existential Ennui

‘*I’m thirty-one, still don’t know how to take care of myself*’, captures a raw, unnervingly honest admission. These lines vocalize a sentiment felt by many, but often left unspoken—a struggle for self-care amidst adulthood’s relentless torrent, which even fame cannot ameliorate.

With these candid revelations, the $uicideboy$ strip away the veneer often associated with rap bravado, offering an unfiltered glimpse into the underbelly of their lives. This daring vulnerability is what etches ‘Matte Black’ into the minds of listeners, cementing its verses into the corridors of introspection.

Familial Bonds and Personal Demons: A Dichotomous Dance

Repeated reference to ‘Grey59’, the collective and record label the duo belongs to, highlights the theme of loyalty and belonging. Even as they spiral through a labyrinth of personal struggles, the $uicideboy$ clutch at their roots, drawing strength from their chosen family amidst the chaos.

‘*Try and be all I can be*’ shifts perspective from individual anguish to communal aspiration. The dichotomy of striving for self-improvement while simultaneously falling victim to one’s demons presents the human condition at its most raw—a recurring beat within the track that throbs with the intricacies of the human spirit.

A Labyrinth of Luxury and Loss: The Paradox of ‘Matte Black’

The alluring sheen of material success reverberates throughout the song, baring a stark contrast to the hollow echo of emotional turbulence. ‘Matte Black’ becomes a paradoxical anthem, oscillating between an exultation of the tangible—luxury cars, glittering wealth—and the intangible void of unresolved inner turmoil and relational dissonance.

In essence, $uicideboy$ question the cost of their opulent lifestyle—exemplified in ‘*German whips and private jets*’—and whether such extravagance can ever compensate for the internal disarray that pervades their existence. The very foundations these luxuries stand on are interrogated and left as a tableau for the listener to ponder.